Benrinnes Blockbuster

Taste Review #78 – Benrinnes 13 Madeira Finish

Do you remember where you were when JFK was assassinated? Or when Neil Armstrong set foot on the moon? Mmmm bad examples as I wasn’t even thought of then. Perhaps maybe 9-11, as everybody who remembers that should be of legal drinking age. I was on the Tog Mor, the vessel that lifted the Mary Rose from the Solent, only when the Twin Towers were collapsing we were in Tunisia building an oilfield.

The whisky I’m away to review for you today is special as I remember where I was when I bought it. Can’t remember specific month though November 2019 rings a bell. It was on the happy occasion when shopping in Inverness that when my ‘Better Half’ wanted to clothes shop that I was told to amuse myself while she pointed in the general direction of The Whisky Shop.

For once I had no problems complying with her wishes.

However, the Whisky Shop in Inverness is an massively overpriced tourist trap shop and the real excitement is in WoodWinters on Church Street. By time I got the text message to tell me my fun time was over, I’d bought two bottles of whisky and bored the pants off a shop assistant with whisky blether. The two bottles bought were GlenAllachie 12 and an independent bottling of Benrinnes from James Eadie, finished in a Madeira cask. It’s the latter whisky that I bring forward today.


Benrinnes Distillery

I’ve mentioned Benrinnes many times on this site, mainly because it is my favourite Speyside distillery. I have other Speyside distilleries in my virtual hand of Top Trump distillery cards that produce better whisky, but this one is my choice. Benrinnes is generally only released as a 15 year old in the Flora and Fauna range, but I’m discovering it flourishes very well as an independent bottle.

As I’ve reviewed Benrinnes more than once on the blog, I’m not going to run through its history, especially as I have another 2 or three to review. Suffice to say that the distillery sits on the lower slopes of Benrinnes, to the south of Aberlour in Speyside.


In good company

So, instead of retelling the story of Benrinnes, let’s look at the background to James Eadie. Whilst maybe not the most prominent whisky bottler, it is one of the older names in whisky.

Information from the James Eadie website tells us this – James Eadie (1827 – 1904) was a Scottish Brewer, born near Gleneagles, he was one of fourteen children. He was a self made man who eventually became a brewer and an owner of a portfolio of pubs. Eadie has acquired from his father a recipe for blending whisky, which was eventually widely dispensed in over 300 Eadie pubs. The brewery and pubs were eventually taken over by Bass and the whisky lived on but by the 1960’s were fading out. Robert Patrick, the great-great-grandson of James Eadie has revitalised the brand name. Robert has worked for Diageo, Beam Suntory and Ian Macleod Distillers, and is a Liveryman of the order of Worshipful Distillers as well as a Keeper of the Quaich.

With the company in good hands then let’s hope that the whisky lives up to promise.

Details

Benrinnes 13 Madeira Finish


The dram and bottle

Region – Speyside Age -13 years old Strength – 56.1% Colour – Tawny Cask Type – Finished in Bual Madeira Colouring – No Chill Filtered – No Nose – Stroopwaffels, vanilla, cappuccino, raisins. Palate – Malt loaf, nutmeg, apricot jam, slight orange peel hint too. Cinnamon appears with water. Finish – Medium long. Dark Chocolate bitterness, ginger nut spiciness. Citrus peel appears with water. Bitterness lasts right until the end


A generous dram.

Conclusions

Of course, I am going to be biased as a fan of Benrinnes. I’m trying to be as impartial as possible though it is hard to be when this whisky is so tasty. It has the oily, meaty character of Benrinnes in there, in part thanks to the worm tubs, yet the Madeira cask has added dark, sweet notes. I have to say it that I liked this a lot.

I do like the overall presentation of this whisky. Cask Strength, Age Statement, Natural Colour and Non Chill Filtered. The packaging is neat, impressive and in my mind suits the colour of the whisky within.

Speaking of colour, I often thought I could see hint of Rosè wine in the glass but could never catch it in my photos, so I may have imagined that. As I have distributed this whisky to a few of my friends it would be interesting as to what they think.


Under certain light I could see a pink tone. Just not under this light.

Unfortunately this whisky is no longer available at retailers as it has sold out. Only 313 bottles were released and it was a good dram. You may see it on auction sites but the main purpose of me sharing this review was to let you know what independent bottlers can do, and I thoroughly recommend looking at the James Eadie website (click here) to see what sort of produce they make. I am sure they will make a whisky that will appeal to you.

The cost of this bottle was around £67 if I recall correctly but if you see it at auction expect to pay about £100. I’ve seen similar James Eadie bottles go for the same, but while pricey, I’d still say the value is there for drinking but maybe not so much for collecting.

Yours In Spirits

Scotty

Index of tastings here

Index of articles here


Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

Benrinnes distillery – Martin Jenkins under Creative Commons licence CC BY-NC-SA 2.0

All Other PhotosAuthors Own

Height isn’t Everything.

Taste Review #77 – Dalwhinnie 15

The very first review I published at the start of Scotty’s Drams was a Dalwhinnie. In fact it was two Dalwhinnie drams in one – the Winter’s Gold and Distillery Exclusive. By using the links at the bottom of this review you will be able to back track and see what I wrote. So much has changed since I wrote that review – I’ve smartened up the blog format a bit, attempted to take better photographs and have made many more friends in the whisky world, both in the industry and other enthusiasts. Things that haven’t changed are my lo-fi production values (necessary when attempting to upload a blog on the internet equivalent of a 56k dial up modem) and the fact my dog is still not any better behaved. I’ve come up with a term to describe him accurately. “Hyper-social” would adequately describe my friendly old Labrador who still acts like a puppy despite being 9 years old. I’m quite sure the local canines would more relevantly call him “dog nonce”. I guess there is always room for improvement, and we won’t quite give up on Maks for now.


Dalwhinnie Distillery (cisko66)

Dalwhinnie is one of my local distilleries, certainly the closest owned by a global enterprise, the other being Tomatin. Tiny Speyside distillery which can be seen from my house if you know where to look when the leaves are off the trees doesn’t have a look in compared to the output of these two monsters.

Dalwhinnie has this thing about being the highest distillery, which having checked with a hand held GPS I can confirm is not true; Braeval (Braes Of Glenlivet) was a metre higher, but Dalwhinnie is the highest distillery in Scotland with a visitors centre and a damned fine one at that. Standing just on the northern outskirts of the village of the same name, Dalwhinnie is a also few miles north of the Drumochter Pass, the place where the A9 trunk Road and Highland Mainline Railway squeeze between a narrow mountain pass which can be treacherous in winter time.

