You just can’t be in two places at one time. As much as there is plenty to go around, you can’t split yourself in two without negative consequences. And that’s why I found myself on a ship in India and not on my usual vessel, which is now in Australia. Twice with this company I have obtained an Australian work visa and twice I haven’t gone. Guess I’m just going to taste their whisky instead.
There are a few distilleries to choose from and in my quest to try a few world whiskies I decided to try one from the Starward distillery. This isn’t your typical distillery hidden in a glen or a valley; it’s set up in the middle of Melbourne. Founded by David Vitale in 2007, the distillery makes use of locally grown ingredients and casks from the Australian wine industry. Add some variable hot and humid weather and you get a perfect environment for rapidly maturing whisky.
The whisky I’m tasting today is the Starward Dolce. Limited to 4800 bottles, it is around the 4 year old mark. Matured in Australian Red Wine casks and finished in a dessert wine cask, let’s see if the New World whisky is as good as some of their wines.
Region – Australia Age – 4 y.o Strength – 48% abv Colour – Tawny (1.4) Cask Type – Red Wine / Dessert Wine Colouring – No Chill Filtered – No Nose – Red fruit, strawberries, Raspberries, chocolate, Pink Marshmallow, quite sweet. Salted caramel. Palate – quite spicy on the arrival. Spirit burn to the fore. Ginger, pepper, gives way to sweetness, again with the marshmallow. Dates. Medium mouthfeel, slightly oily. Finish – short and sweet. Pretty pleasant to be fair. The caramel theme carries on and fades into stone fruit. Possibly chocolate coated cherries. The spices drop off quite quickly.
I’m glad the original inhabitants of Australia were poor at evading capture after committing criminal activities, as without those original colonial settlers, we would not have had a whisky as delightful as this one. I picked this one as the tasting notes of fruit were right up my alley and I have not been disappointed in the slightest.
It is worth remembering that despite its young age, the environmental conditions in Melbourne mature whisky faster, and this while still detectably young, drinks like an older whisky than it is. I could go onto wine critics descriptors such as a tango on the tongue, like lambs gambolling across green grass meadows, a party on one’s palate but I won’t. It wasn’t that good. I would however strongly recommend if you enjoy a fruity whisky, this is one to get. I’ll certainly keep an eye out on this distillery.
Taste Review #117 Glenmorangie A Midwinter Night’s Dram.
As I write this, the bleakness of a Highland winter couldn’t be further from my mind as I head to warmer climes. Pity it’s not a holiday and will mean Christmas away from my family again. But on one point I can’t really pretend to be sorry, as who really misses having to constantly shovel snow off the path, de-ice windscreens and the long dark nights? No, I didn’t think there would be many hands shooting up with keen voices shouting “Me, Me, Me!” If you were one of these deranged people then I’ve got a wee job for you…
Thinking of the title of this latest review, I was reminded of a snowy winter scene. I am a bit nostalgic for the winters we used to get as children. Snow was often a magical, beautiful thing and it’s arrival often was around the time that the fat guy in the red suit started leaving presents. I remember way back in the day going round the streets of my home village in Aberdeen singing carols at Christmas time. In the snow was the best, as it seemed to deaden the sound of the adjacent airport and made the whole activity seem that little bit more traditional.
But the truth of a Scottish winter can be miserable with short days and long nights for months on end. It’s no surprise that the suicide rate in the Northern Highlands and Islands is sadly so high. So the kind bosses at the Ross-shire distillery Glenmorangie used to have a tradition that saw them give the workers a gift of whisky to help them warm themselves at home over the festive season. Perhaps giving people alcohol to assist their mental health may not be so approved of nowadays, but in the past this would have been appreciated when distilleries employed far more people and times were definitely not as easy as today.
As a nod to this tradition, Glenmorangie released a whisky called a Midwinter Night’s Dram. It harks back to that whisky that was given to employees. It’s supposed to be fruity and spicy so sounds as though it’s just the job to cuddle up to on a cold winters night.
I managed to get this sample as part of a delivery from the Really Good Whisky Company. They had a bit of a flood and stock was damaged. So they had a draw in which you paid £49.50 for a ticket. The bottle would be at least that value. There was at least one bottle that was worth £1800. While I wasn’t imagining I’d win the first prize, I thought the chances of me getting something worth more than £50 was high.
