From Out Of Nowhere

Taste Review 151 – Glen Elgin 14 (Whisky Shop Dufftown Exclusive)

Some things come out of the blue when you are least expecting it. Like a review from myself when I’ve been silent for so long. It’s mainly because of work and family life, but also there is an aspect of I couldn’t be bothered. For those of you who followed my twitter account, I guess that my disappearance was a bit of a surprise, but it had to happen. I’m ambivalent about Twitter now, whether or not the Scotty’s Drams account re-appears is still in the balance.

I was recently at work in Newcastle during a dry dock period for my ship when I got an e-mail that told me I had a delivery on the way. Confusion triumphed as I thought I had been good, and hadn’t ordered any more whisky. I searched through my inboxes to see if I had any receipt from unknown purchases, yet nothing showed up. I was eventually able to deduce that the delivery was from Whisky Shop Dufftown. Even more curious, as I knew that I hadn’t ordered anything from them, often preferring to call in when passing. Was I to be the recipient of somebody else’s whisky? A quick message exchange revealed I was going to lucky, as I was to receive a sample of a Whisky Shop Dufftown Exclusive bottling.

While this has been provided solely to say thank you for my supporting that shop, and was not intended to be reviewed, (I certainly haven’t been asked to promote this item), I have to be open about its source. Followers of this blog should remember that I don’t like being given samples explicitly to review, and have turned down offers in the past. However, I haven’t ever reviewed a Glen Elgin so have decided to take this one as my first. So in disclosure, this review will count as a promotion under ASA rules.

Glen Elgin is a whisky that you don’t see a lot of, but there is a good reason for that – it is mostly used for blends, predominately it is used in the White Horse Blend. The distillery is located in the Morayshire hamlet of Fogwatt, just off the A941 on the stretch between Rothes and Elgin. There is a cluster of distilleries in the region, with Benriach, Longmorn, Glenlossie and Mannochmore being close by. Glen Elgin distillery was founded in 1898 by William Simpson and James Carle, producing its first spirit by 1900, but was short lived, closing under 6 months later and had intermittent production until 1906 when purchased by JJ Blanche. I wonder if Glen Elgin was a victim of the Pattison crash? It was next purchased by Scottish Malt Distillers in 1930, and starts producing spirit to be used in the White Horse blended whisky. The distillery continued production, with expansion in 1964 to increase the number of stills. The distillery closed in 1992 for three years so refurbishment could take place. In 2001, Glen Elgin appeared in the Flora and Fauna series to boost the range which had started 10 years previously with 22 original distilleries. Disposal of some of the distileries had depleted the range so 4 other bottlings were added. The others were Glen Spey, Auchroisk and Strathmill, with Glen Elgin leaving the Flora and Fauna with the release of a proprietary bottling, which I believe was released around 2004.

I have a little issue with Diageo Malt whisky. While they do make acceptable whisky, they just don’t seem to go beyond the bare minimum, with many of their bottlings not even making the enthusiast basic minimum of 46%. Sadly 43% is as much as you get in a core range, meaning that it’s probably been chill filtered and takes away some of the tasty goodness. What really galls me is the spirit they have at cask strength is usually pretty good. I’d like to refer this to my visit to Oban distillery, where we were given a sample of a 9 year old straight from the cask – delicious. It was a bit of a let down to be given the bog-standard 14 year old at the end of the tour, along with the obligatory push about the Games Of Thrones whisky on offer.

It wasn’t a one off – last year I made peace with my bank account and paid close to £120 including shipping for an Oban 10 year old Special Release. Yet again, another cracker of a whisky at a cask strength, albeit the price was a bit salty for a 10 year old, even if it was at a higher ABV. Going back further in my blog, I can recall the Allt Dour bought from Robertsons of Pitlochry. Distilled at Blair Athol distillery, its another Diageo release that needs to be bottled by somebody else to make the most of the distillate that is produced.

Independent bottlers are often the source of good whisky, often being a lot cheaper than original bottlings and you are more likely to find the benchmark standards of Non-Chill filtration, no added colour, age or vintage statements and a decent ABV. Having independent bottlers means that you can buy a cask and have it as an exclusive release, without having to rely on the whims of the producer. Such is this that arrived at Scotty’s Drams HQ from the Whisky Shop Dufftown (WSD). Bottled by Berry Brothers and Rudd, a bottler with a good reputation, the latest WSD exclusive is from Glen Elgin, distilled in 2008, making it 14 years old and bottled at a healthy 53.4%, with no added colour or chill filtering This is the sort of whisky that enthusiasts should be demanding.

The note accompanying the delivery read “It may not be to your taste, but it is whisky” was quite amusing, but never a truer word as been said in jest. Let’s see if the independent bottling trumps any original Glen Elgin I’ve had in the past.

Glen Elgin 14 – Whisky Shop Dufftown 2023 exclusive (Berry Bros. & Rudd)

Region -Speyside Age -14 y.o Strength -53.5% ABV Colour -Pale Gold (0.3) Cask Type – 1st Fill Bourbon Colouring -No Chill Filtered -No Nose – Honey and citrus. Lemon curd, creamed coconut. Toffee note becomes noticeable after adding water and the floral note also becomes more apparent to me. Palate – Gentle arrival considering strength, as I initially tasted without water. Slightly waxy with citrus dominant. Grapefruit, pineapple and a gentle peppery heat. WIth water, it became more oily, and there was a taste of green grape that was past its best before date. Finish – Medium – long. Slightly astringent – oak spices, honey, pepper heat continues, with the heat being slightly increased with the addition of water.

Thoughts

Quite surprising. I didn’t get many of the notes that the producer gave, but I got quite a few of the notes that were found by the Whisky Shop Dufftown, which for me is unusual. Bourbon maturation isn’t really my jam; I prefer something finished by a fortified wine cask of some description, but as WSD pointed out, it may not be my taste, but it was whisky. While it didn’t grab me immediately, over the course of the evening that I nursed the sample, I warmed to it. The biggest plus point for me was the subtle delivery of a higher abv, which didn’t leave my throat feeling like a towering inferno.

This was a limited bottling of only 227 bottles and is reasonably priced for a Single Cask 14 year old whisky at £83. While I am sure there are some people will moan at the price, lets put it into perspective of a 10 year old Diageo Special Release at £120 including delivery. Diageo charge the earth for their ‘limited’ SR editions, yet here is a rarely seen Glen Elgin that is single cask and gave me equal or more supping pleasure. Of course, you could be one of those who paid €385 for a 10 year old single cask Dingle that had around 271 bottles released, yet never really know the pleasure of drinking it. But thats something for another blog…

Thanks to Mike, Vicky and Kat for the chance to taste this dram.

Yours In Spirits

Scotty

Index of tastings here

Index of articles here

Photo Credits

All Photos – Authors Own

The Dark Half.

Taste Review #147 – Linkwood 19 y.o (Darkness – Atom Brands)

As we approach the New Year, memories come back of the years past, of preparing your house for the Hogmanay to come. The lazy Susan would be loaded with peanuts and crisps, the cocktail sticks would be loaded with small pickled onions, cheese, pineapple chunks and perhaps cubed ham. As kids we’d be sent to bed early evening to get ready for being awake late at night. The cans of MacEwans Export and Tennents (with the swimsuited ladies) would be loaded into the fridge and your mum would be frantically baking, so all she would need to do was throw some frozen sausage rolls into the oven when the moment required it.

***A festive regular from the 70’s and 80’s (@copmoustache)***

The next day usually consisted of a visit to relatives, with the parent the least hungover elected to drive to meet your aunties and uncles, and endure more drinking while you were landed with at best coke and crisps. If you were lucky, the Advocaat and lemonade was shared. Not that it is advisable nowadays to admit that you enjoyed drinking snowballs at New Year parties. Those who know, know.

And such was the Hogmanay process repeated throughout the 1970’s when I was a kid. In a quieter moment, somebody would get maudlin and perhaps come out with something what they think was far reaching and insightful.

Fit’s for ye winna ging past ye.
some twee bollocks.

For those who don’t speak Doric as a native language, that translates to “what is for you, won’t go past you.” It was a favourite of my Scottish Granny to say this, but to be honest I don’t think she had bottles of whisky on her mind when she was saying it. And saying to that to a person who is chasing a bottle that they are unlikely to get isn’t really that helpful, for that person is determined to get it, perhaps at any cost.

By this time the more sensible amongst is should know that whisky chasing isn’t a sport for the mentally healthy. In my view it can quietly be as destructive as many other habits when you consider the anguish of not getting what you want, the obsession in finding it, resulting in you spending a large part of your time online, trawling through retailer websites, obsessively looking at each auction or constantly leaving posts online via whisky social media to find out has anybody got the bottle you desire. Many will find this behaviour pretty disturbing and unhealthy, but I confess that this has been me.

I have a problem.

For those of you who know me or have met me personally, then you may beg to ask “what problem is it this time?” as it could be argued that I exhibit one or two behaviours that may often be classed as, to be succinct, ‘odd’. I personally don’t see anything wrong with having a few eccentricities, which is how I prefer to think of things. I mean, who doesn’t have or need a talking spanner? Let me introduce to you my mate Tommy Threequarters-Inch (to give him his Sunday name). Tommy was introduced to me upon a disastrous project in India this year that was supposed to be only 6 weeks long and became close to 4 times that.