Funnily enough while Dalwhinnie proclaims itself to be a Highland Malt, it actually does belong in the Speyside Whisky Region, being the most southerly of all the Speysides. It is actually closer to the River Spey than its height rival with Dalwhinnie being as close as 8.1km from the Spey opposed to Braeval’s effort at 17.5km. Remember that every Speyside whisky is a Highlander, but not every Highlander is a Speyside. For the record, Macallan still show themselves as a Highland whisky too.

The location of the distillery gives a welcome sight when heading home, and looks picturesque whether you see it from the road, or while passing behind it when you travel by train. It’s hard to believe you are over 350m above sea level.

Dalwhinnie was founded in 1897 and was originally called the Strathspey distillery, and was owned by the same people who owned the original Speyside distillery in the village of Kingussie some 14 miles further north. The Strathspey Distillery Company went bust in 1898 with both distilleries sold. Eventually Dalwhinnie went on to be the first Scottish distillery to be sold to foreign company in 1905. By 1911 the Kingussie distillery fell silent and was demolished in 1920’s. Only one building still remains between the Duke Of Gordon Hotel and the Ardvonie Road car park. Rumour has it a lot of the local houses constructed soon after used stone from the demolished distillery, which was a similar size to Dalwhinnie. In 1926 after a couple of changes in ownership, the Dalwhinnie distillery eventually was bought by DCL, which went on to become Diageo.


Dalwhinnie 15

Dalwhinnie distillery only has 2 stills, so is not a major producer compared to some. However it does still use worm tubs to condense the spirit coming out from the stills. Due to the average temperature of Dalwhinnie being quite low throughout the year (I’ve read somewhere it averages 6C, but as a local I think that’s a little too high!) the worm tubs ensure a rapid condensation of the spirit vapor from the stills. In 1986, whilst the distillery was getting an upgrade, the worm tubs were replaced by more modern shell and tube condensers but this changed the character of the spirit too much, and the more expensive to run worm tubs were reinstalled.

In 2018 the distillery experienced a shut down of production during an extended period of hot weather. Not due to the lack of water from the Allt an t-Sluic burn, but because the temperature of the water in the cooling system was too high and the worm tubs were not able to condense the spirit effectively changing the property of the spirit.

Diageo announced in 2018 that the Dalwhinnie visitors centre would be undergoing an upgrade. I haven’t been there since 2018, so I’m not sure if it has been carried out, but even if it hasn’t, the visitor centre is excellent as are the staff. But let’s see if the whisky is….

Details

Dalwhinnie 15

Region -Speyside Age – 15 years Strength – 43% Colour -Yellow Gold (0.5) Cask Type – Mostly Bourbon Colouring – Yes Chill Filtered – Yes Nose – Strong green apples, wallpaper paste, lemon peel, sawdust. Oily. Palate – Sweet on arrival with oak spices. Caramel, vanilla, chocolate, unripe pears, lemon zest. Finish – medium long, fruity, warming hint of sulphur.


The Dram

Conclusions

Quite a decent dram, and certainly one worth having in your drinks cabinet. There is good reason why this formed the original Classic Malts selection in 1988 as I found it to be such an easy drinker. Nothing too complex but enough to keep it interesting. The sulphur was well controlled. Funny that, as the out of favour whisky writer (who one fellow blogger made an anagram of the writers name to be ‘Jura My Rim’)* is often banging on about sulphur, yet awarded it 95 out of 100.

I’ve seen online many people complain about this dram being too light, too delicate and possibly being a victim of poor quality casks but I disagree. Nobody knowingly makes a poor whisky, especially when it concerns a single malt that has had quite a long lifespan. Perhaps like my attitude with Maksimus, a bit of perseverance is needed if you think this is a poor malt.

All in all this is an inexpensive, good value easy drinker at a price of £43-£46 in shops. If you are looking for something a little more challenging to drink, this isn’t it. Definitely recommended, especially for those starting out on a whisky journey.

Yours In Spirits

Scotty

* Jura My Rim = Jim Murray.

Index of tastings here

Index of articles here


Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

All Sample Photos – Author’s own

Dalwhinnie Distillery – cisko66. Used under Creative Commons licence CC BY 3.0

Dalwhinnie 15The Whisky Exchange

Respecting Our Elders?

Whisky Myths Examined – Whisky of a Different Era Tastes Better – Or Does it?

This week coming sees the start of an occasional series in which I start to turn my attention onto one thing that has been niggling me a wee bit. Each person has their own opinion on this matter and I am no different, yet I feel with a building collection of miniatures that I need to get rid of, it is time to investigate this potential myth a little bit closer. Do whiskies of a different era taste any better?

This is a subject that could open a whole new carton of worms, as everybody will be adamant in their own belief whether or not this will be the case. I’m sort of already convinced I know the answer, and I believe the myth is true but this is based on my experience of the old style Macallan versus the newer releases. I’ve also been tasting more whiskies from a different era on account of purchasing a few whiskies from Cheaper By The Dram, the company that enables you to be able to drink whisky from the bottles of a different era that would otherwise be unobtainable due to high auction or retail values.

Let’s be up front. This series will not be strictly scientific. As far as possible I have chosen to compare whiskies from individual distilleries with the same age statement and cask types. However in some cases there has been a need to compare a 12 year old from the 90’s to a 10 year old of the up to date version; but I have checked they use the same cask types. I’ve made sure that I’m not just comparing varying batches; there will be at least a 10 year gap between the releases to help assess if there is a significant difference between the two.


Same age and distillery. Different era. What one is better?

As far as possible I have tried to get at least one sample from every region and to vary the styles a little. I feel I don’t have to keep you in suspense and I can reveal the distilleries I am reviewing in a list below. The list may get added to if I am able to source other samples but as of the end of September I currently held pairs of whiskies of differing eras of

Springbank, Glendronach, Glenfarclas, Glenfiddich, Macallan, Bruichladdich, Auchentoshan, Clynelish, Auchroisk, Highland Park, Glengoyne and Glen Keith.

My aim is to do 2 comparison reviews a month, so I can continue to review contemporary whiskies, but this will depend very much on my work schedule. However if I have no article for a weekend, a whisky challenge may be in its place.

I’m pretty excited about this. My first review will be released this following Wednesday, it’s already written and I can’t wait to share this with you. Of course, I’d love to hear your views on this matter or responses to my review, on any of the social media platforms I use – Facebook, Instagram, Twitter or even a comment directly on the blog. Maybe you have whisky you could do this with as well? I’d be interested to hear your experiences in the matter.