Well, me and a lot of others were disappointed as what we got was an old style Glenturret. This had been discontinued in this packaging for over a year and I couldn’t help but feel I had been duped into entering a draw to move new-old stock. I was livid, as my bottle was completely undamaged. If you know my whisky journey, you’ll understand that I know exactly what a flood damaged bottle looks like. But now I’ve calmed down and now we approach Christmas and the season of goodwill, it is time to forgive and move on. Perhaps this is the appropriate dram to have.
Glenmorangie – A Midwinter Night’s Dram
Region – Highland Age – NAS Strength – 43% abv Colour – Burnished (1.1) Cask Type – Bourbon / Oloroso Colouring – Not Stated Chill Filtered – Not Stated Nose – Red apple, orange peel, biscuit, caramel, biscuit. Palate – Medium body – oily. Malted biscuits, orange, slight drying bitterness. Caramel in background but hidden a bit by oak spice – cinnamon and nutmeg. Peppery too Finish – spicy and drying. Medium length. Pepper, cinnamon, citrus – more lemon / lime bitterness.
Not requested or expected. That’s the best way to sum up this free dram. I thought it to be a nice touch in all honesty and had discounted its value when thinking of my raffle prize. Eventually I’m going to get calm about TRGW Co using me as a patsy to shift excess stock. And it was a Glenmorangie I wouldn’t have otherwise bought so I got an experience that was reasonably enjoyable.
Would I buy it? No, not based on this taste but not because there was anything wrong with it; the whisky didn’t light my fire, as simple as that. However given that it was free was a big plus point. Being Aberdonian made me see the value. Should I be offered this again I’d be happy to drink it. The whisky for me was spicy and drying while I prefer the more sweet and fruity drams.
This will be the last review before Christmas, so I’d like to take this opportunity to wish all of you all a very Merry Christmas and all the best for 2022. Here’s hoping it’s an improvement on 2020 and 2021.
There is a saying about how absence makes the heart grow fonder. This my first review / article in a while and to be honest being away from it all due to a heavy work schedule had only made my heart grow fungus. I’ve not been able to write about whisky as I just haven’t been able to drink any and standing well back from whisky social media has not helped me gaining any insight. Well, until last week that is…
It’s words that bring me to the subject of this article. One thing that tires me about whisky social media is the regular ego-fest when one person thinks they know better than another, or thinks they know what others should do with their whisky. There was a situation recently where there was a Twitter post about how somebody got bent out of shape because of them failing to secure a release from the Lakes Distillery. That in itself could be an article, but I’m zeroing in on the subsequent fallout from it. We need to review some guidelines for the Whisky Community methinks.
I’m going to blot out the names of the main participants but should they see this article then they will know who they are. One of them needs to learn a bit of online etiquette. See for yourself in the images below.
So let’s get one thing straight.
Whatever somebody chooses to do with their whisky is entirely up to them. For me the exception is flippers for whom the focus is never the whisky, but the money it could raise. These people are not whisky lovers.
If it’s expensive whisky you wouldn’t have bought anyway, why get upset about it?
Placing the odd picture of your collection on social media is not showing off.
If something doesn’t please you online, shuffle past it. Ignore it. Mute the person or conversation. Failing that, unfollow them.
Calling people offensive names makes you look the a**hole.
There is much debate within social media about those who collect whisky as an investment, some saying that it is preventing genuine drinkers from experiencing limited drams. While I can see the logic in this, if you couldn’t afford it in the first place, why worry about it? After all, you wouldn’t have been buying it anyway. I myself have whisky I have bought with no intention of drinking, but some of it has been to complete a collection; most has been bought on the secondary market where I’ve taken the chance prices could also go down and is also at the price the average drinker would not be able to regularly afford. And while I have bought bottles as an investment, I’d be happy if they don’t make any money, as long as they kept pace with inflation. It’s basically a liquid piggy bank. And here is the crucial point – at any time I could change my mind and drink it. This is why it’s nobody else’s concern what I or anybody else does with their bottles.
Furthermore, there are bottles I have bought with the intention of opening but the price has risen so much, I’d possibly be mad to open them. This is where there is wisdom in the practice of obtaining two bottles if you can. If you are still feeling aggrieved about somebody posting pictures of expensive whisky that you can’t afford or wouldn’t drink anyway, it’s sometimes better to just say nothing rather than reveal yourself to be the knob in the room.
