It has been a challenging time trying to get Scotty’s drams restarted after the drama of my wee flooding. To be fair it’s pretty easy to get the blog back on keel, all I have to do is drink whisky and write about it, not exactly a hardship. However trying to find the time in doing so when looking after a four year old means this is more easily said than done. Once the wee one is in their bed, all I can think of is having a coffee and looking to see what is on TV. I just want to switch off and not have to review a whisky or write about it.
Looking over my boxes of miniatures, I can see that I have quite a few pairs of different whiskies, one older and one more recent. Back in the day when I started Scotty’s drams I thought about thinking about some preconceived ideas and challenging them, such as blends are inferior to single malts, and the best whisky is old whisky. Well, there is one idea that I have been thinking about for some time and that is whisky from a different era is better than the whisky we have now. This is relevant to me in some way, as one of the bottles that got damaged in my flood was an old bottle of Macallan from the 90’s I’ve tasted this 10 year old before and I have to say I feel having compared it to Double Oak, the 90’s Macallan trounces it.
Now there is several reasons for this to be, but is it the same across the whisky spectrum and can it be proved? With those several doubles of differing eras sitting in my study, this not only gives me the chance to perhaps try and determine if this theory is true, it also gives me the chance to clear out a few bottles relatively quickly.
I’m planning to do one of these comparisons a month minimum,with whisky from every Scottish region. I only lack a spirit of yesteryear from Campbeltown, with the mass majority being from Highlands and Speyside. Samples include Benromach, Glenfarclas, Clynelish, GlenDronach, Auchroisk, Glen Keith, Auchentoshan, Bruichladdich, Highland Park, Glengoyne, Glenrothes and Linkwood. As close as I can, I’ve managed to secure whisky of the same age statement or cask type. However the Benromach is an old style 12 year old with a new style 10 year old. That might not be comparing Apples and Oranges, but a bit like comparing a Ford Sierra with its replacement the Mondeo.
I’m not convinced I’ll get a definitive answer, but there is a definite direction of travel on the three pairs I’ve tasted so far. I’m not going to reveal what it is until I post the relevant reviews.
This week has seen a bottle kill in the collection, the infamous Beinn Dubh from the Speyside distillery. Despite what many may think about it, I quite like it. I’m not rushing out to buy a bottle in the near future as I’ve quite a few more on the go that need to be cracked open, but I’m glad I tried it and would buy another in time. The bottle definitely improved as it went down as oxidisation took effect. The other whisky that I have looked forward to killing is the Glen Keith distillery edition. My earlier review “Giving Keith a Kicking” was perhaps a wee bit unkind. I’ve tried it in the best of the worst single malts to include in a hot toddy and it still failed miserably. The winner in that wee experiment was Jura Journey believe it or not. Anyway, as part of an effort to move some bottles closer to being killed, I tried some Glen Keith again.
It was surprising. It still isn’t really my taste, but was a lot more palatable after being open for over 6 months. I have to say I enjoyed it. Therefore after finding an old style Glen Keith in my miniature pile, I’m quite happy to perhaps review this one once more. It goes to show you that sometimes you just need to be in the mood for second opinions, or some whiskies really need a bit of time to open up and to be given a second chance. However, unlike the Beinn Dubh, I will not be buying a second bottle. The Coop sold it for £20 for a reason!!
Ergo – always give something second chance. I have rarely disliked a whisky but always have gone back to make sure. I’m kind of pleased I did this time.
Anyway, hopefully I can get another few reviews done for you soon. I’ve 2 weeks of isolation coming up in the near future so I’ll have no excuse not to write something down before I go back offshore. There is a host of drams to have, some older, some recent and some newer distilleries. Amongst them are Highland Park, Glenury Royal, Kingsbarns, Tamdhu, Braeval and Allt-a-Bhanne. There may also be whisky that isn’t Scottish….. and as I type some other samples have arrived from a Scottish exile in Belfast. My friend Nick has sent me some Glenugie, Cask Strength Benrinnes and Edradour along with the chocolate malt from Fettercairn. These go into the sample pot as well and will be reviewed as soon as I can.
We’ve now reached the end of the insurance claim process and I’m at the point of payout. Now seems a good time to wrap up the procedure and the precautions and advice I have about my experience. There are links to the companies I mention in the article at the end. This is not a promotionalpiece but a summary of my experience of the whole process, and I feel it would be remiss of me not to share the details of the companies used and my feelings about the service provided. I’ve included some pictures of the damaged bottles and cartons.
With a quick email it was over just as quick as it started. My insurance underwriters are prepared to pay for the loss in value to my collection. 21 bottles worth just a shade under £6000 and now they assess there has been £1000 loss in value. Realistically this is the best situation I could be in as all the bottles are still drinkable and had they been written off by my insurer I would have maybe not got the chance to purchase the ones I wanted to taste. Now that decision is mine. I’m not so sure that the value now is worth what was determined it to be post flood, but that is the thing with auctions – it could well be more or I get the chance to crack open a bottle I otherwise might not have.
Looking back on the experience from the horror of the first call to inform me there has been a problem to where I am now, the experience has not been as bad as first feared and indeed has been a lot smoother than expected. Let’s look at the reasons for this, for if there is one thing I’ve discovered, planning ahead prevents or limits disasters.
Find a decent storage area or facility
I use a storage facility in Perth. It’s about 70 miles from my house but prevents wee accidents when I maybe fancy cracking into something that I have bought as an investment. Ask the facility about their flooding record, ask about flood prevention. Look at security and the condition of the building. Is it likely to suffer flooding from a watercourse? Is it in good repair – does the roof look likely to leak? It’s always better to get an internal storage unit as it is less impacted by the changes in temperature. Going for a first floor locker prevents accidents like mine. Be aware those close to a metal roof are more likely to suffer variations in temperature and could affect your seals.
Keeping the collection at home? Keep it in a darkened place so the whisky isn’t exposed to direct sunlight or variations in temperature.
If using a storage facility, make you are well insured. Out of around 130 storage units in my facility, only 27 had any sort of insurance. Close to 100 units were flooded (some of the external containers did not get affected), and many of the insured only took the basic level of insurance which was £1000. However, the value of the items damaged was a lot higher and people have been left out of pocket.
I knew my items have high value, so using the facility insurance provision was not economic. So I insured via a specialist broker, Bruce Stevenson insurance brokers. Not only was this a great product, the service provided by them has been exemplary. I felt really guilty having only started my policy in April to making a claim in August, but that’s what insurance is for. I’m impressed by the friendly and efficient service I received, especially from Alexandra Richards, the broker that dealt with my claim.
The process was easy – one phone call and e-mail started the ball rolling. All I had to do was access my locker, record the damage and provide the details to them. They sorted the rest. They arranged a loss adjuster to see the damage who assessed how much damage had been done. I already had an estimate by time my loss adjuster arrived, so was already ahead of the game. That is why it pays to know the value you paid for your bottles and an idea of what they are worth as time goes on.