Yours in Spirits

Scotty

Index of tastings here

Index of articles here


Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

All Photos – Authors Own

Anybody for a Chocolate?

Taste Review #73 – Fettercairn 16 (2020 Release)

Fettercairn 16

I’ve recently been thinking about the things that make me and others buy whisky. I have to say I am pretty bad on buying bottles based on the spirit colour or the description. You see, I am guilty of buying the Glenmorangie Truffle Oak Reserve at the distillery (before I had a clue about whisky) because it had the word Truffle in it. Being a dedicated eating enthusiast, I could only think of Chocolate Truffles. I was to be disappointed. The whisky was bought to wet a baby’s head that sadly didn’t arrive. The bottles were hidden away and forgotten about. Glenmorangie have just done the same thing to me again with their release ‘A Tale Of Cake’. I’ve got a degree in the cake and pastry sciences bestowed on me by the University of Life and if you ever meet me, you’ll see not only did I graduate with full honours, I’ve got the Masters and PhD as well. At least when I bought the latest Glenmorangie release, I was not thinking I was getting Battenburg in a bottle.


No sponge included.

We step forward into 2020 and the release of Fettercairn 16 year old, and this one is made with a Chocolate Malt. Of course, having a predilection for sweeties, you can tell that my ears would prick up at this. But of course I know what a chocolate malt is and I am not expecting a big slab of Galaxy or Dairy Milk. It is a malted barley that has been roasted in excess of 200 Deg. Centigrade, and is a technique used more often in brewing. Guinness is a well known user of chocolate malt and if you ever go visit Guinness in Dublin, the smell from the malt is out of this world.

Fettercairn is one of those distilleries that flies under the radar, and in my limited experience of Fettercairn, that is probably deservedly so. It is not a malt that I can honestly say I’ve had a lot of success with. The NSA Fasque was instantly forgettable and I believe Fior wasn’t that much better. The other thing going against it for me, is that I’ve not had a lot of luck with other Whyte and Mackay owned distilleries, bar Invergordon. Dalmore is the premium one out of the block, and I have had a few decent Dalmore, but they use colouring in so much of their range, I’m not impressed. The less said about Tamnavulin and Jura the better for now.

Anyway the Fettercairn distillery was founded in 1824, situated in the village of Fettercairn in the Kincardine area of Aberdeenshire. The local area that the distillery sits in is known as the Howe Of The Mearns, which is a very fertile farming area stretching up from Strathmore in the south ending in the north at the fishing port of Stonehaven. The area was where the famous Scottish writer Lewis Grassic Gibbon was raised and wrote about in his classic Scottish trilogy ‘A Scots Quair’. One of the books, Sunset Song was often compulsory reading in English Classes for pupils in the Aberdeen area and was made into a film a few years ago.

The distillery has a unique cooling feature on the Spirit still, which is a cooling ring that sprays cold water down the swan neck over the still. This allows the outside of the still to be cooler, and encourage reflux in the still to give the spirit a lighter style.

Fettercairn has been undergoing a bit of a re-brand. Recently they released a 12 and 28 year old into their core expressions. The 12 year old has been generally well received, but the 28 year old was marketed at £400. Its a bit of an ask for a distillery that doesn’t perhaps have a stellar reputation. Who will take the chance at that money not knowing if they are going to get a delicious whisky? Personally if trying to build a more upmarket brand, make sure the product is seen as upmarket, before charging upmarket prices.

However, before the Mr Grumpy of the whisky blogging world goes off on one again, let’s turn my attention to the offering today. It is the Chocolate Malt distilled 16 year old. It was originally for sale exclusively in the Whisky Shop which for me was a big turn off. I think the Whisky Shop are one of the worst for overpricing their goods. Certainly in the Inverness shop. Even online, some of their prices are way above their competitors. However, they do have lovely staff when I pop my head in, and bargains can be had. But that’s not enough recompense this time so, not wanting to splash out the £70ish for a bottle from a distillery I don’t really enjoy from a shop I don’t want to patronise, a glimmer of hope came in the form of a fellow blogger.

Enter Nick. Nick has a great blog called Whisky, Aye? Its full of all the great things you need in a whisky blog – witty banter, great whisky and also lots of pictures of his dog. And definitely less waffling. Perhaps I should copy him and add more pictures of my dog. His dog looks well behaved though, mine will hump anything that gets in his way. Anyhow, Nick offered me the chance to receive a sample, and 4 different quality drams arrived – I’ll review the other 3 in good time…


Dogs. Great for whisky reviews. Don’t let the cuteness distract you – Maksimus is not a gentle lover. Or fussy.

Cheers to Nick, we can now proceed with the review.

Details

Fettercairn 16 (2020 release)

Region -Highland Age – 16years Strength – 46.4% Colour – Auburn (1.5) Cask Type – Bourbon, Sherry, Port Colouring – Debatable. See below Chill Filtered – No Nose -malt, honey, ginger, raisins, chocolate, Sherry sweetness. Palate -Dark malt, with oak spiciness arriving, stout mixed with Port. Chocolate. Peppery, a hint of expresso. Finish – medium long, sour citrus, prunes, plums, tobacco.


The Dram. Is the colour natural? Certainly looks appealing to my eye though.

Conclusions

I’ve heard that the Fettercairn 16 does not have colouring added, yet on an export bottle we can see the dreaded words in German that tell us this bottling does have added colour. It’s a pity, as it might not have needed it. Mind you Signet also has colour added, but then again, is rumoured to contain 30 year old whisky. In my opinion the spirit in Fettercairn 16 is pretty all much of the same age.

Well, I have to say that I was pleased to have been able to try this. It was indeed a good malt, with a nice depth of flavour. I felt it had a really good nose, a quite good palate, yet the finish was a bit insipid. The issue with this though is that I only had a 3cl sample, and as such couldn’t easily take a second opinion. However, based on every other whisky I’ve tried, I can usually tell if I will like it or not just with one nip. Did I like this? Yes I did. Would I buy one? No. The reason for not buying is this; supply is getting limited and I prefer another chocolate malt driven whisky, Glenmorangie Signet. While Signet is NAS, it is also a similar abv, slightly lower at 46%. It means I’m going to have to chase the bottle if I want it and I wouldn’t want it that badly. I can wait until the next batch.


The bottom linecolour added

Is it good value? Certainly if you can buy it at its original retail price or not far off of it, then yes, I’d say it is reasonably good value. Perhaps I might look at the 2021 release from Fettercairn. The distillery has a visitors centre, but perhaps I might wait until some more of this COVID malarkey is over.