Whisky social media will always reveal people who have larger wallets than you, more expensive tastes than you and also more knowledge than you. Be content with what you have and be ready to learn. A battle of egos online is so boring, especially when one of the parties is probably jealous. Copying that example means you could be part of the Dead Brain Collective and look like the knob in the corner.
Speaking of which, I saw a Knob Creek in the corner. Returning from Mozambique meant I can’t go back to Scotland without being locked up in quarantine for 10 days. Due to the rules for seafarers being less stringent in England, I decided to stay in London for this period. In the hotel bar, I spotted a bottle of Knob Creek and thought it was time to review another bourbon. So let’s get cracking.
Knob Creek Small Batch
Region – USA Age – NAS Strength – 50% abv Colour – 0.8 Deep Gold Cask Type – Charred American Oak Colouring – Not stated, but I believe Yes. Chill Filtered – No Nose – Vanilla, coconut charred oak, caramel, a hint of mint perhaps? Palate – Caramel, vanilla, charred oak, peppery spices Finish – Peppery, caramel, corn, a hint of cherry at times.
I’m not going to wax lyrical about how good this whisky was, as for me it was just so-so. But this was the first whisk(e)y I’d drunk since mid April, so maybe I’m requiring a little calibration. Knob Creek is an upmarket Jim Beam made by Beam Suntory. This version has no age statement, but the age in the bottle is somewhere around 9 years old. The age statement was removed a couple of years ago when stocks dictated they couldn’t guarantee the minimum age. As of this year, the age statement has resumed.
I paid £4.50 for a 35ml measure in a Kensington Holiday Inn which was a good price given location. Was it value though? Probably. I got a smooth 50% bourbon, and it didn’t feel that strong. It was an easy drink to take neat and ended with the same cherry notes that I got from Wild Turkey Longbranch. Perhaps that’s a Bourbon thing.
Would I drink it again? Yes. Would I seek out a bottle? No. It was nothing special and I enjoyed the Lagavulin 16 that followed it much more. I’m discovering my Peathead dark side at the moment. It’ll be a while before more bourbon is drunk.
Hiding in plain sight. Thats often what I think when I essentially ransack my study or bedroom looking for something that is sitting innocently on a shelf in full view when I am doing my mental calculations as to where I last saw it. Before I left for my last offshore trip I couldn’t find my head torch. I always have a dirty one for work, yet also carry a clean one if I am going to be staying in a hotel or have one in my cabin. Should there be a fire, you never know when you will need help. After wasting a day and a half looking for it and realising that I could have left it in a hotel in Borneo, I was only able to start to end the mental anguish by ordering a new one. And 6 hours after ordering, I found the old one tangled up in the lanyards of my memory sticks. I shook my head, as I tipped that bag out twice. It’s never easy being me sometimes.
The dram that I am going to review just now is the similar, although I haven’t had to waste a whole day looking for it. Sitting on the shelves of whisky retailers and even sitting on the shelves of my local Tesco Extra from time to time, Finlaggan was another of those whiskies I kept clear of because I did not know what distillery it was from and I’ve plenty of other drams to keep going on with. I remember seeing it on the shelves of the Whisky Shop Duffown, plus in their 5cl range, but I decided against it. “I’ll stick to what I know of” I kept saying to myself.
It was a trip into Inverness to a kilt makers of all places that also had a range of tourist souvenirs that prompted me to look in by. It was actually a recommendation of the Edinburgh Woollen Mill across the road, which incidentally also have a good range of miniatures. I know what I said about going into the touristy places in my Loch Lomond review, but it was in the EWM that I found a 16 year old Glentauchers G&M miniature for £7. You just need to be careful but bargains can be had.
Finlaggan is an anonymous Islay Single Malt which is released by the Vintage Malt Whisky Company, formed by Brian Crook in 1992. Brian was a former director from Morrison Bowmore Distillers. Finlaggan was one of its launch brands, which were updated in 2014. Currently the core range is Finlaggan Old Reserve at 40%, Eilean Mor at 46% and a cask strength one at 58%.
As the whisky distillery is anonymous, the brand is named after Finlaggan Castle, which sits on an island in Loch Finlaggan, Islay. There isn’t really a lot to write about it, so I’ll just proceed with the tasting.