The initial idea behind Tommy was to feign madness and therefore be removed from the vessel and spend some time at home with loved ones. It’s a risky manoeuvre, as you risked getting painted with the looney brush and never stepping on an offshore vessel again, but seeing as half the people I work with seem mental at times I was prepared to take the risk. And I was off the ship the very next day…

…only due to visa issues, but Tommy was always kept in the back pocket so to speak when things were getting a little too much. Not so much as to get off the boat, but to provide a little light relief amongst the shift. Those who work offshore will understand. It’s not so much madness but just a dark humour. If we didn’t have a laugh, we’d be bashing each other’s heads in. Turns out that actually happened recently.

***Tommy rises again. This time in the Congo.***

Madness can be described as trying the same thing over and over again, still expecting a different result. While during my career I’ve seen plenty of others do this, on this one occasion when I’ve had the urge to keep on trying to find a Linkwood 19 from the Darkness range, I’ve done my initial searches and given up. I’ve had the odd look online to see if anything similar turns up and did look on a few auction sites, but as I mentioned in my review of the Auchroisk 9 a couple of weeks ago, I knew I’d eventually find something similar. While I think I did with the Auchroisk, it what was to happen next sort of stunned me.

So, let me introduce you to a Scotty’s Drams follower called Billy. A fellow whisky drinker and offshore worker, Billy contacted me to let me know that he had found a Linkwood Darkness bottle I wanted in Germany and could through various means get this to me. This was in March of this year and of course I said that I would be happy to pay what he wanted for it. I did wonder if he’d give change for my first born, but I’d have happily paid in hens teeth – an easier denomination to count out.

Fast-forward to the end of June when both of our schedules met up, and I was able to travel to the east coast of Scotland to pick the bottle up. I could not believe that I had found a holy grail of whisky that I craved. And it didn’t cost me payment in offspring but some good hard cash. Billy and I had a great chat over a coffee, mostly about whisky and collecting. It was great to think that whisky is the thing that can bring likeminded people together. We don’t need to imbibe as much as possible. We don’t need to be drinking the most expensive whisky available. We just need to drink what we enjoy, and know why we are enjoying it.

Linkwood 19 y.o

Region – Speyside Age – 19 y.o Strength – 48.5% Colour – Tawny 1.4 Cask Type – Bourbon / PX Octave finish Colouring – No Chill Filtered – No Nose – toffee, coffee, hint of apricots, honey, ginger. Palate – rich toffee, instant coffee, raisins, sultanas, ginger bread and clove. Ginger snaps Finish – Sweet coffee, chocolate, cream, ginger. Medium – long finish.

Conclusions

Was it as good as when I first tasted it in London? No. It wasn’t.

That may come as a surprise, but don’t let me fool you, this was still very very good and I enjoyed it very much. While some people may see £120 for 50cl as expensive (it is), Master Of Malt are selling younger whisky in 50cl bottles for more than this. But it’s the way it makes you feel when you drink it that should be the deciding factor. When I first drunk this dram, it was on a night out and in a place that I was not familiar with, and if being honest, perhaps that coloured my judgement, as I was having a great time. But whilst I still found the same notes that I remembered from before, they weren’t as vivid as I prefer to romanticise about in my mind.

The common sense reaction is to remember that this had been a bar bottle that I first drank a nip from and my bottle hasn’t been open nearly as long. So this one will remain ungassed and we will see how it matures with a little bit of oxidation.

Or perhaps this is just my memory playing tricks on me, or it’s similar to taking statements from accident witnesses: – if you don’t take them quickly, it’s been proven that people often unconsciously embellish their testimony based on what they thought they saw, and other experiences are starting to colour the real version of events. But for me, what it does do is highlight the points I made before in my Auchroisk 9 review, where although I thought these things were very similar, they are in fact quite different if you compare tasting notes. Our memories can’t always be relied on, therefore it is often crazy to chase a bottle, especially the rarer or expensive when something else will give you a similar or cheaper ‘hit’. Only perhaps when we examine in fine detail will we find differences but at that point to be it stops being enjoyable and more of a chore to drink. Just get it down your throat and enjoy responsibly.

To prove a point, I had another dram of each and placed them side by side. While there were slight differences in colour, by tasting alone, I found the differences hard to pick out, yet when looking back at my notes, they are demonstrably not the same. A trick of the mind or memory?

***The Auchroisk 9 and Linkwood 19 side by side.***

It’s hard to say what it was, but it further reinforces my belief in that it is pointless wasting time, energy and money on chasing a whisky to drink based on what you have tasted before. You are always going to find something that gives you the warm and fuzzy feeling that another whisky has given you in the past. To chase it just because you haven’t had it or need it for your collection is also a form of madness.

But I’ve been there before. More than once as well. Why not join my club? Plenty of room on the helicopter that flies over the Cuckoo’s Nest.

POSTSCRIPT.

It just so happens that despite my advice on chasing bottles has been put to one side. Jealousy got the better of me when I saw that someone on Twitter got 2 Mackmyra Grönt Te, a whisky I reviewed as part of my dabbling in world whiskies. I liked it, but as it had sold out by time I tasted my sample, I knew chasing that was pointless. That didn’t stop me looking.

Anyway, a quick Google found it for sale at CASC in Aberdeen. I ordered two and hoped for the best. These turned up on the 29th of December. One for opening and one for opening at a later date – maybe.

A lucky second happy ending for 2022.

And thanks to Billy for sourcing the Linkwood bottle. Legend.

Yours in Spirits

Scotty

Index of tastings here

Index of articles here

Photo Credits

Cocktail Hedgehog – @copmoustache (Twitter)

All Other Photos – Authors Own

Street Spirit

Taste Review #146 – Inchgower 5 – Murray McDavid Spirit of Speyside 2022

Of all the spirit swaps I’ve done, this one was probably on track to be the most depressing one, entirely due to the weather though thankfully it had its high points, for I was delivering whisky for a fellow member of the social media whisky community that I hadn’t met yet. After all, isn’t whisky the reason we are all together?

It was certainly a mission of mercy. Aberdeen Whisky Shop had a shop purchase only of a Thompson Brothers release, and my fellow whisky enthusiast couldn’t get down from Inverness to Aberdeen to collect them. These were the Craigellachie and secret Orkney bottling. Fortunately I had business in Aberdeen and was able to collect. Due to work it was harder to deliver, but met a couple of months later in a supermarket car park on the outskirts of Inverness.

Such a dreich day you’ve never seen. On the way up the A9 over the Slochd pass and past Tomatin distillery, I can’t remember having seen rain come down quite as hard. As I drove I kept repeating to myself that it had to be better in Inverness. That thought was totally fruitless, as if anything it was worse. Despite setting a time to meet, I obviously turned up early as you can never predict the time it will take you to travel on that road. Sad fact is that there are too many people on the A9 that don’t drive anywhere near the speed limit, causing frustration on the single carriageway sections. At the other end of the spectrum are those who also drive nowhere near the speed limits but in the opposite direction, mimicking a world land speed record attempt and the world’s most hazardous overtaking manoeuvre all in one go. It’s no wonder that the A9 is pretty much the most dangerous road in Scotland, with around 11 people killed in this year on the stretch between Perth and Inverness, making slow and steady in the inclement weather the order of the day.

Yeah, hanging around a carpark with the rain beating down on the roof of my car, radio on listening to the weather reports of other areas getting it just as bad didn’t fill me with joy. I was starting to feel like a drug dealer and then I started to muse as to what street drug dealers do in the winter? It’s can be fairly brutal in the darker months of freezing rain, snow and ice. But before long, my contact turned up.

This is where being chatty and forgetful almost became my downfall. For not only did I stand for a while chatting in the rain, taking my chances with pneumonia, but also as my colleague walked away, he suddenly remembered that he hadn’t paid me for the whisky. Note to self: – don’t become a drug dealer, I’ll not make money.

I got some samples as a reward for picking up the bottles and one of them was this Inchgower, bottled by Murray McDavid for the Spirit of Speyside festival. My last review was for another Spirit of Speyside release that was bottled by Murray McDavid, the 9 year old Auchroisk. This sample just to look at didn’t give anything away due to the tinted plastic bottle, so my normal colour misconceptions didn’t kick in. The age misconception did not go missing in action though. While I know that age is not the only thing to determine how good a dram will be, I can’t say that I’m over enthusiastic about drams under 10 years old. Neither am I that enthusiastic about the only regular official bottle from Inchgower distillery, the 14 year old Flora and Fauna. While not bad, it’s hardly brilliant. Only one thing for it and that’s putting it in a glass and having a go.

Inchgower 5 y.o – Spirit Of Speyside 2022 (Murray McDavid)

Region – Speyside Age – 5 y.o Strength – 53.6% abv Colour – Auburn (1.5) Cask Type – Sherry Oloroso Hogshead Colouring – No Chill Filtered -No. Nose – Sweet and rich. Dark chocolate with raspberry – a Ruffle bar for those who know, orange peel, caramel, slight leather note. Palate – Sweet to start with but takes you on a wild ride which I wasn’t prepared for. This really needed water to open it up. Stewed plums, prunes, light peppery spice. Then mid palate the flavours start a riot similar to those in 1980’s Brixton or Toxteth. Sweet, bitter flavours. Tannins from the cask give a slightly bitter taste and a slight drying effect, but then there’s a hint of salty liquorice. Then burnt sugar, then buttery caramel and back to an oily sweetness, but the spice remains. Finish – coffee, chocolate taste, treacle toffees, molasses, ginger and spice which decreases slowly. Long finish.