A big thanks to Nick for his generosity for giving me a chance to taste this dram. You can read his blog by clicking here – Whisky, Aye?

Scotty

Index of tastings here

Index of articles here


This is written as a hobby, and I appreciate your likes and shares, either on WordPress, or why not visit one of my other social media channels. Lets spread the whisky love!

Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

Sample and dram– Authors Own

Rear of bottle – Malzbrenner / Whiskybase

A Tale of Cake – Glenmorangie.com

Fettercairn Bottle – House Of Malts

Burn The Witch

The Online Trial Of Jim Murray

How the mighty have fallen or may fall. Certainly there is a large fall from grace in the case of whisky writer Jim Murray, author of the Whisky Bible. This tome has been released on an annual basis since 2003 and many look to it as a guide to what’s good to drink in the wide world of whisky. The 2021 release has become a bit controversial, thanks to fellow whisky writer Becky Paskin calling out some of what can be considered lewd or sexual comments. Apparently comments like this have been made throughout the past 25 years, but according to Becky this edition she managed to count 34 questionable sexual statements. She made a post on social media saying how she felt it was unacceptable and now was the time to call time on it.


Last years Whisky Bible. My last one.

Indeed, it seems this is the time to call time on questionable behaviour. This summer has seen protests about Black Lives Matter in response to police brutality in the United States though in the UK this has mutated to also question the reverence paid to people who were involved in the slave trade of the 17th, 18th and 19th centuries. This was followed by protests and vandalism throughout the UK, with the statue of slave trader Edward Colston being thrown into Bristol Harbour.

Lets look at some of Jim’s quotes in the whisky bible by looking at this thread of Becky’s Twitter Feed. Click on this link Becky Paskin’s Initial Tweet to see the full thread.

While none of this is particularly dirty, there seems to be a general sexualisation of whisky, which to be honest I have to say is becoming more and more unacceptable as time goes on. It is juvenile humour at best and venturing into creepy old man territory at the other end of the scale. As a male, even I find it a bit distasteful. I don’t want to have images of a man in his mid sixties speaking about sex come into my mind when I am having a dram.

Jim himself, from what I have read on social media feeds almost seems dismissive in his defence of his comments, going as far to accuse the subject being pushed by those jealous of his writing and talent. But in my mind, this dismissal could well be Jim’s downfall.

Becky Paskin is not just another run of the mill whiskyphile or blogger such as myself. She was the editor of a great website scotchwhisky.com, a great resource for those researching whisky and industry news. She’s also a whisky journalist, consultant, presenter and currently is a co-founder of OurWhisky which aims to provide education about the industry while recognising the modern face of the drink. Becky is also a Keeper of the Quaich, so you can safely say that she would seem to have an excellent grasp of the industry. You can almost feel that Jim Murray’s accusation of jealousy may have been founded by the fact the person calling him out is a woman. Would have been any different if the whistle blower was male?

I don’t know either person, but to read what has been said by both of them, it would seem that Jim has become a dinosaur from a previous age. I think the fact that 50% of potential readers of his books would be female should give enough motivation to be careful in what he may be saying; many women wouldn’t be particularly happy in reading the various smutty comments that are in his latest publication. It may also have passed him by that a growing proportion of talent in the industry have XX chromosomes, with many distillers, blenders, brand ambassadors, distillery guides being of the fairer sex. I learnt something from this debacle that Penderyn Welsh Whisky is made by an all female distilling team. Just goes to show that what is between your legs doesn’t and shouldn’t affect how you progress in the industry.


What Glenfarclas gives Jim the horn?

What is more enlightening is the amount of female responses to Becky’s post, applauding her stand and letting their own struggles being known. Jim’s response to saying in the previous 20 odd years that he had not received a single complaint. Dismissal like this does not excuse any ill considered comments. Most people will just read, move on and get on with their day, but when it is consistent and throughout a publication then one has to ask what is the mindset to the author, especially when it adds nothing to the primary content which in this case is whisky. Have we forgot that many people don’t report sexual crime because they don’t want the fuss but once others start, then they feel encouraged and enabled to speak about their experiences. It may be unfortunate that Jim might also be facing the wrath of people affected by the actions of others and not just what has been written in his publications. He isn’t the first person to make questionable comments offensive to women in the industry, but he’s certainly being made the poster boy for the whisky world equivalent of #MeToo.

Continue reading “Burn The Witch”

Taking an Inch doesn’t mean you’ll get a Mile.

Taste Review #70 – Inchgower 14 Flora and Fauna

It’s been a couple of months at least since I’ve reviewed a Flora and Fauna release. Since I’ve managed to bottle kill my full size Benrinnes Flora and Fauna, it was time to move onto the next one and I had a choice – Pittyvaich or Inchgower. It was a simple decision in the end as I’d already reviewed a Pittyvaich thus Inchgower it was.

Inchgower is one of those distilleries that has quite an anonymous life. Currently owned by Diageo, the distillery provides most of its output for blending, although independent bottlings are much more available. This malt is a constituent part of the Bells blend, but don’t let that count against our single malt experience.

The distillery sits just outside the Morayshire coastal town of Buckie and was founded in 1871 by Alexander Wilson. The Wilson family went bankrupt, leaving the Buckie Town Council to purchase the distillery in 1936. As far as I can tell this is the only example of a local authority in the U.K. owning a distillery. In 1938 the site was bought by Arthur Bell & Sons Ltd to provide malt whisky for its blends. Arthur Bell & Sons were later bought by Guinness and after various takeovers and mergers, the distillery came a part of the Diageo empire.

Inchgower isn’t a big distillery – it has 2 wash and 2 spirit stills, and only outputs 1.99 million litres annually. It has quite a short fermentation of 46 hours which should give a more nutty sort taste to the spirit. The distillery location isn’t that far away from the mouth of the River Spey, giving this Speyside whisky a coastal tang.

Inchgower unfortunately does not have a visitors centre, but the local area has some great scenery. The weather in coastal Morayshire experiences a local microclimate, something that was instrumental in setting up the nearby RAF bases at Kinloss and Lossiemouth as training bases. Buckie a fishing town and although there isn’t that much to do there, it is one end of the Speyside Way, a long distance trail that follows the River Spey, often utilising the former railway line that ran between Craigellachie and Aviemore. The Moray Coastal path also passes through the town, and it’s a short walk to the impressive Spey Bay Railway viaduct if you are in the area.

Let’s now take a wander to taste the whisky in question.