The loss adjuster reports back to the insurance company about the damage, having taken advice from a valuation expert. Then it is just a case of waiting to see what the insurance company will do. Alistair Spence of Criterion Loss adjusters gave some good advice about my situation and was very reassuring about the whole process.
If you are storing at home, make sure your home insurance will cover you in the event of flood and fire. Just because you only paid £35 for a Speyburn Flora and Fauna in 1991, doesn’t mean that it is still worth that amount. It can be well into the £2000+. If that gets destroyed would your insurance cover you?
Indeed, those with large collections at home may find themselves seriously underinsured as most policies have a limit per item, and above that will require each individual high value item individually listed. Be aware, large collections in the home will be seen as a fire hazard, something pointed out to me by my home insurance company that uses a red telephone on wheels as its logo.
I now know a couple of whisky brokers, and was lucky enough to have one who valued my damaged items for a nominal figure acceptable to any tight Aberdonian. However it is important to have an idea of what your collection is worth. Companies like Rare Whisky 101 monitor the prices at auction of bottles, and will provide a valuation or you can use the Bottle Valuation Index service which you can use to track your high value bottles, but you need to buy credits to use this service. I believe other companies do valuations cheaper, but I’ve used RW101 for a few years now and find the service pretty good and accurate.
You cannot just keep your whisky collection in its carton and expect it to survive. Part of the reason my collection survived mostly intact was due to the fact I professionally packed it in Airsacs. The only bottles damaged were those not in Airsacs on the lower layer of boxes on the pallets. I’ve learnt a lesson from this and now will flat pack cartons and make sure any packing that could be damaged is now at a level that flooding can’t affect it. Of course; the roof could leak, but I’ve put PVC dust sheets over my boxes to limit the chance of damage.
I use silica gel in all Airsacs, as well as polystyrene nuggets. Don’t use the environmentally friendly ones, as they go to a nasty goo when wet. All my packing materials come from Macfarlane Packaging. Airsacs aren’t the cheapest solution, but the alternative isn’t worth thinking about. The Airsacs on the lower layer of the pallets gave rigidity to the sodden cardboard boxes, keeping more expensive whiskies high and dry. Had this not been the case, then we would have been looking at a high 5 figure loss. If you are collecting whisky and storing it, a £200 investment in storage solutions makes sense and preserves the condition and value of your bottles.
And Alexandra from Bruce Stevenson agrees with me. For any asset it is important that good risk management and protection is key, and hopefully my insurance company sees that I made the adequate provisions for the foreseen threats in choosing a unit with flood protection, not exposed to temperature variation and professionally packed. Nobody foreseen the flood coming up from the drains and overcoming the flood prevention measures. And that’s why we insure.
At home, most of us will want to display our bottles. They are our whisky babies, but we need to store them where light will not fade labels or liquid, away from sources of heat and cold, away from children’s hands that might not drink it but accidentally knock it over and break it. Just be careful. It is understandable that you want to display your pride and joys, but consider where carefully. I know many people who have a whisky cupboard in their homes. Consider one yourself.
I’ve considered all these things and still got caught out. Don’t think it can’t happen to you as it can. It’s not the events that you can forsee that catch you, but those you don’t. I’m just very grateful I have had a specialist insurance policy in place which has met each one of my expectations. For around £350 the piece of mind alone has been priceless. I may have been facing a loss over a hundred times the cost of my premium so it is a no-brainer.
And now with payment looming I now have the decision of what to do with the damaged bottles. Part of me says sell them and move on. Part of me says drink them. In the case of the 10 year old Macallan this will be happening as I know the value in that bottle, and it is a superb dram. I’m licking my lips already in anticipation and so should my friends as I will be sharing. Of course I am on the lookout for another one, but we will see what comes up. I think a new change of direction is needed. From every disaster comes new beginnings and that is the way the pragmatist in me is seeing it. There will always be new bottles to buy, perhaps with a new focus altogether. Keep an eye on the blog or my social media feeds to find out.
The one thing that bothers me about items like the Macallan 10 is that I paid £240 after fees for it. Auction prices are now £340 then fees on top of that. Although I’ve been compensated fairly, there is an emotional thing that won’t let go. I’d say that once you sell, write off or open a bottle, you need to detach yourself from it. You need to stop tracking it unless you plan to buy another. For me it’s almost like stalking an old lover to see what she’s up to, which is wrong and creepy. Move on to bigger and better things.
I have a couple of things I wish to say in conclusion. Firstly, to all those who wished me well after my disaster, thanks for your support. It could have been a lot worse, but it was very touching to have your support, even though I’ve never met most of the people on the www (world whisky web). I wouldn’t want anybody else to go through what I’ve just experienced. It’s a fact of life we never expect bad things to happen, something that could be summed up by the fact how few in the storage facility had adequate insurance or any insurance at all.
It’s also been good to have been helped and advised by others in the whisky industry, and a special shout out goes to Andy Simpson of Rare Whisky 101. The resultant whisky geek out gave me tons of food for thought.
Lastly, I’ve had great service from my insurance company, Bruce Stevenson Insurance Brokers. They’ve ensured what needed to happen did at the right time, good communication and always left me with the impression that my situation was important to them. Despite not being a customer of theirs for very long, I felt every bit as valued as a customer who has used them for years.
I apologise if it seems I’m over promoting this company, but it’s with good reason. Other insurance companies are available but I can only speak from my experience with Bruce Stevenson compared to the cost of others I’ve used in the past. Bruce Stevenson has been recommended to me by several people and that spoke volumes. It’s turned out to be a good call.
Insurance can seem like that unnecessary expense that could be dispensed of to buy another bottle, but don’t lose your kingdom for the want of a nail.
It’s better late than never. I didn’t plan to run out of reviews in the summer, but an extended trip offshore of 16 weeks meant that I would have to be going some to have that amount of back dated reviews. I fear that this may happen again in the future, so keep yourselves braced for a period of inactivity here – however just because I may be down, I am most certainly not out.
As you will know from previous articles, my storage locker in Perth got flooded the same day that I came home from my last offshore trip and I sustained a considerable amount of damage. As I write this, I am still none-the-wiser as to what the insurance settlement is likely to be. I had already ordered some whisky online while offshore, and the morning after the flooding I realised I could not pick this up in person, so asked the retailer to ship it to me. When I contacted them they said if I added one more thing to my basket, they would ship the whole lot to me with no extra charge. As I had not seen the damage at my locker, and fearing for my Glenfarclas bottles from BP Magnus Platform 25 and 30 year anniversaries, I decided to order another Glenfarclas – this one the 2005 14 year old that was destined to be released as part of the now cancelled 2020 Spirit of Speyside. The retailer mentioned he had an open bottle, and if there was still some left when I next called by, I would be able to get a sample.