***Hello beautiful. Where have you been hiding?***

Conclusions

I haven’t sworn on this blog yet and am not away to start now, but I’m sure my wife heard me say “Duck Me” when I tasted this. Yup, this was an absolute banger. Another great whisky that’s going to be hard to get, if ever but even if I manage to lay my hands on one, it won’t be remaining closed. It certainly speaks volumes why often independent bottlings really ramp up the value aspect compared to the official releases. This was far better than the Flora and Fauna by a country mile.

I’ve often doubted my palate due to regular long stints of alcoholic abstinence and sinus problems, but not this time. There were bags of things to taste here and they weren’t hiding away. They were bursting to get out and when they escaped, the result was a flavour riot on my tongue. All too soon the dram was finished and once again I’m left with slight regrets of a whisky I’ll never taste again. At least I’ll know to hang on in there; there will be something similar waiting for me to discover it in the future.

Thank you to my whisky brother for the generous samples – I look forward to trying the others. Hope you enjoy your bottles. Finally, thanks for remembering that you hadn’t paid me. That would have made the afternoon completely dreich.

Yours In Spirits

Scotty

Index of tastings here

Index of articles here

Photo Credits

All Photos – Authors Own

Hope Is Important.

Taste Review #145 – Auchroisk 9 y.o (Murray McDavid)

Have you ever tasted a whisky, then realised that you’ll never get it again? I have, quite a few times, although the wise amongst us will know that while whiskies are pretty much unique, the chances of getting something very similar is quite high. Well, I had that moment last year when I was stuck in London for 10 days in September last year. I took the opportunity to meet a fellow whisky enthusiast in Milroys of Soho, and I had a great time, as any whisky enthusiast would in a specialist whisky bar. Of course I wrote a blog about it, but the great regret was one of the whiskies I had was one I’d likely never get again. A search of the internet the morning after made it clear that I’d be more likely to find a mouthful of hens teeth in a pile of unicorn turds than find this whisky. Therefore I’d have to find an alternative.

They say that time stands still for no man, and that’s precisely what happened. Before long we were into March 2022, and I had all but given up hope of finding this whisky unless I was fortunate at auction. In desolation I paid a visit to the Speyside Whisky Shop, where I was invited to smell a sample of a whisky and to guess what it was. And to my surprise, I smelt all the key notes of the whisky I was mourning. When I was informed that this was to be their bottling for the Spirit Of Speyside Festival in May, I immediately intimated that I would love to buy at least a bottle.

Fast forward to the end of May when I was finally able to purchase it, unusually for me I was straight into the bottle. Was it the same as the whisky I yearned for? No. But it was darned close. Having a wee bit more abv, a decade less maturation and a different sherry cask finish meant it would never be the same but it was enough to cheer me up enough to realise that I could probably now relax and end my search for the whisky I was never likely to find.

I’m quite comfortable in admitting that I probably don’t have the best of palates, especially due to sinus problems brought on by having my nose broken (also known as talking when I should have been listening), though I can taste enough and still I’m able to learn and educate my palate by tasting many whiskies like everybody else. It’s easy to observe that many people in the whisky orientated social media drink quite a spread of whisky, which will develop their palates too, but how well will it develop their memory?

***As you can see, this bottle has been raced through, but there has been a few samples shared.***

Due to my employment patterns interrupting my enjoyment of whisky, coupled with the fact that once home I don’t want to spend every evening with alcohol when I do have time to drink results in the fact I may lack the practical tasting experience of others. However there are a handful of whiskies that I do remember the profiles pretty well, despite some of them only being sample size. I just can’t picture me remembering every single whisky I have ever tasted. While I might recall the general distillery profile, the exact taste I won’t. Hardly surprising, for I am the person who walks into a room then wonders why they went there in the first place. I joke that it’s not so much Alzheimer’s but more ‘auld timers’ that caused it. However, in spite of the variety of whiskies as I have managed over the years (mostly pre-fatherhood), I have to admit that I’m starting to see many as pretty much of a muchness, where only the truly standout whiskies for me stand a chance of being remembered. Am I alone in this?

Plenty of others are able to consume at will and search for the whisky-de-jour, but will they remember much more than the approximate profiles of those gone by in the past, other than an obvious distillery style? The restless cynic in me means that I personally doubt it. While the mind is a wonderful thing, I prefer to think unless it’s a dram they really identify with, in all honesty most people will only remember general profiles, unless they work in the industry and this have a vested interest in having such recall. That’s just my opinion, and of course everybody has a different whisky journey behind and before them. We can refer back to tasting notes, but I am of a mind that we can’t really always rely on them unless it’s a dram you have spent a lot of time with. Tasting notes can often represent that snapshot in time you had that bottle, which if you only got one or two, may not be a long time depending on how quickly you drank it. Our taste buds change over time too, so that whisky you tasted once then coveted could well be a disappointment if you have it again.

Food for thought? I’ll have probably forgotten this by time I publish this anyway, so don’t be afraid to remind me.

Anyway, this Auchroisk that was bottled for the Speyside Whisky Shop is my little aide-memoir to that early autumn evening in Soho.

Auchroisk 9y.o

Region – Speyside Age – 9 y.o Strength – 55.3% Colour – Russet Muscat (1.3) Cask Type – Oloroso Hogsheads Colouring – No Chill Filtered – No Nose – Dark fruit. Dates, figs, toffee, dark chocolate, strawberry, vanilla. Palate – creamy mouthfeel, with a prominent toffee and coffee note. Develops into a sticky toffee pudding taste with sultana and dates. The spirit starts to make an appearance with peppery heat appearing. Finish – The peppery heat dissolves back into a spiced fruit loaf with a hint of nutmeg. Medium long finish.

***Perfect tone for the colour slave that I*** ***am.***

Conclusions

A cracker of a whisky. Extremely enjoyable but unfortunately after a few glasses I have to concede that it just wasn’t the same as my memory remembered from last year. Close, but not close enough. The purchase price of £62-ish was good enough value for this dram.

Unfortunately you are unlikely to be able to buy this one, unless you are lucky to get one at auction, though I think I’m safe to assume that everybody that bought this bought it to consume. I managed to get two bottles and while I told myself one would be stored, I think I’ll be opening that one too. After all, the main takeaways from this article will be:-

1/Chasing whisky is part madness – there will always be another whisky which is close to what you seek.

2/ Does rare really matter? While there are some genuinely rare whiskies based on availability of stock, it seems that some whiskies are artificially made rare through the choices of the bottler to limit releases by only partially bottling a cask. If for example an IB releases a 12 year old “Glenbollox” finished in an Octave, then while it may only yield around 70 bottles, then there is still the rest of the Hogshead somewhere in the trade to be released with another finish. And unless it’s a unique cask and a rare vintage; it’s not really genuinely rare to the drinker – there will be other whiskies that taste similar that won’t have the same premiums, be they genuine or manufactured attached to them.

You’ll just have to find it.

And lastly, being totally contrary to my points above, did I really give up the search for that mythical whisky? No, not really. While I believe it is better to have loved and lost than never have loved at all, my OCD decided not to let go. After all, sometimes you never find something, but it finds you.

To be continued…

Yours In Spirits

Scotty

Index of tastings here

Index of articles here

Photo Credits

All Photos – Authors Own

18 and (a) Life.

Taste Review #144 – Speyburn 18

Today has been a time for reflection.

The dram I have sampled for you today was bought for a special occasion, but there never seemed to be a special time for it. While I was purchasing world whisky samples for my previous reviews, I saw this Speyburn and thought it would do to make up the numbers, though it just joined a long queue of sample swaps and other miniature bottles I thought I’d buy. One of my followers very generously gave me a Glenugie 32 year old old over two years ago and I’ve still to try it, but I’m wanting the perfect moment when I can sit and savour the dram rather than just gulp it and think “Oh well.”

It was by pure accident that this dram was opened on the day of Queen Elizabeth II’s funeral. I’m no monarchist at all, preferring to hold an ambivalent view of them. However I’ve had respect for Queen Elizabeth, as she held standards from an era gone by, plus was often in Aberdeen for the annual trips to Balmoral. I also understand the feelings of many servicemen past and present who have sworn allegiance to the Crown to defend our country. I’ve not felt comfortable about those saying that people are venerating our monarch now are bootlickers, as would they rather give an oath to our politicians? One former leader has certainly been found wanting as has his immediate replacement. Plus, politicians are much more temporary than a monarch, only being there by the whims of the electorate.

However, I’m no republican either although I’ve found a wee sympathy for this cause. To see how much has been lavished on a state funeral when we have people struggling with energy bills, etcetera, it’s hard to argue against. But in the end you have to accept that Queen Elizabeth has had an admirable reign, and as she’s the only monarch I’ve known, I’ve little idea how things will move forward. With King Charles already being 73, I can foresee change again in my lifetime.

A very reflective time indeed.

And we turn to this Speyburn 18 year old. This distillery is owned by Inver House distilleries, in turn a subsidiary of InBev; a Thai corporation that also own the Old Pulteney, Balblair, An Cnoc and Balmenach distilleries. Speyburn was opened in 1897, the diamond jubilee year of Queen Victoria. Founded by John Hopkins, the distillery is nestled into a steep sided glen through which the Granty Burn flows. Interesting fact though is that the Ordinance Survey Maps show it to be the Broad Burn by time it reaches the distillery, although the Granty Burn is still part of the same watercourse, but further north towards Elgin. It doesn’t really matter and the Granty Burn has a better sound it. Another interesting fact is that due to the topography of the small glen that Speyburn sits in, the legendary Charles Doig had to build his distillery a bit taller. Often all you see of the distillery as you drive past on the A941 Elgin to Rothes road is the Doig ventilator poking up above the trees.