Finlaggan Old Reserve
Region -Islay Age – NAS Strength -40% ABV Colour – Old Gold (0.6) Cask Type – Not known Colouring – Yes Chill Filtered – Yes Nose – Peat, hard cheddar, iodine, toasted wholemeal bread, citrus. Palate – Light mouthfeel, brine, lemon, peat, nutmeg. Finish – medium short. Peat, brine, sweet. Strong wood spices going down the throat, but a small splash of water brings it into control. Drying in the end
I don’t like judging things on first tastes, but my first taste of this to be honest was not positive. Not too bad a nose, a calm palate with spice building and the insanity breaks out once swallowed. Hot spices and a weak peat, the sweetness turning to dryness. It became more balanced with a splash of water.
I like peaty whisky, so it’s not that I don’t like peat. In my opinion this is a young Caol Ila. I’ll base that thought on that it is the closest distillery to Loch Finlaggan and it is probably the distillery most likely to have the capacity to keep up with demand for the independent sales. It doesn’t taste anywhere near as nice as other Caol Ila’s I’ve had and that’s being kind. I hate to admit this, but I couldn’t finish it and sadly had to dispose of it down the sink. You can’t like everything unfortunately.
It may be cheap, but I’ll be leaving this one on the shelf though in my opinion it’s best left in a dungeon, never to escape. I’ll be continuing to hunt for something more tasty. However if I see a mini of one of the other drams, I’d love to try for a second go, but this dram was definitely not for me.
*** There will be a following article about this review in the very near future. Be sure to catch it ***
For those of you not acquainted with the North East of Scotland, summer is a great time for agricultural shows. The three biggest ones are the Black Isle Show, Turriff Show, and the Keith Show. They are pretty much like a Highland Games, although without the traditional competitions but can include country dancing, field sports, various acrobats or stunt driving, with the added ‘thrill’ of livestock and farm machinery thrown in. This is of course if you appreciate a decent ewe waiting to be tupped or decent Massey Ferguson machinery. And then there is the marquee, the staple of all Highland events where people go to get sloshed and it often ends in drunken violence at some point. It is also said you cannot fail to get a date at the Keith show. I suppose that if a lassie rejects you, there’s always the wooly livestock. Ooops! Perhaps I’ve said too much about my Aberdeenshire upbringing!
It’s been a quite a while since I attended such an event, and it’s likely different now. But apparently leopards aren’t likely to change their spots, so it is with a little bit of trepidation that I approach this old vs new review of some Keith whisky produce. The newer of the two drams, the Glen Keith Distillers Edition, I have reviewed before and to be honest I didn’t really care for it. I’m lucky that my wife did not see that review as the bottle was a present from her. Having said that she knows little about whisky, but I’m secretly proud of her thriftiness as she’s a non-Aberdonian. There’s little point of expecting a more expensive whisky gift from her due to her lack of knowledge and a total refusal to pick up on hints. I keep dropping subtle verbal nudges about another Brora may be nice but nothing so far…
However, with this whisky I have persevered and am now halfway down the bottle, though I have been giving some of my friends samples as an example of what a budget whisky tastes like. Since my initial review, I’ve been using it in hot toddies, along with other less than premium drams (Jura Journey, Naked Grouse and Haig Club) and they performed adequately, so perhaps it is time to give this dram another chance. You can read what I wrote before by clicking on this linkTaste Review #42 – Glen Keith Distillers Edition.
Since that review, I haven’t actually tasted that whisky again since without adulterating it in some way, so perhaps now is time for a bit of redemption. This was a dram that I didn’t bother gassing, so it has had a bit of oxidation and hopefully this has kicked it into touch a bit. Its already had one kicking from me in the past. In my auction adventures, it’s earlier equivalent – a miniature of Glen Keith turned up, with a strange way of denoting its age on it – it says that it was distilled before 1983. Now usually there would be a vintage that states what year it was distilled, but this definition is open to interpretation.
Glen Keith isn’t an old distillery, becoming operational in 1960, just after Tormore. It is built on the site of a former meal mill. It was used as an experimental distillery and ran both double and triple distillations. It made the short lived Glen Isla single malt, which is a Glen in Angus, far away from Keith but is likely to have taken it’s name from the River Isla that flows past the distillery. This was a slightly peated malt. It is rumoured that the Craigduff peated single malt was also made here, although Strathisla has also been in the frame for this. Both Glen Isla and Craigduff are rare whiskies, and were included in the Lost Distilleries Blend I tasted (See Lost Distilleries Blend Review #55). The first single malt released from Glen Keith was in 1994, and it is the older sample that we taste today.