They say bad fortune often happens in threes, and I already had been stuck offshore, flooded whisky and a few days later, my wife had an accident in the car when she hit a small deer, damaging the bumper that had only just been replaced in March from a previous accident. Spirits were low, but the day after the accident I receive an unexpected parcel – a sample of the 14 year old Glenfarclas. It was a certainly well timed boost to morale.
In all, within the whisky community (although I prefer to hover around the edges) I have not experienced such an outpouring of sympathy for my phlight with my storage unit. Even my insurers so far have been brilliant and I await the outcome of my claim. But time waits for nobody and it’s time to look and move forward with the blog and look to the future. So without further ado, let’s move onto the tasting.
Region – Speyside Age – 14 y.o Strength – 58.2% Colour – Brown Sherry Cask Type – Sherry Butt Colouring – No Chill Filtered – No Nose – Figs, rum and raisin ice cream, dark, berry fruits, blackberries, slight leathery nose. There is a note of dark roast coffee powder too. Palate – quite tame without any water considering the abv. A pretty smooth arrival with a gradual rise in heat through the development. Waxy mouthfeel, with dried fruit flavours as is typical with sherried whiskies. This has the Glenfarclas DNA all over it. A hint of stone fruit, perhaps cherries. Finish – quite mellow while neat with a medium to long finish. A slight sulphur note, but this was quite pleasant, a good meaty malt. Water intensified the spicy wooden character for me, and was slightly tannic, giving me bit of a dry mouth.
This bottling left a bit of a sour note. It is / was only available through 2 retailers – The Whisky Shop Dufftown and the Speyside Whisky Shop in Aberlour. One of these retailers had a bit of a situation where somebody buying a bottle complained about the dispatch and shipping only it was getting sent straight to an auctioneer. That is pretty sharp for a flipper – at least let it reach your hands. It’s only £150 and despite being limited, it’s not sold out so it’s a bit of a risk trying to flip so early. Thankfully, the two I saw at auction only realised £140. Accounting for fees, the flipper only made £123 – a £27 loss minimum as the shipping hasn’t been accounted for.
As an aside, I feel for special releases that specialist retailers and auctioneers could refuse to take such consignments, as this is something that often pushes limited whisky out of reach of the genuinely interested in the liquid. But that’s a conversation for a different day and seeing how specialist retailers have been battered by the effect CV-19 on the economy, who can blame them for taking a sale?
The other sour side was that I had a wee bit of a conversation with somebody on twitter who reckons this bottle at £150 is over priced, as you can buy the 25 year old at Costco for £99. In fact the guy’s post I felt was quite arrogant, suggesting anybody who knew anything about whisky would know the 25 year old is a superior dram. Well, that’s fine if you have a Costco card. Even if I did, by time I drive back and forth to my closest Costco, I’ve lost the savings in the price of diesel getting there.
Plus, the guy made the mistake of assuming I had bought the 2020 release and hadn’t tasted it. Well I had – and while I never proclaim to know everything, I know that the other mistake the guy was making was getting hung up on the idea older is always better. It isn’t. I’ve tasted the 25 also and in my opinion the 14 is better. The higher price reflects the fact the bottling is limited. The 25 year old is freely available. I personally think anybody who knows anything about whisky would also realise the 25 year old is only 43% while this is cask strength at 58.2% and a true whisky lover won’t shop for it in Costco but support their specialist retailers. Touché.
To complete the verbal tennis match, the 25 year old is also available at the same price on Amazon. That would save the young man wasting their time and fuel in driving to Costco, but we all know what I think about shopping for whisky on Amazon. Game, Set, Match.
Moving on, I did really enjoy this whisky. The high abv was very easy to drink neat with very distinct sherried notes. Adding water for me spoilt it as it accentuated the spiciest parts of the profile and killed the fruity notes I had been enjoying. I felt it matched the experience I had last year with a 1973 Family Cask, likely to have been about 40 years old. As I never saw the bottle, I didn’t know what year it had been bottled.
Whether or not it’s over priced, well that’s subjective as it all comes down to the taste and everybody will have an individual opinion. It’s certainly not a bottle for every day drinking, and while I can say you won’t be disappointed £150 is a bit much for many people to drink on a regular drinker. What auction prices do remains to be seen but I doubt that it will go up that much in value unless a few get drunk. Initial low auction values may encourage a few to get cracked open. It’s meant to be drunk really.
The last few bottles are still available from the Speyside Whisky Shop, the Whisky Shop Dufftown having sold out. It should be a good bottle to have in a collection as if bought at £150 or below, should it not go up in value then it’s still an affordable bottle to drink and really enjoy.
I’m grateful to Matteo for the kind gift. The milk of human kindness isn’t dairy – it’s definitely distilled!
It’s been a couple of months at least since I’ve reviewed a Flora and Fauna release. Since I’ve managed to bottle kill my full size Benrinnes Flora and Fauna, it was time to move onto the next one and I had a choice – Pittyvaich or Inchgower. It was a simple decision in the end as I’d already reviewed a Pittyvaich thus Inchgower it was.
Inchgower is one of those distilleries that has quite an anonymous life. Currently owned by Diageo, the distillery provides most of its output for blending, although independent bottlings are much more available. This malt is a constituent part of the Bells blend, but don’t let that count against our single malt experience.
The distillery sits just outside the Morayshire coastal town of Buckie and was founded in 1871 by Alexander Wilson. The Wilson family went bankrupt, leaving the Buckie Town Council to purchase the distillery in 1936. As far as I can tell this is the only example of a local authority in the U.K. owning a distillery. In 1938 the site was bought by Arthur Bell & Sons Ltd to provide malt whisky for its blends. Arthur Bell & Sons were later bought by Guinness and after various takeovers and mergers, the distillery came a part of the Diageo empire.
Inchgower isn’t a big distillery – it has 2 wash and 2 spirit stills, and only outputs 1.99 million litres annually. It has quite a short fermentation of 46 hours which should give a more nutty sort taste to the spirit. The distillery location isn’t that far away from the mouth of the River Spey, giving this Speyside whisky a coastal tang.
Inchgower unfortunately does not have a visitors centre, but the local area has some great scenery. The weather in coastal Morayshire experiences a local microclimate, something that was instrumental in setting up the nearby RAF bases at Kinloss and Lossiemouth as training bases. Buckie a fishing town and although there isn’t that much to do there, it is one end of the Speyside Way, a long distance trail that follows the River Spey, often utilising the former railway line that ran between Craigellachie and Aviemore. The Moray Coastal path also passes through the town, and it’s a short walk to the impressive Spey Bay Railway viaduct if you are in the area.
Let’s now take a wander to taste the whisky in question.