The other thing that goes past the distillery is the remains of the Speyside line from Elgin to Craigellachie. What is unusual is that Speyburn never had it’s own railway siding, unlike Glenlossie, Benromach, Longmorn and Coleburn. The only other distillery in the area that didn’t have a siding despite the railway going right past the buildings is Glen Elgin. This is confirmed by looking at historical maps. Rothes distilleries used the station goods yard. It wasn’t until 1950 that the distillery horse and cart were replaced by a tractor and trailer. Sometimes when driving on the A95 and A9 I wish that the Speyside line was still operating. When you consider that the majority of the distillery lorry traffic destined for any of the Speyside distilleries has to go on this route, thats a heavy load. Plus there’s few places to overtake.

Speyburn used pneumatic drum maltings until 1967, when these were removed in favour of bought in malt. It wasn’t until 1992 that DCL sold Speyburn to Inver House. At that time the only official release was the 12 year old Flora and Fauna, which as the deal included the stock, brought the production of that bottling to an abrupt end and is now probably the most expensive of all the 26 Flora and Fauna range. A whisky that used to cost less than £35 now costs anywhere between £1800 – £3000 at auction plus the usual fees. I own a couple of them, but the problem is that the whisky in the bottle is never going to match the price tag, so they are expensive paper weights. If you want to taste a contemporary Speyburn, then you have to either find an independent bottling or try the 10 year old in the core range, which is at 40%. I’ve reviewed this before and found it acceptable given its often sub £30 price, the only other core range that is cheaper is the NAS Bradan Orach, but that’s never really stood out to me so far, therefore I haven’t bought it.

If you want to try Speyburn as an enthusiast, your only real options in my opinion is to get one of the many tempting travel retail options, where even the 10 year old is bottled at 46% or you can get the 15 or 18 year old. In my last review of Speyburn I suggested that while the 10 year old core range was great value, I think I’d be buying a full size bottle of the 15 year old. That never happened as I detailed above. I did end up buying a 2004 13 year old Shinanoya cask from auction, but this was an accident, as I was actually meaning to bid on the 25 year old, but ended up bidding and winning a bottle which was EU based. I guess having an EU based mother in law has its advantages all of a sudden.

I suppose that I’d best get around to tasting.

Speyburn 18

Region – Speyside Age – 18 y.o Strength – 46% abv Colour – Russet Muscat (1.3) Cask Type – Bourbon / Sherry Colouring – No Chill Filtered – No Nose – Wine Gums, toffee, strawberries, honey, Palate – not a very aggressive introduction, rich mouth feel. Sweet, raisins, slight oak, touch of malt, cocoa powder. Strawberry, plum, cinnamon with a hint of ginger. Finish – dried fruit, smoky malt, wood spices.

Conclusions

This dram is spot on. It wasn’t the most complex to me but there was a little bit there, which was opened up with a drop or two of water. It was an easy dram to drink, and you could feel that this one may go down the throat a little bit too easily. But here is the reason I really think this is spot on – the price. While there maybe better 18 year olds to had, you have to have a fairly large wallet to afford them. We’re looking at you Talisker – £185 is scandalous, as this could in theory buy 2 bottles of Speyburn 18 year old and a bottle of Bradan Orach. The cheapest I have seen the 18 year old online was £74.95, but Master of Malt or TWE have it for a smidge under £79. Amazon were one of the more expensive, at £82, but this is still good value for an 18 year old dram. Inver House do produce good whisky at reasonable prices, one other example has to be its other Speyside core range from An Cnoc.

This can easily be recommended, and if I am wrong, you can take solace that you haven’t broken the bank to break your heart.

Yours in Spirits

Scotty

PRICES CORRECT AT TIME OF WRITING (30/10/2022)

Index of tastings here

Index of articles here

Photo Credits

Speyburn Distillery – Andrew Wood (Creative Commons Licence CC BY-SA 2.0)

All Other Photos – Authors Own

It’s the season to be jolly.

The festive (or festival) season is here.

No, don’t panic, it’s still over three months until that season at the time of writing. It’ll be some time before your kids will be getting excited by a fat man in a red suit carrying a large bag. My kid gets that any time of year I put on an old pair of work overalls to do some tidying up in the garden. Just need the reindeer to finish the look.

The season that I refer to is my whisky season, where I get a free pass from her that must be obeyed to enjoy myself by doing some tours and sampling some whisky. Traditionally it is a bit busy for my work over the summer months, so I always tend to try and take breaks in September or October when the weather in Scotland can still be settled before the onslaught of winter. Whisky season for me this year involved three distillery visits and a small whisky festival.

Distillery 1 was the small and very scenic Speyside distillery. It’s on the opposite side of the River Spey from me, a short 5 minute drive. Despite living in the village for 8 years, I’ve never actually been. The tour was good enough, but I found myself as pretty much the only person on the tour who had been around a distillery before, so I just absorbed the atmosphere and the sights, plus chatted to one of my former work colleagues who is now a senior operator on the site.

***Waterwheel that forms part of Speyside distillery.***

Distillery 2 was Ballindalloch. I’ve visited a few times in the past and this time I redid the Art Of Whisky Making experience. Pricey at nearly £200 but still a great experience to see first hand exactly how whisky is made. Questions are encouraged, with each staff member being very knowledgeable about the process. On Thursdays it is casking day, so you get the experience of filling casks of the previous weeks spirit and then getting them stored in the warehouse. Can you master the art of ‘clocking’ your casks to ensure the bungs are always at the top? That is certainly an art!

***The perfect mash. By me. With a wee bit of help.***

My final distillery visit was Cragganmore. I nearly first visited this distillery in 2019, but never managed to fit it into my schedule. The tour is about an hour long, but much better than my last visit to a Diageo distillery. The tour guide this time knew a lot about the process and she kept the tour fun, interesting and engaging without pushing the company line. I even got extras from the gift shop of the rarer malts, one of which was the distillery 2016 special release of which I have a bottle. A really nice touch, one I’m very grateful for. I’d definitely recommend this tour.

***I like big butts. Sherry butts of course.***

Well, I’d love to say this was my last distillery visit, but I’m lying as I popped into Strathisla for a bit of retail therapy and purchased I a couple of distillery reserve collections, both the produce of sherry butts. One was a Longmorn, and another local malt that I dare not speak its name. The disappointing thing about the Pernod-Ricard distillery reserve is the fact they are often 50cl bottles. However, they are usually at cask strength and single cask. The non-single cask ones are often 70cl.

And on to the National Whisky Festival, Aberdeen. The main reason for taking the month of September off, to ensure that I got a chance to meet Nick (twitter – @ayewhisky); a fellow Aberdonian who has exiled himself to Belfast. But it doesn’t end there as I also bumped into a couple more of the Twitterati. It goes to show that it is indeed a small world. Firstly it was Steve Gray and his pal Alan, who I first met on a tour of Glendronach in June 2019, then Paul Dempsey (twitter / @whiskyweegie) who was formerly a brand ambassador for Speyside distillery but is now working for Brave New Spirits. It was also a pleasure to meet Colin Sim (Twitter @distillerybikes).

***Alan, self and Steve. Oh, and THAT shirt.***

There were plenty of drams to try but I’m not even going to attempt to remember all of them but I’ll have a go –

Murray McDavid – Glenburgie 13. Sherry butt with a Sauternes 1st fill finish. 58.2%

Murray McDavid – Cambus 30. Cognac finish. 47.8%

JG Thompson Sweet Blended Whisky NAS 46%.

Brave New Spirits – The Nailed Puppet. Tormore 11. 1st and 2nd fill a bourbon. 52.6%

Benromach 10 Cask Strength. 2012 vintage. 60.2%

Speyside Distillery – Spey Tenne CS NAS Batch 4. Tawny Port Finish. 57.7%

Glenallachie – 8 y.o 46%. Sherry, Red wine matured.

White Peak – Wireworks Inaugural release 50.3%

Dalmore – cigar malt. 44%. American White Oak, Matusalem Oloroso and Cabernet Sauvignon casks.

Balblair – 15 y.o Bourbon with 1st fill sherry finish

SMWS – 4.311 “Tiptoe Through The Heather* Highland Park 13. 1st fill bourbon. 61.1% (*this is a guess as it was a scrum to get to the stand as some idiots were treating it as a public bar, and I only got a glimpse of the bottle as it was being poured. I had no chance of speaking to the guys pouring).

If anybody can help me out with the ID of the Highland Park, I’ll be grateful.

So only 10 drams. It wasn’t a lot but you do try to savour as much as you can to get the flavours and aromas, but after so much cask strength spirit, it’s impossible to really appreciate some of the drams. Plus I was constantly getting interrupted due to positive comments on my sartorial excellence with one of my specialist Hawaiian shirts. The way I’m going to choose to look at it is that we say whisky is a social drink, therefore it’s probably more important to focus on people rather than solely the whisky and trying to drink as much as you can in the allotted time.

***People being friendly with liquid social lubricant.***

Any stand out drams from the festival? No, not really. I was surprised at this. I was however pleasantly surprised by the Tormore, really enjoyed the sweetness of the Glenburgie and the smoothness of the Cambus. Dram of my night was probably the Tormore.

A quick pint before going our separate ways in the Howff (where I had my first proper Bourbon at age 18!), saw me back into the hotel before 10pm and thus the curtain was drawn on this years festival of whisky. Old friendships renewed, new ones made. A perfect end.

What’s your perfect festival?

Yours In Spirits

Scotty

Index of tastings here

Index of articles here

Photo Credits

All Photos – Authors Own

Don’t Mention The War!