Inchgower 14 Flora & Fauna

Details

Region – Speyside; Age14 y.o; Strength – 43%; Colour – Pale Straw; Nose – Quite light and fresh. Malty, biscuity, straw, soft oak with a touch of brine there in for good measure. Vanilla, light toffee notes; Palate – Grapefruit, tannic, apple, ginger, grapes / white wine. Nutmeg. Vegetal in places, but this disappears with the addition of water. Lightly waxy in mouthfeel but not consistent – felt a bit light on occasion. ; Finish – Quite short with a nicer balance of fruit at the end to counteract the bitter tannins from the wood. Notes of brine at the end. Tempers nicely when water added.


Inchgower 14 – the dram

Conclusions

Just because it is a component of Bells, don’t judge it by the same yardstick. I’ve been lucky and enjoyed this dram from the start, but samples given to friends have been a bit of a mixed bag. Some didn’t like it, some did. Although it is not that a complex malt, it can be quite light, and the vegetal note I found could put people off. This could be due to the sharply inclined Lyne arms between the still and condenser allowing the meatier parts of the spirit to leave the still. I added water and let it sit for 10 minutes and this took a lot of the less desirable notes away.

Being a coastal distillery, the brine is present, and coupled with a light waxiness this reminds me of another Diageo coastal distillery on the opposite side of the Moray Firth, Clynelish. That too was bottled as a part of the Flora and Fauna range and also as a 14 year old, but has been re-released as a stand alone bottle and the abv upped to 46%, which may give Inchgower a boost if they decide to do the same.

I enjoy the lightness of this dram; in the past I’ve had grassy notes from this which I didn’t get this time. I did get a straw note which although that’s dried grass, it isn’t the same. It leads me to ask myself what has changed – my sense of taste as I age or is it the whisky making process? Whiskies do change over time, so it’s a point worth considering.

Available at less than £50 a bottle, this isn’t an expensive dram, and is worth what I paid for it. There are bitter components in here that may not be to everyone’s taste, but it’s not that bad. I’d suggest trying this alongside an independently produced bottle to get a decent comparison.

Inchgower isn’t that rare but it’s not one you will see in every whisky shop, but a specialist retailer should be able to get it for you. At 43%, chill filtered and a dose of colouring means you may find better value from an independent bottle, as these are much more likely to have a higher strength, be non-chill filtered and have no colouring added.

I do recommend this dram, but I acknowledge it may not be something everybody will love. The title is a play on the phrase if you give an inch, they’ll take a mile, and while you may get the Inch(gower) but you might not enjoy the full mile of this whisky journey. It shouldn’t stop you giving it a go. After all, I like it, and surely others do. Try it in a whisky bar if you see it is available or alternatively you can get 3cl miniatures from the Whisky Exchange or Master of Malt websites.

Yours In Spirits

Scotty

Index of tastings here

Index of articles here


This is written as a hobby, and I appreciate your likes and shares, either on WordPress, or why not visit one of my other social media channels. Lets spread the whisky love!

Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

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All Photos – Authors Own

Blink and You’ll Miss It Balmenach.

Taste Review #68 – Balmenach 15 Master Of Malt

Balmenach. A distillery that I would wager many of the readers of this blog would not have heard of, and probably even fewer have tasted. All of this despite it being amongst the first to open legally after the 1823 Excise Act. This is a distillery I have never seen, as it is not visible while driving on the A95 road between Aberlour and Grantown On Spey; even the road sign to Balmenach doesn’t betray the fact there is a distillery nearby and only the clued up whisky geek would be any the wiser.

Situated to the south of the Speyside village of Cromdale, the distillery sits in an area known as the Haughs Of Cromdale, in the shadow of the Cromdale Hills. The battle of Cromdale took place here in 1690 when Jacobite forces were defeated by Government troops lead by Sit Thomas Livingston, commander of the Inverness Garrison. Some of the Jacobite forces took shelter in Lethendry castle, the ruin of which still exists close to the distillery.

Balmenach distillery was founded in 1824 by James Macgregor, although illicit distilling in farm buildings was probably already taking place. The Macgregor family owned the distillery until 1922 when it was sold to DCL which went on to become UDV, a forerunner of Diageo. UDV closed the distillery in 1993, and it wasn’t until 1998 when current owners Inver House Distillers bought it.

Inver House own brands you will have heard of – Knockdhu (anCnoc), Old Pulteney, Balblair and Speyburn, all four of which I have reviewed in the past but why have I not reviewed a Balmenach yet? That’s because it is not easily available as a single malt. It is seen on occasion as an independent bottle, and some old original bottlings are available, most notably the Flora & Fauna bottling, but since Inver House took over the distillery I am only aware of 2 bottlings under the Highland Selection brand – a 27 and 28 year old distilled in 1973 and 1972 respectively.

So why is it so uncommon? Balmenach is a ‘meaty’ malt, similar to whisky of a previous era. The fermentation is long, the stills are relatively small and the distillation is faster than would be normal for other similar distilleries. Coupled to the use of worm tubs to cool the still vapours, this gives a superb weighty, meaty spirit that is sought after for blending or independent casks.


Balmenach 15 Master Of Malt 5CL

Details

RegionSpeyside Age15 years old Strength – 43% Colour Pale Straw

Nose

Malty, citrusy like lemon and lime. Dried grass / Hay. Slight sour note there too. Floral note there in the background.

Palate

quite a light mouthfeel, thin. Not sure how much of this is down to the evaporation. Very zesty. Lime, Kiwi fruit, Heather, light wood spice but again, suspecting that the evaporation has had a part in this as there is a very light wood spice.

Finish

Long. Despite the evaporation, it gave a peppery, gingery taste, without the burn associated with a whisky of 40%.

Quite pleasant though but thin mouth feel means I am not going to be adding water.


The Dram

Conclusions

So what do I think? Well, sadly as this dram had evaporated despite being properly stored and / or sealed, I know that I have not had the full experience this distillery has to offer. This is gutting as it was truly a lovely dram as it was and I can’t but help believe it would be a fantastic dram if drunk in the same condition as it was bottled. I guess I am going to have to keep an eye out for a good condition full sized bottle.

And that is the big problem. There isn’t a lot of Balmenach going around. The last mass produced official bottling was made by UDV when it was released as part of the Flora and Fauna range. This was only produced for around 2 years before the distillery was mothballed then sold. The Balmenach Flora and Fauna is slowly creeping up in price, often breaching the £200 per bottle level. I’ve got 2 of the first editions in storage but am often tempted to buy a drinking bottle, such as I have done with the Pittyvaich which was also closed in 1993.