Region – Speyside; Age – 14 y.o; Strength – 43%; Colour– Pale Straw; Nose – Quite light and fresh. Malty, biscuity, straw, soft oak with a touch of brine there in for good measure. Vanilla, light toffee notes; Palate – Grapefruit, tannic, apple, ginger, grapes / white wine. Nutmeg. Vegetal in places, but this disappears with the addition of water. Lightly waxy in mouthfeel but not consistent – felt a bit light on occasion. ; Finish – Quite short with a nicer balance of fruit at the end to counteract the bitter tannins from the wood. Notes of brine at the end. Tempers nicely when water added.
Just because it is a component of Bells, don’t judge it by the same yardstick. I’ve been lucky and enjoyed this dram from the start, but samples given to friends have been a bit of a mixed bag. Some didn’t like it, some did. Although it is not that a complex malt, it can be quite light, and the vegetal note I found could put people off. This could be due to the sharply inclined Lyne arms between the still and condenser allowing the meatier parts of the spirit to leave the still. I added water and let it sit for 10 minutes and this took a lot of the less desirable notes away.
Being a coastal distillery, the brine is present, and coupled with a light waxiness this reminds me of another Diageo coastal distillery on the opposite side of the Moray Firth, Clynelish. That too was bottled as a part of the Flora and Fauna range and also as a 14 year old, but has been re-released as a stand alone bottle and the abv upped to 46%, which may give Inchgower a boost if they decide to do the same.
I enjoy the lightness of this dram; in the past I’ve had grassy notes from this which I didn’t get this time. I did get a straw note which although that’s dried grass, it isn’t the same. It leads me to ask myself what has changed – my sense of taste as I age or is it the whisky making process? Whiskies do change over time, so it’s a point worth considering.
Available at less than £50 a bottle, this isn’t an expensive dram, and is worth what I paid for it. There are bitter components in here that may not be to everyone’s taste, but it’s not that bad. I’d suggest trying this alongside an independently produced bottle to get a decent comparison.
Inchgower isn’t that rare but it’s not one you will see in every whisky shop, but a specialist retailer should be able to get it for you. At 43%, chill filtered and a dose of colouring means you may find better value from an independent bottle, as these are much more likely to have a higher strength, be non-chill filtered and have no colouring added.
I do recommend this dram, but I acknowledge it may not be something everybody will love. The title is a play on the phrase if you give an inch, they’ll take a mile, and while you may get the Inch(gower) but you might not enjoy the full mile of this whisky journey. It shouldn’t stop you giving it a go. After all, I like it, and surely others do. Try it in a whisky bar if you see it is available or alternatively you can get 3cl miniatures from the Whisky Exchange or Master of Malt websites.
When I was a child, the Aberdeenshire area used to have a good handful of distilleries. Ardmore, Banff, Fettercairn, Glenugie, Glenury Royal, Glendronach, Glen Garioch and lastly Royal Lochnagar. Sadly, three of these distilleries have now not just fallen silent but have been wiped off the face of the earth following the cull of distilleries in the 1980’s. Ardmore, Fettercairn, Glen Garioch and Royal Lochnagar mostly produce liquid for their corporate owners to use for blending and aren’t as prominent in the whisky landscape as some others. That just leaves Glendronach. Up until I became interested in single malt whisky it was a distillery I had not even heard of, despite it being under 30 miles from my house as the crow flies. Its exposure was increased to me when they opened a visitors centre – the brown tourist sign at the A96 / A97 road junction was a clue, but this wasn’t enough for me to get some of their liquid down my throat.
One of the issues that caused me to be blind to Glendronach is that it used to be one of those distilleries that had an relatively anonymous existence as a distillery producing whisky for blends, formerly being part of Pernod-Ricard empire. As most other distilleries owned by large corporations, it did release its own single malts from time to time but with no great fanfare. This was to change when the distillery was sold to a consortium of which the master distiller Billy Walker was a part. Billy has had a great deal of success with buying former Pernod-Ricard distilleries with also rejuvenating BenRiach, and after selling these two along with Glenglassaugh to Brown Forman, has bought the Glenallachie distillery, also from Pernod-Ricard. It is in his style that the letter after Glen or Ben is capitalised to distinguish it from the former owners. I’ll just stick to writing Glendronach and not GlenDronach.
I’ve always had a soft spot for sherried whiskies, with Macallan playing a large part in it as once upon a time nearly every bottle of Macallan was superlative in quality to any other sherried whisky. However, well before I considered a whisky journey such as this blog, I was also on familiar terms with Glenfarclas and Tamdhu, two other Speyside whiskies that have excellent sherried expressions, yet Glendronach evaded my attentions. It wasn’t until an unpleasant encounter that my gaze fell upon the Glendronach range.
It all started when I had to work occasionally with a guy who turned out to be a bit of a bad apple. He could be a great work mate one minute and nasty the next, and for all of the rest of the small team I work with we never knew what version we were getting that day. During one of his good days and before I realised what a menace this guy could be, the discussion turned to whisky. He told me that the only whisky he really drunk was the Glendronach 12. It had occurred to me that I’d been passing the signs to the visitor centre for years and had never visited or really had concentrated on any of their produce. Quite obviously as somebody who has an interest in whisky, I felt it was imperative that I paid more attention to the spirit that Glendronach was making.
The Glendronach 18 year old Allardice that I am going to review for you was the first Glendronach that I actively paid attention to and all I will say at the moment is that I wish I had tried it sooner. It took me another three years to visit this distillery, and during the tour I had last year, I left my guide Ann in no doubt what I thought about it. My previous review of the visit Glendronach, along its history and a tasting can beread here. The Allardice refers to the founder of Glendronach, James Allardice, who started the distillery in 1826.
I’m not planning on saying much more, so let’s have our whisky and see what we think. I do hope you can join me in tasting this little beauty.
Region – Highland; Age – 18 years old; Strength – 46% ABV; Colour – Tawny. Nose – Christmas Cake in a Glass. Rich sherry overload – Raisins, Plums, Cherries, Figs, Spicy Oak – Nutmeg and Ginger; Palate – Medium body, slightly oily. Leather, Raisins, Cherries, Oak, Orange peel, chocolate, hint of treacle toffee; Finish – Medium to long. Drying, syrupy taste that clings to the mouth, touch of sulphur, sticky toffee pudding, instant coffee powder.
I am hoping that you realise that I liked this a lot. I fell in love with the Allardice from the first time I tasted it. To my palate, this is a lot better than some of the insipid modern Macallan that has come on the market in the past decade or so, and thus I had changed my allegiance. I’m just disappointed that I didn’t review this some time ago. Due to my work pattern and my inclination not to keep several whisky bottles open at a time, it will be a while before I open another full sized bottle. Perhaps I’d better reconsider this. I’m definitely convinced that this is better than a lot of modern Macallans, but I’m also aware it is a different style of whisky, being a Highland Malt.
The range of aromas and smells I got from this spirit included many of my favourite things; treacle toffee, cherries, raisins, coffee powder, sticky toffee pudding to name but a few. It was a no brainer that I was going to enjoy this.