Taste Review #130 – TBWC – Slyrs Batch 3

What is the first thing you think of when you think of the Germans?

It’s unfortunate that most people think of the Second World War, but Germany is much more than that. You can’t tar them all with the same brush because one Austrian goes mental and tries to take over Europe. I’ve just finished working with a German supervisor and on the one night we had nothing to do, it was suggested that we watch a movie. I had asked my colleague what he fancied watching, adding “I bet you don’t want to watch a war movie!” I was right. I followed it up a couple of days later by replying when asked what was happening that day “I don’t know – I was thinking of invading Poland.” Yes, the Germans aren’t known for their sense of humour, but this is a mistaken stereotype. So is the idea that Germans don’t have a word for fluffy; they just don’t use it much.

I like Germany. Nearly every German I’ve met has been very friendly and extremely hospitable. The country has many really beautiful sights and it’s unfortunate that many fixate on something that happened in the last century. It truly is worth going out and about and seeing what surprises Germany has to offer.

***Less than an hour south of Munich. On the autobahn to Garmisch-Partenkirchen. Makes the Cairngorms look like molehills.***

You might also be amazed to find out that Germany has more distilleries than the UK. It surprised me to find out that Germany has some 29,000 distilleries. Most of these distilleries produce fruit spirits, but they surprisingly have more whisky distilleries than Scotland. There are up to 800 dealing with whisky in Germany, far surpassing the Scottish total, though according to deutschland.de, 130 of these are expressly whisky distilleries, slightly short of the Scottish number.

I’ve always been tempted to try whisky made in Germany, but haven’t been able to get a full sized bottle, as well as not wanting to risk the money on something I may not like without trying first. Thankfully Drinks By The Dram have come to the rescue and I’ve been able to get a mini of German whisky, this being from the Slyrs Distillery and bottled by That Boutique-y Whisky Company.

The Slyrs Distillery is based in Bavaria, to the south east of Munich in a town called Schliersee Neuhaus, and is owned by the Stetter family who have a connection to the Lantenhammer distillery to the north in Hausham. This is due to the marriage of Anneliese Lantenhammer and Sigfried Stetter. It was their son, Florian Stetter who founded the Slyrs distillery. He had joined the Lantenhammer distillery in 1985. The distillery made brandy, but it was during a study trip to Scotland in 1994, had noticed similarities with his home in Bavaria – Mountains, fresh spring water and clean air. He felt that it would be possible to produce a whisky in Bavaria.

Florian had bet his friends a crate of beer that he could distill a Bavarian whisky and by 1999 his dream had been realised and the first whisky had been distilled. The result was a release of 1600 bottles of whisky in 2002. It wasn’t until 2007 that the Slyrs distillery was completed and a mountain store warehouse was completed on Mount Stümpfling.

Nobody I know personally has tried a German whisky, other than people I have met online through my blog and social media interactions, so I thought it best to just go ahead and try for myself.

TBWC Slyrs Batch 3

Region – Germany Age -3 y.o Strength – 52.6% Colour – Russet (1.3) Cask Type -American Oak, Crocodile char Colouring – No Chill Filtered – No Nose – Apricot jam, vanilla, fresh croissants, mandarin peel, coconut. Palate – Sweet arrival, honey, coconut, butterscotch, orchard fruit – possibly pear slightly nutty note too. Finish – Still a bit sweet but hot on departure. Honey with peppery heat, Sichuan peppers possibly. Sense a wee bit of the char coming through. Honey

Conclusions

I have to say that I have enjoyed this whisky. Despite being at what I suspect is an undiluted cask strength, it was an extremely easy drinker. It was on the fruity side with a funk to the nose, but sweetness continued throughout the dram, with various flavours coming through, with no note particularly overpowering any other.

There was a bit of heat that started in the mid palate which continued through to the finish and didn’t overpower the sweetness. All in all quite pleasant. Water subdued the heat a bit and allowed the honey to show on the finish which was of mid to long length.

This is still available at the Master of Malt Website for £74.95. I won’t be buying one right now, but would recommend if anybody was thinking of trying a German whisky, then this is one I’d recommend to try. It won’t be around forever, as only 395 bottles were produced, but I’d imagine TBWC will have more casks in waiting. If you want to dip your toe in before you commit to a whole bottle, 3cl samples are available for £6.90.

Yours In Spirits.

Scotty

Index of tastings here

Index of articles here

Photo Credits

All Photos – Authors Own

The Black Isle Bummer

Whisky Review #118 – Glen Ord 12, 15, 18.

Not one to be positive when there is a chance of negativity, in this article you could say I’ve hit the jackpot. I’ve snatched defeat from the jaws of victory somewhat, but it is a hollow victory.

One of the issues of being a whisky geek is working out when you need to switch off from the constant marketing, promotions and opinions from those in the whisky social media circles that you mix in. While you may get a lot of enjoyment of having a massive and consistent whisky geek out, for me I’ve been finding this more of a burden than a blessing. While I usually have broad shoulders for these sort of things, I’ve become tired of bearing the load, so I’ve decided to shed some of the dead weight that troubles me. But like my big belly, this weight isn’t the easiest to offload.

I understand the need for marketing and pushing a product. Otherwise how would we know what is new and available? How would we get information about products? It can just be anything from subtle advertising in a publication or repeated adverts online – a personal hate of mine. Or it can be countless people online repeating the same stories countless times. Don’t ask me about Whisky Santa or Tweet Tastings – those got muted some time ago.

Before you are wondering what has happened to make me so bitter and twisted, don’t worry, I’m not. I’m just tired and have developed a low tolerance for faff that continually targets me but provides little benefit to my journey. I first spotted this issue after a visit to Glen Ord distillery in February 2020. Before I start this semi-rant, I’d be interested to find out how many people feel the same, so pay attention to my points.

***Mash tun. 99.9% of distilleries have one***

Once upon a time Diageo had three Singletons – Glendullan which was for the US market. Dufftown was for the European market and Glen Ord was for the Asian market. Therefore, before I visited Glen Ord it was a distillery I knew little about. That’s because most of their produce goes directly overseas to the Far East, where they don’t seem to be able to get enough of it.

It’s a pleasant enough distillery, with all the same bits that other distilleries have. The tour started with a video and off we went around the plant. But what stood out to me was the guide. I remember their name, but I won’t mention it for not wanting to embarrass them, but I have to say it was the worst tour I’ve ever had in a distillery. Not because the guide was unpleasant – indeed they were polite and courteous. My fellow visitors were the same. What made it the worst tour for me was the constant company propaganda.

***Glen Ord Washbacks. Other distilleries have them too.***

Of course, each distillery will try to make their product look as good as possible. Go to the Tellytubby-like distillery of Macallan and it’s a full on assault of the senses with audio visuals. Despite me not being a big fan of Macallan, I was expecting the sort of bombast from what is undeniably an iconic brand. Given the impressive nature of their new distillery and the premier status of their product, there was no way that they weren’t going to shout from the rooftops about what they do.

But we now look back to Glen Ord. This is a brand not many people in the UK know, unless you are a whisky geek. Or you may have had an independently bottled spirit, picked up one through a Diageo special release or travel retail. While I have never owned a bottle of Glen Ord, I have tasted it before and it wasn’t anything stunning. So it grated on me a little bit when my guide was singing the company line. Everything the distillery did was apparently to the highest standard that no other distillery matched.

***Glen Ord*** ***Stills. All other distilleries stills.***

You can’t blame the guide for trying. But for this weary whisky geek it was too much – the trip switch got flicked and rather than turn me on to the brand, it turned me off. It got to the point that I could not wait to get out of there.

As mine was a solo trip, the samples given at the end had to be put into a drivers pack for me to taste at home. The tour at the time gave out samples of the 12, 15 and 18 year old. If I remember correctly, the 12 was bourbon matured cask, the 18 Sherry matured and the 15 was a 50:50 mix of both. And unusually instead of the usual Glencairn style glass you get from a visit to a Diageo distillery, the glass given was a rocker glass. Unusual to me, as I prefer the Glencairn, it was at least a full sized glass. At last I had found something to intrigue me, but it didn’t fire my imagination too much as the glass went into the cupboard and the samples went to the back of the cabinet and got forgotten about.

***Muir Of Ord maltings. Gives away the mass produced nature of Glen Ord and other Diageo Malts.***

So we come now to the present day. I took it upon myself to sort out the whisky samples in the display cabinet in the kitchen. There lies the wreckage of samples tried then forgotten as I either didn’t care for it or I had just not got around to tasting them. There, hiding in the background were the Glen Ord. Better late than never I suppose, and this would give me the chance to clear three sample bottles. It also gave me the chance to test the rocker glass I had also been ignoring.

I wanted to be positive. Trust me, I did so badly. I wanted to like this whisky. Alas it was not to be. What I thought should have been a 10ml sample wasn’t even that (8ml x 3) and looked decidedly pathetic in the glass. I don’t know if this affected my perception of the whisky, but I’ll be honest and say it didn’t help. The samples were only really two sips each which made it almost impossible to do any serious tasting of the whisky, so hence in this review there are no tasting notes.

***(L-R) 12 y.o, 15 y.o, 18 y.o Glen Ord. Spot the two major issues.***

To be truthful, I did get the aroma profile of a bourbon, sherry and mixed casks from the nosing but it would be impossible to say much about the flavour profile as the samples were so small it wasn’t easy to tell. Yes, again there were hints of sherry and bourbon, but that’s about it. There wasn’t a lot of difference between the drams if I was to be honest. If you are going to shout about how good your product is, at least give us enough to be able to taste it.