Balmenach 12 Flora and Fauna 1st Edition

Best keep your eyes and ears open if you want to purchase a bottle. Keep an eye on releases from Cadenhead or That Boutiquey Whisky Company as a good tip, or search on the internet to see what comes up.

I can’t tell you how much this bottle cost, as it was part of an auction lot. I’d expect to pay around £10 – £15 at auction for it, though this will depend on whether or not you have somebody bidding against you. What I can tell you is that I recommend trying a whisky from this distillery; you will not be disappointed.

If all else fails and you want to try an alcoholic drink from Cromdale, then consider Carounn Gin. It’s made at the distillery and this does have a visitor centre, but does not allow access to the whisky production areas.

Slainte Mhath!

Scotty

Index of tastings here

Index of articles here


This is written as a hobby, and I appreciate your likes and shares, either on WordPress, or why not visit one of my other social media channels. Lets spread the whisky love!

Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

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Forward with Scotch (Whisky) Independence!

Taste Review #67 – Dailuaine 19 and Benrinnes 16


As has been mentioned in the past when I’ve been writing about whisky, especially those I collect, I tend to steer away from Independent bottlings. These are because I feel that these may not be as worth as much when I come to sell. In the past I’ve even seen them as inferior, which is not the case at all. This meant that I mistakenly did not give them much attention but recent experiences in my whisky journey over the past year have come to educate me that this is a gross error on my part.

One of the great things about this whisky community is that you are often able to experience different whiskies thanks to sample swapping or a generous gift from a fellow enthusiast. In this case for this weeks double review we have to thank Tobi of Barleymania.com (another great blog – perhaps even better than mine hahahah!). After a conversation with him online about how much I enjoy Benrinnes, Tobi sent me a sample of the Douglas Laing’s Old Particular 16 year old Benrinnes. It didn’t end there. Tobi also sent the Dailuaine which has been bottled by Grindlays that I am also writing about today. This was sent as an apology for not sending the Benrinnes quicker! If you are reading this Tobi, I am very grateful and I will return the generosity with another independent Benrinnes soon but be assured I move with the speed approaching that of continental drift.

Both today’s whiskies are from Speyside, and are relatively close to each other, just to the south of Aberlour. Benrinnes sits on the lower slopes of the hill that holds the same name, whereas Dailuaine is closer to the Spey and the village of Carron. Benrinnes is the older of the two distilleries with the original being built in 1826, and rebuilt in 1829 after being destroyed in a flood. Going through a handful of owners, by 1925 it came into the possession of DCL who later morphed into the current owner Diageo.

Opened in 1851, close neighbour Dailuaine had the privilege of being connected to the Speyside Railway, even having its own railway halt and small locomotive (known as a puggie) for shuttling its freight to the goods yard at Carron Railway station and Imperial Distillery. The locomotive still survives at the Aberfeldy distillery, and the engine shed still survives at Dailuaine, although the Speyside line closed in 1968, and all other traces of the puggie branch line have gone.

Dailuaine was also the first distillery to have a pagoda style roof over the kiln, more correctly known as a Doig Ventilator, which was designed by the architect of many distilleries Charles Doig. It was installed in 1884 but sadly was lost when the distillery burnt down in 1917.

Dailuaine has one or two things in common to Benrinnes. In 1925 it was also bought by DCL, later to become part of Diageo. Both distilleries were part of the Flora and Fauna releases in 1991, and continue to be so. How long this will continue is anybody’s guess. Benrinnes is quite common as an independent bottle but Dailuaine not so common, mostly being used to provide filler for blends.

Both whiskies have a meaty, heavy style similar to Mortlach, especially those releases that have been matured in a Sherry cask. But what will these independent releases be like?


The samples

Dailuaine 19 (Grindlays)

RegionSpeyside Strength – 57% . Colour – Ripe Corn Nose – Malt, sawdust, nuts, honey, vanilla. Palate – waxy mouthfeel, slightly drying. Not such a big hit when considering it is cask strength. Honey, orange. Water intensified the spice and made the honey more apparent Finish – Medium. Spice notes, honey and a slight tannic dryness of tea. The addition of water intensified the spiciness

Ex Bourbon Cask, Natural Colour, Non-Chillfiltered.


Dailuaine dram

Benrinnes 16 (Douglas Laing Old Particular)

Region Speyside Strength – 56% Colour – Deep Gold Nose – Deep Creamy fudge, vanilla. Ginger nuts, caramelised sugar, apple crumble Palate Oily mouthfeel, but not overly heavy. Gives a nice coating. As with any sherry casked whisky there are an abundance of fruity flavours, but also nuts in there too. Raisins, Blackberries, Hazlenut, Cocoa, leather, figs. Cinnamon, Finish – Whoaaa There – wasn’t expecting this. Oak spices, I get a tobacco note / dry wood. Dark chocolate. Warm, medium – long and more-ish.

Ex Sherry Butt, Natural Colour, non chill filtered.


Benrinnes Dram

Conclusions

Both drams were fantastic. I spent a whole evening with these whiskies, allowing a respectable amount of time between them. I have to say that on an initial blind tasting that I preferred the Benrinnes, but this is not a surprise. For me it had a pleasant smoothness coupled with the rich fruit flavours.

Both are still available online if you look, despite being limited edition. The Grindlays Dailuaine can be found at Tyndrum Whisky for £94. The Benrinnes is a bit harder to get as I could not find any source online other than auctions – quite a feat considering it was only bottled last year. Keep an eye open for it – you will not regret buying this.

Lastly, thanks go again to Tobi. You can visit his blog by clicking on this link Barleymania.com

Yours in Spirits

Scotty

Index of tastings here

Index of articles here


This is written as a hobby, and I appreciate your likes and shares, either on WordPress, or why not visit one of my other social media channels. Lets spread the whisky love!

Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

All Photos – Authors Own

All content and photos are subject to copyright and may not be used or reproduced without permission.

Some things ARE Black And White

Taste Review #65 – Black and White Blended Whisky (1950’s Bottling)


How many times have we heard that things were better in days gone by? It’s certainly something that I’ve heard plenty of times and in some cases there may be a bit of justification in that statement. As a child of the early 70’s, I have very happy memories, but then again I also remember strikes, power cuts, uncollected trash and expensive fuel – so not everything was better. As we have propelled ourselves from the 20th century into the 21st, things are much improved. But is whisky?

Getting us into a sense of perspective, I’d suggest that this may not be true. Having a greater selection doesn’t mean that things are better for the whisky world than they were. Pressures of shareholders and demand have accelerated the need for production resulting I would say there a rising blandness in the whisky world and while none of the whiskies are bad as such, I feel there is much of a muchness.