Most modern single malts are likely to have the vast majority of the liquid in the bottle at the age stated on the label. This one is likely different. It is a thing to note is that with some Glendronach whiskies is that the distillery was silent for around 5 years from the mid 90’s. This means that this 18 year old bottle has spirit in it that will be considerably older, as will the 21 year old. Anything bottled between 2014 and 2020 will have to include spirit that can be as much as 24 years old and in larger amounts than might be found in a normal marrying of casks for a production run. It is my opinion the content of older spirit is indeed evident. I’ve never particularly compared batches as I am not convinced that I have that sharp enough of a palate, plus I am extremely unlikely to have two full sized bottles open at a time. Nonetheless the richness and depth this dram has would easily convince me there are older casks in there.
Is this good value? Here I start to swither. Depending on what bottle you got, I could surprisingly suggest it is not at the moment. My first bottle of Allardice was £74, a not unreasonable cost for a decent sherry whisky of that age. However prices have been creeping up so much that you don’t get a lot of change from £100. I don’t know if it is because of rising production costs, the fact that older spirit is playing a major part in the blending, or we are getting charged what the producer thinks the market can sustain. However let’s review facts. 46% ABV, Natural colour, non-chill filtered, age statement. It is an honest malt with nothing to hide. Sherried whiskies can command a higher price, partly because the casks are a lot more expensive, in this case it is an Oloroso cask.
Let’s not dwell too much on price. You have to try it if you like sherried whiskies. Keep an eye out for miniatures or see if it is in your local whisky bar if you don’t want to cough up a sizeable amount of cash up front without trying it. I’d suggest that you will not be disappointed though. This sample was bought from Amazon about a year ago and cost me £10 if I recall correctly.
If that isn’t enough to convince you that you need to try this whisky then let’s add a sprinkle of context – Macallan pump out NAS whisky at 40% with chill filtration, partially bourbon matured and then release it in a funny coloured box and still expect you to fork out £100ish for the privilege. The fanboys lap it up but I know many grumble about the lack of value for money in many of these drams. I know what my preference would be and it wouldn’t be the Macallan for the same money.
Keep an eye out for this at auctions. It is entirely possible to get this at less than RRP, even when auction fees are taken into account, but be wary of shipping costs; perhaps consolidate shipments. I have a few bottles of this with various date codes and I will be drinking them eventually, so I will be able to get the benefit of the older whisky. If you want a guide to what bottle dates are most likely to contain the oldest whisky, see this handy web page here. There is a handy PDF embedded into it.
Lastly, this proves that often being in a bad situation can often lead to good. I’m grateful for being recommended Glendronach, although I wasn’t as fond of the 12 as this. If the person I referred to is reading this, then thank you, I owe you a drink.
It’s Wednesday and you may be wondering where this week’s whisky review has gone. Well, I’m amazed to tell you that I’ve run out of whisky to review. I’ve been at work since 24th April (that is not a typo!) and while I’d built a considerable backlog of whisky reviews, this has now run out. I guess I didn’t realise that I’d still be offshore in August. By time I got off this vessel, I’ve done 110 days away from home and 105 without touching dry land.
I think this gives me a good excuse for running out of reviews.
And now, I realise after such an abstinence that probably drinking one dram will leave me in a state that will leave me unable to write a review. So there may be a small hiatus before the reviews start again. Don’t worry, they will start again as soon as possible.
Just because I’ve been at sea doesn’t mean that I haven’t been able to advance my whisky journey. I’ve been keeping an eye on the whisky world and have thought through a couple of articles that should be of interest. I have also been continuing to gather more whisky for tasting and sharing, including my first Scotch Malt Whisky Society full size bottlings which were purchased at auction for reasonable money.
I’ve also bought a couple of historical drams from Cheaper By The Dram, which includes the first Highland Park edition that was released as a single malt and a dram from the long deceased Glenury Royal distillery. This has led me on to thinking about the theory of older whisky being superior than contemporary whiskies. This I think needs investigating and I may require some volunteers to either prove or disprove this concept.
As you may have seen on my Facebook page, Scotty’s drams has also been listed in whisky broker Mark Littler’s blog as one of the Whisky Blogs to keep track of, as well as my Instagram page. I’m grateful to Mark for his recognition, so I must be doing something right. You can see the entries by clicking on these links –Scotty’s Drams Instagram Page Reviewand Scotty’s Drams Page Review
All in all, despite being a busy summer for me work wise, it still has been successful in several ways.
Lastly, I cannot end this article without hoping that all of you had a good summer under the current circumstances the global community finds itself. The Coronavirus pandemic has caused great disruption to life as we know it and I hope you have all kept safe. It was my intention to have a Scotty’s Drams meet up at the tail end of the year but I do not think that this will be possible but keep 3 days free for sometime in the next year.
As you may have seen on my other social media channels, the storage locker that I keep the majority of my collection in suffered flooding to knee level on 11/08/2020. Unfortunately the facility flood prevention barrier was overcome. I have not been able to get access to the site but needless to say it is not looking good for some of my rarer drams. While I did have shelving, some of my boxes were on pallets.
It may be some time before I am able to review again, but will try and keep things going on Scotty’s Drams.
As one door closes, another opens and this may give me the opportunity to start with a new focus.
Taste Review #65 – Black and White Blended Whisky (1950’s Bottling)
How many times have we heard that things were better in days gone by? It’s certainly something that I’ve heard plenty of times and in some cases there may be a bit of justification in that statement. As a child of the early 70’s, I have very happy memories, but then again I also remember strikes, power cuts, uncollected trash and expensive fuel – so not everything was better. As we have propelled ourselves from the 20th century into the 21st, things are much improved. But is whisky?
Getting us into a sense of perspective, I’d suggest that this may not be true. Having a greater selection doesn’t mean that things are better for the whisky world than they were. Pressures of shareholders and demand have accelerated the need for production resulting I would say there a rising blandness in the whisky world and while none of the whiskies are bad as such, I feel there is much of a muchness.
This week’s sample has come from Cheaper By The Dram, managed by Whisky and Antique specialist Mark Littler. You might remember that I have done a series on cask purchases with his help and have also reviewed one of his other releases, the 12 year old Glenturret. This dram has come as a thank you for some help that I had given Mark – I wasn’t sure what to expect and I was overjoyed to be given a sample of whisky from the 1950’s – Black and White Blend. It has always been my ambition to taste a whisky from that era. An abortive attempt to do so occurred a couple of years ago with the purchase of a Glen Spey blended whisky at auction. I had questions over the provenance and authenticity of the bottling once I received it so had decided to keep it as an oddity rather than a drinking bottle.
Regular readers have probably noticed a relative lack of blends in my reviews and I give no apology for the fact that I don’t drink them often. That’s because I strive to find a character in a distillery through its single malt and that’s something that I look for. I’m not a snob and do not think that blends are inferior, but they don’t appeal to me so much. A telephone conversation with Mark led him to put the supposition ‘that a single malt is like a virtuoso violinist, yet a decent blend is like a whole orchestra’ with all the components in its correct place for maximum enjoyment. So I had to smile when I saw the cover note with this latest CBTD delivery. See below.