And here we come to the worst point – this is a whisky aimed at a certain market. Even when we look at the samples we can see that they are all the same colour despite the difference in age and casks. We know that this dram is chill filtered. We know it’s diluted and we know it’s coloured, so in a message to distilleries, please don’t continue to preach about quality and standards when you are handing out a whisky that has been blended for a foreign palate and has been butchered to an inch of its life in unnatural and undesirable processes. We know you’ve got to do your marketing spiel, but to me it’s all getting a bit boring, especially when the product does not live up to the hype.

***Rocker Glass. The Glen Ord sample looks lost in it. Did not enhance my experience at all.***

A recent tour of Glenallachie during Spirit of Speyside 2021 also seemed to follow a company script, but was a lot more subtle. Once you’ve done a few tours, you’ll understand what I mean. The great thing was that this time the tour was given by a true whisky enthusiast and had a great deal of personal passion which could be based on their knowledge of other whiskies. I have to be careful as the guide on my tour is a follower of my blog, but I can comfortably say the message was passed over to everybody with a personal interaction; they genuinely wanted to know how the others were enjoying their whisky. They took the criticism of one of the drams well. And being fair, to push the Glenallachie line wouldn’t be a boast as Billy Walker does seem to have the Midas touch when it comes to consistently releasing good whisky. You could comfortably argue this would be a statement of fact in my opinion.

Alas, it’s lodged deeply in my mindset rightly or wrongly that a large distillery pumping out the goods to a specific mass market doesn’t necessarily earn the same bragging rights. It’s your money they are after is what you need to remember and you want to ensure is that you are going to be spending your money on quality based on taste and not some company fed bombast.

Turds can be polished regardless of the myth, therefore when consuming marketing or promotional output, it is essential to know not all that glitters is gold. By all means pay attention to what is getting released, but for me the best thing to do is let the whisky do the talking. Glen Ord may not be the metaphorical turd; not everyone can like everything, but I won’t be paying out for a special release or an original bottling. I think I’ll be seeking out an independent bottling to see if I can connect to this distillery in another way.

Now, as it’s now past the season for the Christmas Grinch, I’m happy to assume his duties for the rest of the year. After this rant, perhaps it’s time to beat up Whisky Santa. The miserable git didn’t even give me a bottle of Bells…

Yours In Spirits

Scotty

Index of tastings here

Index of articles here

Photo Credits

All Photos – Authors Own

All content within this blog is subject to copyright.

The Tale of Two Towns

Taste Review # 116 – Banff 1974 CC / Glen Deveron

When you go to a whisky distillery or read the rear of the packaging, there is usually some story or legend connected to the distillery. For this review I manage to review two Highland whiskies from the North East of Scotland. One distillery has been wiped from the face of the earth, while one continues producing almost anonymously. One has the sad epithet of perhaps being the unluckiest distillery in Scotland and the other seems to have little story at all. But in the absence of an industry created legend, there is a story which connects the two communities associated with these whiskies. These distilleries were part of two towns on either side of the mouth of the River Deveron, namely Banff and Macduff. This tale not only connects both these towns, but also the Badenoch area in which I currently live, and later involves Scots literary titan Robert Burns. It is a tale of illegitimacy, prejudice, outlaws, treachery plus a hanging. It will also include a fiddle and a well known Scots folk song.

So, if you are intrigued, pour yourself a dram, put your feet up and let me tell you a story.

For over 300 years, Macduff residents don’t tell people from Banff the time.

While there is only a river that separates the two towns, Banff and Macduff are very different places. Both fishing towns, for over three centuries there has been a now largely forgotten feud that has been part of Scottish folklore ever since. For if you are to look at the tower of the Doune Church in Macduff which houses the town clock, you will observe that there is a face to the east side, and one facing out north to sea. There can’t be one to the south due to the building construction but unusually there is no clock face on the west side for the people on the Banff side to see. The reason that Macduff people traditionally do not give people from Banff the time is all down to the hanging of Jamie Macpherson on the 16th November 1700.

***Doune Church, Macduff (Stanley Howe)***

The link to Badenoch area which happens to be the southernmost reaches of the Speyside whisky region comes from the illegitimate birth of James MacPherson (Jamie), the product of a tryst between one of the land owning Invereshie MacPherson clan and an attractive gypsy traveller woman. When his father died, the young Jamie returned to his mother’s travelling folk and soon became the Scottish equivalent of Robin Hood, embracing the vagrant lifestyle and robbing from the rich and giving to the poor. Tales attest to his popularity and his skill with a sword and a fiddle, but he had a few powerful enemies – namely Lord Braco.

The Lord Braco was a rich landowner that had property around 5 miles east of Keith, in the region of Bracobrae. He’d have plenty of reasons to be vexed by Jamie Macpherson when his livestock or that of his tenants was robbed, as there is evidence that Macpherson was a reiver, a Scots word for Bandit. Being a traveller or a gypsy made it worse as since 1573 it was illegal to be a Gypsy (called Egiptians / Egyptians) in Scotland and when he was captured by Braco at the St Rufus fair in Keith, this was the charge to be put against him. At the fair, there was a skirmish to capture Jamie, and the legend was that a woman threw a blanket over him from an upstairs window ledge disabling his fighting ability for long enough that he could be captured.

Unfortunately for Jamie, the blanket was only the start of the treachery against him. The jury for his trial in Banff courthouse was never going to be unbiased, as the jury was full of people sympathetic to Braco. Judge Dunbar, also a friend of Braco, quickly found Macpherson guilty. For the charges of being an Egiptian and a vagabond the penalty was death and MacPherson was scheduled to be hung on the gallows tree along with three others.

The story goes that MacPherson played a lament on his fiddle before he was hung and once he was finished, he offered his fiddle to his fellow clan members. Nobody took it as it would betray them as being part of MacPherson’s band of vagabonds, so he smashed it over his knee, proclaiming nobody else shall play it.

***Banff Town Clock Mechanism in Clan MacPherson’s Museum, Newtonmore***

It is now we come to the part where the issue of the time comes. Upon the sentence being pronounced, a friend of MacPherson rode to Aberdeen to the High Court to get the sentence overturned. Prior to the hanging, Braco saw the rider coming with the pardon, so had the town clock advanced 15 minutes so the hanging could legally take place. And this is why people in Macduff traditionally never give people in Banff the time, as they remember the injustice served to Jamie MacPherson.

The remains of the fiddle were recovered and returned to the MacPherson clan at Cluny Castle, between Newtonmore and Laggan on the A86. The fiddle is now on display in the Clan Macpherson museum in Newtonmore.

***The fiddle*** ***of James Macpherson in the Clan Macpherson Museum, Newtonmore***

To cement the place this story has in Scots folklore, the words of the lament Macpherson played before he was hung were worked into a song by Robert Burns in 1788, known as MacPherson’s Farewell.

MacPherson’s Farewell

Farewell, ye dungeons dark and strong,
The wretch’s destinie!
McPherson’s time will not be long,
On yonder gallows-tree.

Chorus (after each verse)
Sae rantingly, sae wantonly,
Sae dauntingly gaed he;
He play’d a spring,
and danc’d it round,
Below the gallows-tree.

O what is death but parting breath?
On many a bloody plain
I’ve dar’d his face, and in this place
I scorn him yet again!

Untie these bands from off my hands,
And bring me to my sword;
And there’s no a man in all scotland.
But I’ll brave him at a word.

I’ve liv’d a life of sturt and strife;
I die by treacherie:
It burns my heart I must depart,
And not avenged be.

Now farewell light, thou sunshine bright
And all beneath the sky!
May coward shame distain his name,
The wretch that dares not die!

Sae rantingly, sae wantonly,
Sae dauntingly gaed he;
He play’d a spring, and danc’d it round,
Below the gallows-tree.

I remember it from the popular Scots Folk singers The Corries. This was a regular tape that was played in the family car which formed at the time what I imagined to be the forerunner to modern child abuse by music, but in what may be a case of Stockholm Syndrome, I find myself tapping my foot to this. Here’s a link to the song on YouTube – MacPhersons Rant

***View of Macduff from Banff*** ***(Xavier Laffitte)***

And back to whisky!

The whisky distilleries in Banff and Macduff are also very different. One has sadly fallen silent and now no longer exists whereas the other is a more modern distillery and is still in production.

The original Banff distillery was situated at Mains of Colleonard just to the south west of Banff. In 1823 the Excise Act was passed and the first distillery at Banff was established by Major James McKilligan, who lived at Mains of Colleonard, along with two others, Mr Alex McKay and Mr William Hodge. The distillery was known as the Mill of Banff distillery and in 1826 was producing 3230 gallons of spirit.

The 2nd Banff distillery from which my sample comes from was built closer to the village of Inverboyndie and had a more reliable water source from springs on Fiskaidy Farm. Also the recently built Great North Of Scotland Railway built a branch line to Banff which passed the distillery site which made it easy to get raw materials in and whisky out. James Simpson built the new distillery in 1863, but this distillery had a very unfortunate existence involving fire and explosions. The distillery had a major fire that destroyed much of the distillery in May 1877. The distillery was rebuilt by October that year, and a fire engine was then stationed at the distillery. In 1921, a portion of the distillery was sold to Miles End Distillery Company, but by 1932, DCL bought the distillery outright for £50,000 and closed it immediately.