This week’s sample has come from Cheaper By The Dram, managed by Whisky and Antique specialist Mark Littler. You might remember that I have done a series on cask purchases with his help and have also reviewed one of his other releases, the 12 year old Glenturret. This dram has come as a thank you for some help that I had given Mark – I wasn’t sure what to expect and I was overjoyed to be given a sample of whisky from the 1950’s – Black and White Blend. It has always been my ambition to taste a whisky from that era. An abortive attempt to do so occurred a couple of years ago with the purchase of a Glen Spey blended whisky at auction. I had questions over the provenance and authenticity of the bottling once I received it so had decided to keep it as an oddity rather than a drinking bottle.

Regular readers have probably noticed a relative lack of blends in my reviews and I give no apology for the fact that I don’t drink them often. That’s because I strive to find a character in a distillery through its single malt and that’s something that I look for. I’m not a snob and do not think that blends are inferior, but they don’t appeal to me so much. A telephone conversation with Mark led him to put the supposition ‘that a single malt is like a virtuoso violinist, yet a decent blend is like a whole orchestra’ with all the components in its correct place for maximum enjoyment. So I had to smile when I saw the cover note with this latest CBTD delivery. See below.


The orchestra is tuning!

And I have to say there may be a grain of truth in that, but we will see later whether or not this will be true in this case. Speaking of cases, this one arrived in its usual secure packaging with minimal information contained within. This is partly to discourage re-sale of these bottles at auction and to me it helps provide focus to the whisky itself, partly like a blind tasting where few if any details are known about the spirit.


Secure packaging

Black and White is amongst of the oldest whisky blends still being produced . It’s owner, James Buchanan supplied blended whisky that was made by Glasgow blenders W.P Lowrie. It was initially marketed as Buchanan’s, and was packaged in darkened bottles with white labels and was commonly known as Black and White whisky (which was to become the official name of the blend from 1902.) From 1885 this was supplied to the House Of Commons and was renamed Buchanan’s House of Commons Fine Old Highland whisky.

By the early 1900’s the logo of the whisky was to become an Aberdeen Terrier (also known as a Scottie Dog) and a West Highland Terrier. To help provide more whisky for his popular blends, Lowrie and Buchanan founded the Glentauchers Distillery beside Keith and also eventually obtained Convalmore Distillery in Dufftown when Buchanan bought out Lowrie in 1906. The whisky that Buchanan was producing was good enough to obtain Royal Warrants from Queen Victoria, the Prince of Wales and the Duke of York in 1898.

By 1915, Buchanan had joined forces with Dewars, becoming known as Buchanan Dewars in 1919. By 1925 they merged with John Walker & Son and Distillers Company Limited (DCL), now part of Diageo.

As we know, blended whisky was made as an alternative to low quality single malts. Blended whisky was smoother, more consistent and easier to drink. After the invention of the Coffey Continuous Still, grain whisky was easier and more efficient to make. When the law changed in 1860 to allow the sale of blended of malt and grain whiskies, single malt fell out of favour. Even now, blended whisky outstrips consumption of single malt. It may shock you to know that roughly 90% of Scotch whisky goes into blends.

So, is this whisky any good now, and how does it compare to current blends? There is only one way to find out….


The sample

Details

RegionBLEND Age – NAS Strength – 40% ColourBurnished. NoseOld linen, vanilla, strawberry, apple, walnut. Palate – Very light. Slight smoke in the back ground. Apple, oak, slightly tannic. Finish Wood spices, light peat, brine, lemon, slightly drying and warming.


The dram

Conclusions

I started this article by wondering if things were truly better in the past. I’m still none-the-wiser as to whether this can be verified. What I can tell you is that this is a dram that is definitely unlike a lot of whisky that I have drunk recently. It definitely has that old fashioned feel to it; light but with a certain amount of meatiness. Fruit is in the fore, and one wonders if this is an influence of stock from Convalmore, a now silent distillery that had long fermentation and slow distillation.

And it is when I think of Convalmore, I had a slight epiphany. This is a blend made in the 50’s. The whisky in it may have been made in the 1930’s or 40’s. As a consumer we do not know exactly what whisky is actually in the blend, but I got a slight Highland peat (as opposed to Islay) and a brine note. It is highly likely we are drinking a blend that contains substance from more than one silent distillery and using a process long consigned to history. At this point nearly every distillery would have been using traditional malting floors, so perhaps it does make a difference. Other whiskies that are known to be in this blend are Dalwhinnie, Port Dundas, Glendullan and Clynelish. Perhaps the latter gave the brine note?

The nose of old linen takes me back to my first review of a CBTD whisky, the 12 year old Glenturret from the 1980’s which had a musky taste about it too. It took a bit of getting used to, but once I realised it was just a more traditional style, I really enjoyed it. The nose in this case was just a linen note that provoked evocative memories of my childhood visiting my great-grandparents in their croft on the outskirts of Aberdeen. This old style whisky conjured up happy memories of a bygone age and that is sometimes what tasting a whisky as an enthusiast is about – letting the aroma and tastes play in your mind as you try to describe them as you recall the occasions you last experienced these sensations.

Putting my thoughts into a neat package, the only recent whisky that I can truly compare this whisky to is the Lost Distilleries Blend. While that was a cask strength blend consisting only of silent distilleries, not all of the whisky in that blend is likely to be relatively old, circa the 1980’s. I didn’t really enjoy that blend for what it cost – a full bottle is £300+. But it’s been blended for modern tastes. Black and White is from a different era – where men were men and didn’t have top knot hairstyles or man bags, children were supposed to be seen and not heard and wives only had to do housework and have their husbands tea ready for when they come home. Yes, not everything in the past was better, but this relatively uncomplex blend gives us modern whisky drinkers a glimpse into whisky past – something that is essential to do for those of us on a whisky journey of discovery. For it is true that it is harder to appreciate the present and the future without a good grasp on what has gone before.

And that is not a bad thing.

Availability of this 3cl dram which costs £14 from Cheaper By The Dram is now limited. Given the full size bottle can be around £300 on the auction sites, this is very little to spend to enhance your whisky experiences. Black And White does not seem to be available for sale in the U.K. at the moment, but the modern equivalent is available cheaply in Europe, in some cases only £12-£15 a bottle. Keep an eye out for this at auction, but if you are quick, you may just get the last samples at Cheaper By The Dram store. Perhaps Mark / CBTD may obtain more in the future and for those of us who want to compare old style whisky to new style, this would make a most excellent comparison. Should more become available I’d certainly be willing to drink it again. As I don’t score my whisky, this would get a “recommended and would buy again” comment instead. And that is definitely high praise.