And I have to say there may be a grain of truth in that, but we will see later whether or not this will be true in this case. Speaking of cases, this one arrived in its usual secure packaging with minimal information contained within. This is partly to discourage re-sale of these bottles at auction and to me it helps provide focus to the whisky itself, partly like a blind tasting where few if any details are known about the spirit.
Black and White is amongst of the oldest whisky blends still being produced . It’s owner, James Buchanan supplied blended whisky that was made by Glasgow blenders W.P Lowrie. It was initially marketed as Buchanan’s, and was packaged in darkened bottles with white labels and was commonly known as Black and White whisky (which was to become the official name of the blend from 1902.) From 1885 this was supplied to the House Of Commons and was renamed Buchanan’s House of Commons Fine Old Highland whisky.
By the early 1900’s the logo of the whisky was to become an Aberdeen Terrier (also known as a Scottie Dog) and a West Highland Terrier. To help provide more whisky for his popular blends, Lowrie and Buchanan founded the Glentauchers Distillery beside Keith and also eventually obtained Convalmore Distillery in Dufftown when Buchanan bought out Lowrie in 1906. The whisky that Buchanan was producing was good enough to obtain Royal Warrants from Queen Victoria, the Prince of Wales and the Duke of York in 1898.
By 1915, Buchanan had joined forces with Dewars, becoming known as Buchanan Dewars in 1919. By 1925 they merged with John Walker & Son and Distillers Company Limited (DCL), now part of Diageo.
As we know, blended whisky was made as an alternative to low quality single malts. Blended whisky was smoother, more consistent and easier to drink. After the invention of the Coffey Continuous Still, grain whisky was easier and more efficient to make. When the law changed in 1860 to allow the sale of blended of malt and grain whiskies, single malt fell out of favour. Even now, blended whisky outstrips consumption of single malt. It may shock you to know that roughly 90% of Scotch whisky goes into blends.
So, is this whisky any good now, and how does it compare to current blends? There is only one way to find out….
Region – BLEND Age – NAS Strength – 40% Colour – Burnished.Nose – Old linen, vanilla, strawberry, apple, walnut. Palate – Very light. Slight smoke in the back ground. Apple, oak, slightly tannic. Finish – Wood spices, light peat, brine, lemon, slightly drying and warming.
I started this article by wondering if things were truly better in the past. I’m still none-the-wiser as to whether this can be verified. What I can tell you is that this is a dram that is definitely unlike a lot of whisky that I have drunk recently. It definitely has that old fashioned feel to it; light but with a certain amount of meatiness. Fruit is in the fore, and one wonders if this is an influence of stock from Convalmore, a now silent distillery that had long fermentation and slow distillation.
And it is when I think of Convalmore, I had a slight epiphany. This is a blend made in the 50’s. The whisky in it may have been made in the 1930’s or 40’s. As a consumer we do not know exactly what whisky is actually in the blend, but I got a slight Highland peat (as opposed to Islay) and a brine note. It is highly likely we are drinking a blend that contains substance from more than one silent distillery and using a process long consigned to history. At this point nearly every distillery would have been using traditional malting floors, so perhaps it does make a difference. Other whiskies that are known to be in this blend are Dalwhinnie, Port Dundas, Glendullan and Clynelish. Perhaps the latter gave the brine note?
The nose of old linen takes me back to my first review of a CBTD whisky, the 12 year old Glenturret from the 1980’s which had a musky taste about it too. It took a bit of getting used to, but once I realised it was just a more traditional style, I really enjoyed it. The nose in this case was just a linen note that provoked evocative memories of my childhood visiting my great-grandparents in their croft on the outskirts of Aberdeen. This old style whisky conjured up happy memories of a bygone age and that is sometimes what tasting a whisky as an enthusiast is about – letting the aroma and tastes play in your mind as you try to describe them as you recall the occasions you last experienced these sensations.
Putting my thoughts into a neat package, the only recent whisky that I can truly compare this whisky to is the Lost Distilleries Blend. While that was a cask strength blend consisting only of silent distilleries, not all of the whisky in that blend is likely to be relatively old, circa the 1980’s. I didn’t really enjoy that blend for what it cost – a full bottle is £300+. But it’s been blended for modern tastes. Black and White is from a different era – where men were men and didn’t have top knot hairstyles or man bags, children were supposed to be seen and not heard and wives only had to do housework and have their husbands tea ready for when they come home. Yes, not everything in the past was better, but this relatively uncomplex blend gives us modern whisky drinkers a glimpse into whisky past – something that is essential to do for those of us on a whisky journey of discovery. For it is true that it is harder to appreciate the present and the future without a good grasp on what has gone before.
And that is not a bad thing.
Availability of this 3cl dram which costs £14 fromCheaper By The Dram is now limited. Given the full size bottle can be around £300 on the auction sites, this is very little to spend to enhance your whisky experiences. Black And White does not seem to be available for sale in the U.K. at the moment, but the modern equivalent is available cheaply in Europe, in some cases only £12-£15 a bottle. Keep an eye out for this at auction, but if you are quick, you may just get the last samples at Cheaper By The Dram store. Perhaps Mark / CBTD may obtain more in the future and for those of us who want to compare old style whisky to new style, this would make a most excellent comparison. Should more become available I’d certainly be willing to drink it again. As I don’t score my whisky, this would get a “recommended and would buy again” comment instead. And that is definitely high praise.
Thanks go to Mark Littler for supplying this sample. I wasn’t that optimistic about a blend to start with when I saw it arrive, but I’m really glad I did not miss out as it was delicious and a worthwhile journey into the past. Remember, sip don’t flip!
Believe it or not, my title this week does actually rhyme. It does help if you are from the North East Of Scotland to know how to pronounce Garioch or at least you could have heard it from others in your whisky journey. But for those unfamiliar with Doric, the pronunciation is ‘Geery’. It rhymes with dreary, but then I have already told you that. And Doric lives up to many of the often underhand tricks that English can also play on its non-native speakers, and that is that sometimes it is pronounced ‘Garry-och’, but usually only when it is being used as a surname.
Glen Garioch distillery is one of the oldest in Scotland, having been established during 1797 in the Aberdeenshire village of Oldmeldrum, a small market village some 18 miles north of Aberdeen. Currently it is the most eastern distillery in Scotland, a title that it obtained in 1983 when Glenugie beside the port of Peterhead closed. It was my local distillery when I lived in the land of ‘Fit Like’ (Doric for how are you?), and passing through Oldmeldrum, it was easy to spot the two ventilators on the top of the kilns, yet I never visited. Not until early March this year when I was staying in Aberdeen and I decided to treat my parents to an afternoon out. Despite Aberdeen and shire’s reputation for dreary grey buldings, weather and equally grey and dour people, this was a glorious early spring day with a treat of some blue skies.