***Banff Distillery*** (unknown photographer)

On the 16th of August 1941, a Luftwaffe Junkers JU88 bomber operating from Sola (now called Stavanger airport) attacked the distillery, suspecting it to be a military target associated with the nearby RAF base at Boyndie, which destroyed warehouse 12. Much stock was lost and spirit flowed into the local streams which resulted in reports of very intoxicated livestock in nearby fields. RAF Banff would be an important target as Mosquito fighter bombers based there were used for the hunting down and destruction of German shipping in the North Sea and along the Norwegian coast. In 1943, 248 Squadron moved into the distillery and remained there until the end of the war.

After the war, the distillery resumed production but its relationship with catastrophe was reignited when in 1959 an explosion happened when a coppersmith was repairing one of the stills. DCL were fined £15 for safety breaches but thankfully nobody was seriously hurt.

But by 1964, the adjacent branch line stopped carrying passengers and by 1968 had also closed completely to freight, making transport costly as at the time the distillery was still coal fired. In 1963, the coal fired stills were converted from being fed by hand to a mechanical feed. In 1970, the distillery stills were converted to oil firing.

***Site of Banff Distillery 2011 (Anne Burgess)***

One can only guess why DCL selected Banff for closure during the 1980’s whisky glut. Being a small distillery of a single wash still and two spirit stills, possibly needing investment and higher transport costs, the distillery closed its doors in 1983. By the late 1980’s much of the site had been dismantled with only some warehouses being left. It’s kind of appropriate for such an unlucky distillery that the last of the warehouses were destroyed by fire in 1991. Pretty ironic don’t you think? The site is now derelict with limited remains of the former buildings, and is a site begging for development. Sadly this will likely be housing. So we should maybe have a moment of remembrance as we move to take a sample of Banff whisky.

Banff 1974 Connoisseurs Choice

***Banff 1974, Gordon & Macphail Connoisseurs Choice***

Region – Highland Age – VINTAGE Strength – 40% abv Colour – Burnished (1.1) Cask Type – Not known Colouring – No Chill Filtered – Not Stated Nose – Nutty, malty, green apple, pineapple, runny honey Palate – Medium mouthfeel, apples, honey, hazelnuts, slight woody notes with a fizz on the tongue. Finish – Not as short as I thought it would be. Honey, Ginger, Malt, hint of oak spices. After leaving in the glass for a while, there was a spirit burn on swallowing.

This whisky opened up quite a bit over the evening. It took me three hours to drink and by the end I could say that with the burn that developed, it was hard to believe that this sample had been so evaporated.

Macduff Distillery

Macduff distillery was one of a few of ‘new’ distilleries that appeared in the early 1960’s, slightly after Tormore and Glen Keith and just before the mini boom in the mid 60’s. Unlike its closest rival, it has never suffered any similar catastrophes.

Founded by brokers that included Brodie Hepburn who also had involvement with Deanston and Tullibardine, the distillery eventually came into the ownership of William Lawson, which is the whisky making arm of Martini & Rossi. The distillery eventually expanded to have 5 stills by 1990 and two years later, Martini merged with Bacardi. This resulted in the distillery becoming part of the Dewars stable in 1995.

Traditionally, the original bottlings from the Macduff distillery have been labelled as Glen Deveron or Deveron. Independently bottled spirit is normally named Macduff. The output from this distillery is normally unpeated, with a large majority of it destined either for blending or to export. It’s apparently quite popular in Italy.

Glen Deveron 12

I took the opportunity to put the remains of the sample into the fridge to see if there was any Scotch Mist that would appear. None did, so chill filtering is effectively confirmed.

Region – Highland Age – 12 y.o Strength – 40% abv Colour – Amber (0.7) Cask Type – Not stated, likely Bourbon Colouring – Not Stated, probably Chill Filtered – Yes Nose – Nutty, almond like marzipan, custard, pear, salty air Palate – cream crackers, apricot, unsalted potato crisps, stewed fruit, brine. Really watery mouth feel. Finish – Short and disappointing. Brine, bitter. Stewed fruit with wood spices. Slight burn.

I have no idea of the age of this bottle but it’s contents are not that attention grabbing. I’d go as far as say this whisky tastes flat.

Conclusions

This was never a taste comparison. Both were whiskies from distilleries of different eras and was a good way of killing two samples in one review. It was also a good opportunity to tell a wee story of the area both distilleries originate from. Great tales are often told while nursing a dram and I hope that I be have done these stories justice.

I doubt I’ll ever own a full sized bottle of Banff whisky. It may happen if I see one at the right price but as the years go on, the remaining spirit will be diminishing as bottles get drunk. I would be amazed if there are many more complete casks in existence so this will be more and more a unicorn whisky. It made no sense to keep my sample in its bottle only to evaporate to nothing, so the best thing to do was drink it. A dram has finally made its destiny and whisky history has been drunk. And the world’s stock of Banff has decreased by 40ml or so. Another true moment of whisky history consumed.

When it comes to the Deveron I have to say that I got a shock at how flat the dram was. Of course the purpose of the distillery is mainly to provide malt whisky for blends but the dram had no strong character. It was almost as though I’d drunk an alcohol free whisky. Despite the bottle being properly sealed and no sign of evaporation with a good fill level, there was just something missing. I suppose you can’t like everything.

Without a doubt the evaporated Banff which was originally bottled at 40% also was the far superior dram.

Scotty

Index of tastings here

Index of articles here

Photo Credits

Doune Church – Stanley Howe – (Creative Commons Licence CC-BY SA 2.0)

Doune Church, Macduff – Xavier Laffitte (Creative Commons Licence CC-BY SA 2.0)

Banff Distillery– unknown photographer/ public domain

Banff Distillery Site – Anne Burgess (Creative Commons Licence CC-BY SA 2.0)

All other photos – Authors Own

ALL PHOTOS ARE SUBJECT TO COPYWRITE AND SHOULD NOT BE REPRODUCED WITHOUT PERMISSION

Taking The High Road?

Taste Review #111 – Loch Lomond 18

This review was originally posted on 1st June 2021. Unfortunately for me, it turns out some of my sources of information were incorrect. After contact from Loch Lomond’s Master Blender, Michael Henry, I decided that to preserve the integrity of my blog and not spread further misinformation that it was better to remove the review and produce a re-write. And to be honest, I think it’s a better read.

It was often relayed to me by my parents that nothing in life comes easy. However, in this case they were most certainly wrong. This has been one of the easiest review titles that I have ever created. Since I have decided to review this whisky, every time I think of it the song ‘Loch Lomond’ has come into my head. As a Scotsman of a certain era, it is a right of passage to sing the Runrig version at the end of a wedding or just at some point in the proceedings. Some clubs I’ve been in also play it at the end of the night. We can’t forget either the twee Scottish soap opera that was filmed in Luss, on the shores of Loch Lomond. Lunchtimes were usually the time to see Take The High Road, which later moved to an evening slot.

The programme was drama based, and as in every drama, there is usually some sort of mystery. Often there is a character that isn’t who they seem. This is the case with Loch Lomond distillery. The first part of the mystery is that Loch Lomond is the preferred whisky of Captain Haddock, the best friend of Tin Tin, an investigative reporter created by Belgian cartoonist Georges Remi, better known as Hergé. Often these characters get into adventures trying to solve various mysteries. Tin Tin was created around 1929, which pre-dates Loch Lomond distillery by some 35 years. This brings us on to our mystery now – Loch Lomond Distillery was founded in 1964. So why do the bottles carry the year 1814?

This is a mystery that we may need Tin Tin to solve, as when I looked up Loch Lomond on the internet and in various publications, it seems that there was a variety of information out there and not all of it correct, which contributed to me getting a bit waylaid in my search for facts. What was worrying was that some of the sources were normally creditable and supported by well known people in the whisky industry. It is time for the truth to be told about Loch Lomond distillery.

To kick off my investigations, when you look at any full-sized bottle of Loch Lomond whisky – it gives the year of 1814. Why is this the case when the distillery was opened in 1965? Well, it turns out the initial Loch Lomond distillery was opened in 1814, further up Loch Lomond in the village of Tarbert. There are no records to when the distillery closed, so the link is only the name. However, it was the owners of Littlemill Distillery who opened the Loch Lomond distillery and that whisky heritage goes back to 1772 with the founding of Littlemill. The owner of Littlemill, Duncan Thomas and an American company called Barton Brands formed a partnership to build Loch Lomond in 1964. By 1984 the distillery was closed before it was eventually being taken over by Alexander Bulloch / Glen Catrine Bonded Warehouses. In 2014 it was taken over by Loch Lomond Group, In 2019, the Loch Lomond Group was sold to Hillhouse Capital.

Loch Lomond is a shapeshifter of a distillery, with three different types of stills, making it possible to distill both grain and malt whiskies. This has led to a lot of confusion, as many websites claim that the distillery has Lomond stills. This is not true. Master Blender Michael Henry explains “Lomond Stills were never used at Loch Lomond. They were only ever used at Hiram & Walker distlleries.” The first Lomond still was developed at Innerleven distillery. As the distillery was close to Loch Lomond, they took on the loch’s name. The development of this style of still was some 9 years before the creation of the Loch Lomond distillery in Alexandria. Lomond stills were only ever used in Inverleven, Glenburgie, Miltonduff and Scapa. Only one is currently in use as a wash still at Scapa, with one more being used at Bruichladdich to create the Botanist Gin.

The straight necked stills were first used at Littlemill in the 1950s by Duncan Thomas, so were also used in Loch Lomond. There are some significant differences between the straight neck still and the Lomond still; size being the most obvious one. A Lomond still is short and fat, whereas the straight neck stills are taller and thinner. The next important difference is that the rectifier plates inside a Lomond still are moveable, to control the reflux within the still, which will make big differences in the spirit. The plates inside the straight necked stills are fixed.