Glen Keith was mothballed in 1999, but refurbished and opened again by 2013. The Distillers edition was the first single malt released in October 2017 after reopening, so could have some pretty young whisky in it. I remember looking back at my other review that the dram was quite sharp, so lets see if a little bit of fresh air has calmed it down a bit and whether or not it meets the standard set by the first official release from the distillery.
Glen Keith 1983 (10 y.o)
Region – Speyside Age -10 y.o (1983) Strength – 43% Colour -Old Gold (0.6) Cask Type – not stated Colouring – Not stated – presume yes. Chill Filtered – Yes Nose – Initially a slight old bottle funk, but dissipated after allowing dram to breathe. Grassy / slightly floral, orchard fruit – apple, canned pears, apricot. Barley sugars, creamy vanilla. Palate – The arrival is unexpectedly sweet. Vanilla, apple, then developing a bitter taste from the wood spice, lemon, ginger, peppery. Finish – Medium. Peppery wood tannins, light malt, Calvados as the spirit fades away. Adding 2ml of water gives everything a bit of a smooth out, slightly increased the wood spice and gave a waxy, candle-like note to the aroma.
Glen Keith Distillers Edition
Region – Speyside Age -NAS Strength – 40% Colour – Yellow Gold (0.5) Cask Type – not stated. Colouring – Yes Chill Filtered – Yes Nose – Caramel, Apple, Vanilla, Condensed Milk, honey Palate – Light, with a slight oily feel, a light spirit / wood buzz, lemonade, apples, cinnamon / peppery wood spice Finish -Short, honey, creamy vanilla, peppery wood spice, slight spirit burn. Adding 2ml of water kills pretty much everything, bar the burst of spice on departure.
It seems that time in the bottle has mellowed the Glen Keith Distillers Edition. The sharpness and harsh burns that I got on my last review are no longer present and the fruit flavours are more prominent. But while it is more drinkable, than before, I have to say that it is fairly boring and disappointing. But then we have to remember that this is probably made up of whisky no more than 4 years old, possibly with some of the older stock mixed in. It’s price point was £30, but had I paid £30 for it, I would have still felt cheated. Not knowing my wife was going to gift me a bottle, I thankfully picked this one up for only £20 at my local Co-op, but put into store for a later date. As fair as I can be, I think now the spirit has had time to breathe, it has improved what I am tasting and £20 would be probably as much as it’s worth.
That means to me that this isn’t anything special at all and it will not be replaced when the bottle dies. I don’t mean to be unfair when I say that I wouldn’t give this to guests, but would rather use this as cooking whisky. I’ll be happy to sip away at it until the bottle is finished, therefore there is an improvement on what has gone before in my last review. I can say this dram does fit its position in Passport Blended whisky, another less than favoured review in the past.
But was it any better than the 10 year old? Well, the ten year old had a notable advantage, all 3% of them as extra points on the abv scale. And boy, did it show. The spirit was more engaging, there was more taste and furthermore, the dram actually had a proper finish. I felt that this dram showed off its palate and finish much more effectively. I’ll restrain from saying the nose as well due to the older bottle effect. But the mouthfeel was heavier, the flavours more distinct and water did not eradicate any of them. Of course, it could be argued that there has been evaporation taking effect of my distillers edition bottle plus it is only 40%, but then again, the 10 year old bottle is potentially 27 years old and didn’t have the perfect fill level either.
And just to put the unfair comparison accusation to bed, that in this series of reviews, I am trying to review comparable age statements or the entry level release from the distillery, which both of these drams are. It is sad to note that in this case, the alcohol level in this dram has been reduced from 43% to 40%, no longer has an age statement and has age that is most likely half that of the other sample, so on this note coupled with the bolder flavours I have to say that I think the older dram is the better one, as had I been given this dram as a gift, I’d maybe consider replacing it.
How both of these whiskies compare to an older, independent bottling remains to be seen – I’ve a 1968 G&M bottling sample to look at sometime in the future that was gifted by a work colleague, so will be reviewing that separately in the future.