Glen Garioch was established in 1797, although it is reckoned that they were legally distilling before that, albeit there is no existing proof. Two brothers, John and Alexander Manson started the distillery just to the south of the Aberdeen – Banff road. They were in a perfect position for one of their main ingredients – Barley. The North East of Scotland produces massive amounts of barley, and according to our guide, 40% of Scottish barley used in whisky production comes from the Garioch valley, which is entirely possible, as during summer the fields are full of barley, and the soil is good quality with lower levels of nitrogen, which distillers like.
Glen Garioch passed through a few hands before becoming part of DCL in 1937. This continued until the late 1960’s. DCL (a forerunner of Diageo) in the mid to late 1960’s needed a distillery to produce heavily peated malt, as there was a problem with droughts on Islay and Caol Ila was getting refurbished. They had a choice between the original Clynelish distillery (now known as Brora) or Glen Garioch, but unfortunately the Oldmeldrum distillery had problems with its water supply and Brora was chosen to supply the heavily peated malts. DCL sold Glen Garioch to Stanley Morrison (who also owned Bowmore) in 1970, and his first task was to find another water supply. The manager at the time, Joe Hughes contracted Alec Grant (the father of the current manager) who found a spring on nearby Coutens Farm. It’s known as the silent spring, as it could not be seen or heard flowing, but enabled the distillery to increase its production tenfold.
The next crisis to hit Glen Garioch, along with many other distilleries in the 1970’s was the fuel crises in the 1970’s. The cost of operating the distillery was high, but Stanley Morrison installed heat recovery equipment, which allowed heat from the distilling process to be recycled, and was used to heat the kilns as well as feeding heat to an acre of green houses and a further acre of poly-tunnels for growing tomatoes and kiwi fruits. This came to an end in 1993. Sadly in 1994, the distillery also brought an end to malting its own barley, preferring to buy in ready malted barley.
In 1994 the distillery was bought by Beam, and by 1995, Glen Garioch fell silent. 1995 was the last time the distillery regularly produced a peated malt. However, it isn’t all bad news, and by 1997 after some renovation, the distillery opened again, producing an unpeated malt.
Glen Garioch is an old, small distillery. It only produces 500,000 litres annually from one wash still and two spirit stills, albeit the No.1 spirit still is currently out of service due to the copper now being too thin. Apparently the wash still has the longest Lyne arm in Scotland. You can still see the tradition coupled with the modern; the Porteous Mill, the old Kilns plus stainless steel washbacks and mash tun squeezed into old buildings. But does the tradition convert into making a decent whisky? Well, it’s time to find out
No Age Stated
Light Golden Honey.
Malty, biscuity, sweet. Very light smoke to it. Fruit, Apple, touch of floral – I get a whiff of Turkish Delight of it. Vanilla is in there too.
Slightly oily mouthfeel. Sweet vanilla, creamy buttermilk and green apples. Hint of citrus sharpness with wood spices.
Short but quite a spirit glow on the way down. At 48% I’d advise adding water, which I had to do afterwards. Dry, but not astringent. Oak spices, a hint of smoke, probably from the Bourbon barrel. Citrus is in there as well, and only became apparent at the end as the spirit left my mouth fairly dry, but it was like lime and a hint of chocolate.
If there is one thing I can say about my tour at Glen Garioch, our guide Chris gave an excellent tour and one that was full of information and passion about the distillery. However, (and this was not his fault) the tour was to fall short with the whisky supplied for tasting. The basic entry Founders Reserve is actually not a bad whisky, but after having such a good tour and quite a pleasant nose and palate, the finish totally let it down for me. It’s a shame as I had been smelling it a good portion of the way home in the car due to a leaky sample bottle, and my mouth was watering. The unfortunate reality was that my mouth became like the Sahara Desert afterwards, and I needed to take the water I had set aside for adding to the dram. Because I was doing my typical Aberdonian thing and was too tight to spring for a 5CL sample, I made do this time with the 1.5CL sample given by the distillery.
Although the finish was a bit too dry for me, it wasn’t not in a lip and tongue puckering way. The warmth in the spirit I think just overpowered the nice aromas and palate, which to me was just a little bit disappointing. However, Glen Garioch Founders Reserve is not alone in this – many whiskies I seem to sniff turn out to have either a palate or finish that didn’t match the aroma. My favourite whisky of the past 12 months was exactly like that. Again, it may have been better had I hadn’t been tight and sprung for at least a 5cl miniature.
So, with that last point in mind, don’t pay too much attention to what I say on this review, as I just don’t have enough liquid to build a relationship with this whisky and understand all the various components. However, it did become more pleasant with a drop or two of water. I would say that the vintage expressions or those with age statements would be a lot better. It is my opinion that they have bottled this at 48% to hide the fact there is some young whisky in it, but it shows in a very slight rough edge. But that’s just my opinion. There is the good point that at 48% you know that it is not chill filtered, but unfortunately this has got colouring added..
I was tempted to buy a bottle of the 15 year old they had for sale there, as it was £85, and I thought that was just a bit too rich for me. It’s not unreasonable to charge that much for that age of whisky, but you know you can get it cheaper elsewhere. I’ve come to realise that unless it is a special limited release, you’ll always get whisky cheaper elsewhere compared to the distillery shop. Tourists don’t always have the same purchasing opportunities compared to the locals.
Do I recommend this whisky? No, I personally will not be buying a bottle of it, but that’s not to say you shouldn’t. At 48%, this gives you an excellent opportunity to play about with water to see the effects drop by drop, but I’d say best maybe try doing this with the 12 year old. It is also bottled at 48% and costs around £45. The Founders Reserve costs around £35, which for a 48% whisky is indeed good value, and while I think this whisky will appeal to some, it didn’t appeal to me. With the aroma I can sense there is something good happening with this distillery, though not this expression. Perhaps I need to pop in past while next in the area to maybe buy a couple of miniatures to retry at the later date.
For those of you who don’t know, mariners can be superstitious. I know of fishermen in the North East of Scotland have plenty of little things in their mind they they consider to be unlucky – mentioning the word Rabbit or Salmon is meant to bring no good and neither are having a woman on your fishing boat. And don’t dare consider washing out your sugar bowl. Shooting an Albatross would be probably the final icing on the cake to guarantee a maritime disaster or perhaps an empty fish hold.
As a person who also has spent the majority of his working life at sea, I also have a few superstitions and practices. As an ROV pilot, me and many of my colleagues are a bit nervous about mentioning the word ‘reterm’ which is a shortening of the word ‘retermination’. A reterm is when you have to cut the yellow flying tether between the ROV and the deployment system, or the main lift umbilical between the launch system and the deployment system. Not technically complex, though a main lift umbilical is more intensive and takes around 12 hrs to complete. Usually mentioning the word reterm is seen as chancing fate and is frowned upon by many.