Thanks go to Mark Littler for supplying this sample. I wasn’t that optimistic about a blend to start with when I saw it arrive, but I’m really glad I did not miss out as it was delicious and a worthwhile journey into the past. Remember, sip don’t flip!

Yours In Spirits

Scotty

Index of tastings here

Index of articles here


This is written as a hobby, and I appreciate your likes and shares, either on WordPress, or why not visit one of my other social media channels. Lets spread the whisky love!

Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

Photos – Authors Own

All content may not be reproduced without permission.

Carry Ons At Cardhu

Taste Review #63 – Cardhu Distillery Edition

The distillery at Cardhu is off the beaten track but still within the heart of Speyside. Located slightly to the north of Tamdhu and Knockando, it is quite easy to miss, but it is one of those distilleries with a great back story of illicit distilling.


Cardhu Stills

Like many of the distilleries in the area, the distillery started as a farm based distillery named Cardow, tenancy of which was taken in 1811 by John Cumming and his wife Helen. The small hamelt beside it has changed from Cardow to Cardhu at some indeterminate point. It was Helen that was reportedly in charge of operations, making her the first female distillery ‘manager’. During the time of illicit operations, upon seeing the excise men approach, Helen would raise a red flag to warn of the presence of guagers, which made the farm an early warning station for the illegal stills up Glenlivet. The symbol of a woman waving a flag is now the emblem of the distillery and is proudly displayed on the bottle labels.

Not only did Helen set out alert others, she also had to ensure her own operation was disguised, hiding evidence of mashing by making flour and baking bread to explain the grinding down of cereal and the presence of yeast. And of course, the smell of bread would hide some of the smells. The guagers would be entertained at the Cummings homestead in an attempt to give other distillers time to hide their stills.

Given the problems of trying to hide their distillery, it is little wonder that Cardhu was one of the first Speyside distilleries to turn legit and obtain a licence after the 1823 Excise Act. By 1872, Helen’s daughter in law became the distillery manager and oversaw the rebuilding of the distillery in 1884. The old stills from Cardhu went to William Grant, who used them to build his Glenfiddich Distillery. By this time, Cardhu had built a great reputation and was in demand from blenders, athough it was availble as a single malt in London as early as 1888.

There was a change of management in 1893 when the distillery was sold to one of their long term customers – John Walker and Sons, but on the understanding that the Cummings would still run the distillery and have a seat on the Walker board. In 1899 the number of stills was doubled to 4, then in 1960 this was expanded to 6. Cardhu was now seen as the Highland base of Johnnie Walker, but in 1981 became the first attempt of single malt branding by DCL, the forerunner of Diageo. Incidently, there is another tie to the Cummings, as DCLs chairman from 1963-67 was Sir Rolnald Cumming – the great-grandson of John and Helen Cumming.

Cardhu was involved in some unfortunately negative publicity in the early 2000’s. Being in demand for both a single malt and blending in one of the world’s most popular whiskies put a great strain on supply. The solution arrived at by Diageo was toturn the Cardhu single malt brand into a ‘Pure Malt’ which is actually a vatted malt – a blend of whisky from multiple distilleries that had the same overall character as Cardhu. There was caused considerable confusion and controversy as it was not a single malt. For a brief period the distillery was renamed back to Cardow to differentiate between the single malt and the pure malt, but was changed back when the practice was discontinued. It had an effect on regulations however, and the term Pure Malt was banned and the term ‘Blended Malt’ created and continues in the Scotch Whisky Regulations in 2009.


Ghostly Going Ons?

The distillery is a very pleasant place to visit and is definitely worth a detour from the A95 if passing. I visited in October 2019 during my 4 days of whisky geekery. I was lucky, as by visiting early in the morning (10am!) and out of normal tourist season I managed to get a solo tour, guided by the lovely Jess who was a fountain of information. The distillery was silent when I visited, but this made no real difference to my visit, as I’ve been to one or two distilleries in the past, and in that 4 days I managed to visit 5 distilleries, one whisky bar and 2 whisky shops!

One of the interesting things that I picked up was the strange doll left on a shelf under one of the information boards. It turns out one of the operators believes the distillery is haunted and has left some items for the spirit to move around. See if you can see the doll somewhere in the distillery when you visit!

Now, supernatural spirits aren’t really my forte, so lets crack on to one more appropriate to this review – the disitllery exclusive dram.

Details

Region – Speyside; AgeNAS; Strength 48%; Colour – Old Gold

Nose

Malty nutty, creamy soft sweetness of stewing apples, light citrus, wood

Palate

sour citrus initially, then onto a much smoother palate with the sweetness and creaminess of a light dairy chocolate. Some malty notes with a very delicate spice.

Finish

short to medium. Spiced malt ending in a subtle dryness


The dram

Conclusions

I have to say that this didn’t set my world on fire, but was decent enough. My initial sour citrus experience was probably responsible for this, but I enjoyed the development into the sweet and creamy palate. And with a sweet tooth, I have to say that I liked the chocolately flavour too. This one has been matured in three types of casks including Californian Red Wine casks giving a lovely colour to the dram.


Distillery Only Bottling

Myself with Jess my guide.

One of the problems with distillery only bottlings is that you don’t really know what you are getting when you buy and the small sample isn’t really adequate for telling how good a malt is. I bought a bottle anyway for around £80. To be brutally honest, I didn’t think this anything above any other Cardhu I’ve had in the past, and felt it was an insipid Diageo bottling that is just there to seperate the tourists and the foolish from their money. I suppose that I’ve been caught out. It might grow on me, but I think as this is a limited bottle, I might just stick it into storage and forget about it. Somebody who can’t visit the distillery or is a Cardhu fan may want to buy it off me at a later date.

Save your money and buy the standard Cardhu 12 year old at £35ish. Might only be 40% instead of 48% but is still a perfectly competent malt. If you want to treat yourself, why not try the Diageo Rare Malts 27 year old Cardhu from 1973. You’ll be breaking the bank to buy it at auction with prices being around the £200 mark or above, but if you see it in a whisky bar I can recommend it. I have tried it a long time ago and it made a positive impression on me about the distillery. I’m also lucky enough to have a bottle in storage. Maybe one day that is one bottle that might not be resold but drunk.

Slainte Mhath!

Scotty

Index of tastings here

Index of articles here


This is written as a hobby, and I appreciate your likes and shares, either on WordPress, or why not visit one of my other social media channels. Lets spread the whisky love!

Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

All Photos – Authors Own