There are definite advantages to using a straight neck still with the rectifier plates and still head cooling. A straight neck still is more efficient and can produce whisky up to 90% when using the still head cooling. Taking a cut between 90% and 80% which will give a strength at 85% at the spirit receiver. If still head cooling is not on, then a much wider cut is taken from between 90% and 55% giving a spirit at 65% at the receiver. By having the flexibility of the straight necked stills, coupled with clear wort, long fermentations and specific yeast varieties ensure that Loch Lomond are able to capture the fruity nature of the spirit. And that is something that Loch Lomond are aiming for – to capture the fruity essence into their whisky in a definitive distillery character.

The distillery also has continuous stills for producing grain whisky and the more traditional pot stills. In total they have one set of swan necked stills, three sets of straight necked stills and 3 continuous stills, each with 2 columns. The smaller of the sets is used for malted barley wash, and the larger continuous stills are used for wheat wash.

Why so many stills? It was the intention of the previous owners to be able to be self sufficient in whisky when making blends. Loch Lomond has over the years made many brands such as Inchmoan, Inchfad, Croftenga, Inchmurrin, Craiglodge, Old Rhosdhu, Glen Douglas, and Glen Garry. While many of these brands have fallen by the wayside, it has been instrumental in creating perhaps a false impression of the distillery and has made it harder to discuss distillery character. Whisky enthusiasts were confused and most other whisky drinkers didn’t get it at all, asking where the Inchmurrin distillery was.

I asked Michael why he thought it so hard to discuss distillery character, with Loch Lomond in mind. I got quite a comprehensive answer. “While single malt has been establishing itself against blends, distillers have mostly talked about wood and flavour, as it is easier to explain why a whisky takes on a sherry character if it has been matured in a sherry cask. It is a lot harder to discuss why a whisky has a fruitier character because a different yeast was used for a longer fermentation time with a different shape of pot still.” And I have to agree. As a whisky geek who has a limited understanding of chemistry, I am starting to study more about fermentation and the chemical processes that convert sugary water into whisky. None of it is dinner table style conversation, but it is much easier to skim over the whisky tastes by discussing casks. There is definitely a romantic story that can be built on that rather than discussing esters, phenols, yeasts and how long the fermentation takes.

It’s not to say that wood does not play a part in the formation of Loch Lomond whiskies. Michael told me that Loch Lomond buy 10,000 bourbon casks a year, all of which see the attention of their on site cooperage for inspection, repair and re-charr / de-charr of casks. The distillery has a 2 or three fill policy per char. A cask may see two de-charr / re-charr before that cask is scrapped. Their American wood policy is important to them, to give them a honey / caramel sweetness to compliment the fruity new make.

One other thing that Loch Lomond have started to do is experiment with yeast strains. I could write more about it here, but the Malt Review site had their own interview with Michael in which he goes into much more detail about this subject, and to save space and any plagiarism, you can link to the article here.

With all this information being shared, I asked Michael why he thought that there was so much misinformation about the distillery. The answer was pretty conclusive, and that was that the previous owners simply did not engage with the public. Essentially they had a high volume / low margin production policy. Nearly all their stock went into bulk blends, and there was no marketing as there was no brand to market. With little engagement and no background to any releases, people have made their best guesses. This easily perpetuates and I found quite a few reputable sites and vLogs with incorrect information.

There are no visitor facilities at Loch Lomond distillery, which makes it harder for the distillery to get its message out. The majority of the spirit produced at Loch Lomond is matured on site, which can amount to 300,000 casks. This makes it quite a hazardous site in terms of fire and explosion control, which is subject to tight regulation. In my interpretation of the distillery, it was never set up to be a site for visitors, and is essentially an industrial site. To take groups of people around would necessitate stopping operations, which is less than ideal. “This can create some suspicion as people think we have something to hide, when it is down to safety reasons that we have not been able to work out to an acceptable level,” says Michael.

***Charring a Bourbon Cask. These are used for honey and caramel influences***

As we come to the end of my investigations into Loch Lomond distillery, I feel that all my doubts about the distillery have been cleared up. There is a lot of work to do for Michael, who has said that the main role of his presence on Twitter is to engage with people so he can end the confusion over the various aspects of the Loch Lomond Distillery caused in part by the legacy of the former owners.

The range has been trimmed, which will make it easier for those drinking Loch Lomond to see the distillery character. The latest offerings has seen the Islands Collection brought into the Loch Lomond range. Inchmoan being the peaty offering of the two and using spirit from the straight neck still as well as the swan neck stills. The Inchmurrin is more lighter and floral, using spirit only from the straight neck stills.

The current range is:-

Core Range All 46% Non-chill filtered, colouring; Loch Lomond 12, Loch Lomond Inchmurrin 12, Loch Lomond Inchmoan 12, Loch Lomond 14, Loch Lomond 18, Loch Lomond 21, Loch Lomond 30. All
Supermarket range 40% Chill Filtered, Colouring; – Loch Lomond Classic NAS, Loch Lomond Original NAS, Loch Lomond 10.
Single Grain. 46% Non-chill filtered, natural colour; Unpeated NAS, Peated NAS. Both single grains are 100% malted barley.

I’ve not tasted Loch Lomond before, because I was one of those confused by the distillery and I never really gave it a chance. But when I was browsing through the miniatures of the Aviemore Gift Company, I saw the 18 year old sitting there, and I could hear the voices in my head telling me to take it off the shelf and buy it. I only wished I had a bit of situational awareness, as here I was in a gift shop in a tourist area away to buy whisky. £10.55 for a 5cl bottle… I really should have known better. Don’t worry, by telling this story and making this error means you don’t have to. But it’s an 18 year old from a distillery that plenty of people rate despite misconceptions, so it can’t all be bad, can it?

Let us find out.

Loch Lomond 18

Region – Highland Age – 18 years old Strength – 46% ABV Colour – Russet (1.3) Cask Type – American Oak – Bourbon Colouring – Yes Chill Filtered – No Nose – Strawberry Jam, Apple jolly ranchers, marzipan / almond, raisin, peat, hard toffee. Palate -Rich, like that hard toffee I am thinking of in the nose, very gentle on the palate, no real burn, light wood spices, slight apple, date sponge, hint of chocolate and smoke. Finish – medium. Woody spices really take off when drunk neat. ginger, white pepper, nutmeg, a woody metallic taste, Granny Smith apple bitterness, finished off with blackcurrant at the end. Leaves a slight sourness in the mouth and a very slight hint of sulphur.

With water, the spices in the palate wake up for an instant white pepper delivery, but the overall spice heat is tempered and brought into more balance in the finish. I found it much more drinkable.

Conclusions

When Michael first contacted me, his initial message said that he felt that my misconceptions about the brand had probably affected my ability to connect with the whisky. Now I have been able to understand more about the whisky, I have to agree with him. There will always be tendency to veer off to the negative when there is something you aren’t sure of. Being an Aberdonian, negativity is something that can perhaps too easy to attain. However, I still feel that this hasn’t affected my actual tasting notes, as if the truth be known, I was wanting to be proved wrong about some of the naysayers about this distillery. And having paid as much as I have for the sample, I was wanting value for money. Thats also a very Aberdonian trait.

The nose was appealing, and the finish had its good points, but it just didn’t totally float my boat. The palate was rich, but I felt it lacked something, almost a calm before a storm. The finish while taken neat was way out of balance for me. A sudden hit from the wood spices and a metallic presence made me think I had sucked a piece of oak with a nail buried in it. If I was to look into why this was the case, I can perhaps only explain it away by suggesting there may have been some interplay between the cap and the spirit? Will make sure I go for a corked bottle next time.

I have only altered my tasting notes slightly in response to the contact with Michael; not to change my opinion, but to alter facts. The distillery uses only ex bourbon casks in the core range, so I have had to remove the part about a possible sherry influence. Also, Michael explained that while the 18 year old is non chill filtered, they do add colouring due to the lighter colour produced by the bourbon casks. I know some people get bent out of shape about this, but I’m not going to. While I prefer a natural presentation, I’m not worried about a bit of colour, as it is flavour that matters. As long as I can’t taste the colouring, its good. I’m learning to not drink whisky with my eyes. Besides, most of the core range is under £40, the 18 year old is under £80, so it is not as though I am paying premium prices for a non-natural presentation. I would say this represents good value.

***Captain Haddock didn’t realise he’d been given a sample straight from the receiver. A bit powerful at 85%!***

With water, this whisky was perfectly competent, and the spices reined in. As you can see, I did experience some fruity notes from the whisky – predominately apple ones for me. It’s been some time since I’ve had an apple Jolly Rancher! While I did not take to this release this time, now I know more I’d be happy to try another whisky from their range. From the descriptions, the Inchmurrin is likely to be the candidate, but that will be some time in the future. I think that taking the time to investigate Loch Lomond whiskies by yourself could be very worth while.

I’d like to take the opportunity to thank Michael for the help he has given to ensure an accurate article has been written. In disclosure, no incentive or samples have been given or expected and the content solely reflects a partial but accurate overview of what is being achieved at Loch Lomond, as well as an honest whisky review.

Yours In Spirits

Scotty

Index of tastings here

Index of articles here

Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

Tin Tin Cartoons – Tintin Whisky Fandom

Whisky Photos – Authors Own

Distillery Photos – Loch Lomond Distillery