I have no whisky superstitions, but when a bottle of Jura Superstition turned up in a bulk buy of auction whisky miniatures, I did become a bit wary. I’m not a fan of Jura, especially the last NAS offering I tried, the insipid Jura Journey. Would this one be the same? I was sort of hoping it wouldn’t be, as Jura is owned by Whyte and Mackay who also own Dalmore distillery which do have a good range of decent malts and the lesser known Fettercairn distillery. Their master blender Richard Patterson is a well known personality in the industry and has overseen the creation of some great drams, yet sometimes appears to drop the ball when it has come to Jura Journey and Fettercairn’s Fior, though that’s just my opinion.
The distillery on Jura was established in 1810 by the Laird of Jura to create employment on the island, but had intermittent use, finally closing in 1901, possibly as a result of fallout from the Pattinson crash. The main issue with Jura was that an island distillery was always going to make it more expensive to produce from – everything has to arrive or depart via ferry from Islay via Port Askaig on Islay. It wasn’t until the late 50’s that work started in rebuilding the distillery. This included the installation of taller stills (over 7 metres tall!). First spirit started flowing in 1963 and by 1974 single malt whiskies were being released.
The single malt we will be sampling today was first released in 2002 and is very lightly peated. It was joined by the more heavily peated Prophecy in 2009. The range was revamped in 2018 and Superstition was discontinued. Let’s pay a visit to a whisky that has passed on.
Region – Highland;Age -NAS; Strength– 43%; Colour – Deep Copper; Nose – Cereal notes, straw slight hint of smoke. Honey. A bit of brine in the background; Palate– Slightly waxy mouthfeel- medium body. muesli, toffee, a hint of honey with more smoke. Now the light peat becomes apparent but not like an Islay. Finish – medium. The oak spices arrive now, with vanilla, smoke, slight dryness and a hint of brine at the end.
Well, surprise surprise. I actually liked this one. Maybe that’s an overstatement, but it had a lot more to offer than Jura Journey. I’m actually grateful that in my whisky journey that I’ve made the decision not to let one whisky I didn’t enjoy spoil my view of the distillery. I’ve sort of got a small bias against Whyte and Mackay brands, as I’ve not really enjoyed the few samples I’ve had from Fettercairn either, but that has also had a range upgrade recently as well.
I think the muesli notes perhaps come from the relatively short fermentation period of 54 hrs. There were also cereal notes that I detected in the nose. This spirit has been matured in Bourbon casks, has been chill filtered and also has added colour, thus scores 0/4 in the ABCD check list. However I ‘got’ this whisky. The brine influence along with a light peat gave a lovely smokey maritime feel.
If it was available, I’d give this a thumbs up and would recommend this as an easy introduction to peated whiskies, but alas it is no more. I’ve taken a look online and am struggling to see it available anywhere. It may be best to try auctions to try this whisky. It was RRP at £35-ish as a guide, so you should be able to pay less than this for a 70cl bottle.
I think my next Jura will have to be one of the age statement releases.
Taste Review #55 – The Lost Distilleries Blend, Batch 10
Welcome to this week’s whisky review, and we continue to work through my rather large stash of miniatures to bring you tastes throughout Scottish Whisky (and beyond – but not just yet!). This one is a superlative whisky, and I will almost have to call it a unicorn whisky though it is a lot more than that. For this review, the blend I will be reviewing is a blend of several unicorns!
When thinking of the lost distilleries, my mind cast back to one of the more famous, or infamous signs in Aberdeenshire, that of Lost. This road sign has been stolen countless times, to the point that the sign arm is now welded to the pole, and more substantial concrete put around the base. For you that do not know, Lost is actually a farm close to Strathdon, and you could be forgiven for feeling lost when you don’t find anything substantial. There are certainly no distilleries here, although the A944 through Strathdon takes you through the Cairngorms and joins onto the A939 Cockbridge to Tomintoul Road. Essentially the back door to Speyside going over the ski route to the Lecht resort. With a change of direction at Corgaff towards Braemar opens up the opportunity to visit some of the Perthshire Highland distilleries over another ski-route through Glenshee, officially the highest main road in the U.K.
So, now it is time to refocus on whisky. Why did I pick this dram? As per usual, I was doing my usual troll through the auction sites to see if there was anything worth buying in the bargain basement, and two small samples of this came up, and I got them for an absolute steal given the normal price for the drams.
Let me just list the distilleries that are in this blend.
Port Ellen (Islay / to be reopened)
Brora (Highland / to be reopened)
Glen Mhor (Highland / demolished)
Rosebank (Lowland / to be reopened)
Caperdonich (Speyside / demolished)
Imperial (Speyside / demolished)
Mosstowie (Speyside – distilled in now decommissioned Lomond Stills at Miltonduff)
Glenisla (Speyside – experimental peated whisky reportedly made at Glen Keith Distillery)
Glenlochy (Highland – demolished)
Craigduff (Speyside – experimental peated whisky reported to be either Strathisla or Glen Keith)
Port Dundas (Lowland – Single Grain Whisky / demolished)
That is some roll call of whisky, so let’s get cracking on it!
Slightly solvent to begin with – wood polish moving quickly onto vanilla, chocolate, cafe latte, almonds. A hint of smoke
Oily mouth feel. No large kick considering its strength. Sweet to start with, with raisin and vanilla notes, Toffee building into some spicy oak notes. Light smoke
Quite long. The spicy oak continues, almost like curry spices. Warm and tempered with a creamy feel. A slightly bitter note at the end.
This dram confuses me a bit. There is an impressive roll call of spirit in this dram that is never going to be seen again. Lets face it, even with some of the distilleries being rebuilt will not result in an identical spirit of the past. Given this fact, one has to wonder why they have done this, as the individual character of each malt has been lost. I have to say though, the oily mouth feel made me think of Clynelish, so I am wondering if this is a remnant of the Brora component in this mix.
The solvent and polished oak are clearly from the grain whisky, and given my experience previously with the Invergordon 42 year old excited me a bit, but most of it got lost until the end when a spicy oak built up.
There is an elephant in the room. A 70cl bottle of this dram costs around £350. I hate to say it, but this is not worth that at all. I do realise that you cannot get any of the component parts cheaply at the moment, and in any case, a 70cl bottle of any of them would probably cost as much as this blend. So I’m left feeling kind of lost. I think if I had a chance to buy a blend with lost distilleries in it, I’d more likely be buying a bottle of Johnny Walker Blue Label Ghost.
But my friends, let us find an upbeat note. Master of Malt charge £26.65 for a 3cl nip of this. To me that is still not good value. However, I was lucky enough to pick up 2 of these samples at Whisky Auctioneer for £16.80. Now that is a bargain. Sadly, this blend wasn’t really to my taste, so I may be looking for a new home for the second sample.
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Whisky Photographs – author’s own.
Roadsign to Lost Farm – Stanley Howe / Creative Commons licenceCC BY-SA 2.0