It’s the most wonderful time of the year

Have special releases lost their meaning?

No, it’s not that wonderful time. Hopefully you don’t have Andy Williams singing that seasonal song burying itself into your brain as a particularly vicious ear worm. By time I’m likely to publish this article, we’ll be well into the Christmas shopping frenzy. But even in September when this article had its genesis, the Christmas cards are already in the shops and adverts for booking the works festive night out are all over local and social media. It’s just inescapable and it really boils my carrots when we have still to mark Hallowe’en and Bonfire Night. We’ll soon meet that point on a virtual retail Venn Diagram calendar when items for all three celebrations are on the shop floor. For me, what should be a special time of year for those who celebrate the birth of sweet baby Jesus, the failed Government assassin or even Freddie Krueger, the commercialism has just taken the shine off of things.

The whisky world isn’t immune from annual events. Whether it’s waiting for the latest whisky book from Ingvar Ronde or Jim Murray, your favourite whisky festivals or a whisky holiday, there is always something to perk our heads up like the whisky loving meerkats we are. There was one whisky event that I used to look forward to, but now I’ve become a bit jaded about them and it seems to have lost that specialness. You may have guessed that I’m talking about the Diageo Special Releases. For the past 10 years I’ve always kept an eye out for the announcement of what is getting released, to see if there is a particularly enticing bottle, especially from one of their closed distilleries. Of course I was never going to be in the market for the Port Ellen or Brora, but I’ve always kept my eyes open for a Convalmore, Pittyvaich or even a sneaky wee Benrinnes should one arise; alas for me pickings over the past 5 years have been pretty disappointing.

It hasn’t just been the selection of whiskies that have been included within the special release portfolio that has disappointed. I’m going to express a personal opinion but it’s the artwork and labelling that have started to drive me away. In recent years special releases have started to have a theme associated with them, most notably in the artwork, with the 2018 having apparently the last individual labelling style on the bottle, with 2019 and 2020 having a wildlife theme for most of them, almost like a parody of the Flora and Fauna bottlings, but still tasteful. Then came 2021, and for me things started to unravel. The theme of Legends Untold and the artwork from what may be a Dungeons and Dragons illustration makes me think that they aren’t trying to sell that whisky to the likes of me – they are aiming for a completely different kind of market.

The 2022 Special Releases have been termed ‘Elusive Expressions’ and this time they’ve decided to go full Tonto with the artwork. My attention was first brought to this in a Nickolls & Perks promotional e-mail, and it was this that really put me off looking any further. I hadn’t even noticed the prices until they were pointed out and at this point I had to just stop and ask – is this really worth it? What makes these special? Was I just being grumpy for the sake of it, or did other people feel the same?

You have to remember that besides being grumpy, I’m a bit of a traditionalist. A whisky Calvinist of sorts, where any distraction from the liquid is seen as unnecessary, distasteful thing to be avoided, in similar way to how the original Calvinists thought music, dancing and fun was unholy in church. I like plain, understated labels or those labels that hark back to a previous era, as we all know that some things were actually better in the past. This may explain part of my love for Flora and Fauna bottles or the Gordon and Macphail distillery label whiskies. Of all the special releases, the 2005, 2013 and 2017 Convalmore offerings were for me a pinnacle of subtlety, evoking an era long past and memories of a silent and unlike Brora and Port Ellen, never likely to return to production.

In his recently released book, whisky author Dave Broom writes in the introduction about how whisky can be seen as a cultural product, and a way of “looking at a country: it’s history, people, stories and thinking.” This is something already mentioned by David Hayman when he presented the BBC Scotland three part documentary entitled Scotch! The Story of Whisky. He tells the story of how Scotch is so ingrained with the culture and identity of the country. So when we look to the special releases, for me the design evokes nothing of Scotland, except some lurid artwork and a fantasy story on the back. Of course, Scotland is a modern country and we shouldn’t be adverse from being colourful and fanciful, but when you know these twee stories are the whims of a marketing team, then the lustre dims somewhat. Some of us have progressed beyond the crayon eating stage.

Was I on my own? I decided to run a small poll on social media to find out if I was on my own with my thoughts.



Don’t let the small sample size fool you. The direction of flow was pretty much one way, with 90% of people expressing what might be seen as a negative outlook, or at the very least find that the special releases not special anymore. 150 people described them as a con. Whether this meant that they were a rip off for the money or just pulling the wool over our eyes as to how special they are, I’ll never know. I’m also surprised that 6 people class the Special Releases as good value. Perhaps they are, but I’m not so sure. While I can understand why people think they are a con, that’s not what I think. You can’t tell without drinking them and I’m not prepared to buy the set, though I will admit that I think they just aren’t special any more.

Let me tell you why I feel this way.

The Spirit

Firstly, let’s look at what is truly important, and that is the liquid itself. I have no doubt that these whiskies are all good, solid whiskies. Of course you may not enjoy every single one, but all of these whiskies are cask strength, non chill filtered and as far as I can see there’s nothing stated about natural colour, so we’ll have to assume there has been some added. Mind you, even Meatloaf thought 2 out of 3 ain’t bad, and there was nothing wrong with Meatloaf. Each one of these should be a great whisky, and I’ve heard that some of them are quite tasty, enough to get me thinking that I may spring for a bottle. But there’s more elephants in the room than at PT Barnum’s circus when we turn the attention to the prices, which for a drinker is possibly the second most important thing, if not the most.

The Price

Perhaps I have got this wrong. Maybe the price should be looked at first to then decide if you can afford to spring for a bottle, but for me I decide whether I may like it first, then look at the price. And to me, while some prices seem to have kept pace with inflation, plus bearing in mind that there has been a massive increase in costs recently, I don’t find the prices outrageous, but lets get this straight now – they are adventurous at best. While they don’t have the four figure price tags of Port Ellen, Brora and latterly Convalmore, these are certainly within the reach of more people, but there are still a few that have prices that raise a few eyebrows.

If you choose to pay £275 of your hard earned pounds for grain whisky that is only 26 years old (Cameronbridge) then I would suggest that the special thing about that whisky is when you drink it, you’ll know it to be an expensive drink (read: over priced). Similarly for the Mortlach NAS. £250 for what could be a spirit with an average age of 12 years is maybe justifiable in the eyes of the producer, as they know the make up of the vatting, but for the consumer, this price point is a lot to take a punt on. Let the fact that Diageo released a 30 y.o Mortlach for £3700 in August 2022 sink in before you consider purchasing an NAS.

The Uniqueness

Have we come to the point where special now ceases to mean what it was truly meant to? I think we have come to misuse this word in a similar way to the whisky industry also uses the word ‘rare’ and ‘limited’. While the Cameronbridge makes its first appearance in the Special Release line up, the other selections have appeared more than once. Yes, they may be a rarely seen expression, but does this alone make them special when so many of their contemporaries are doing the same thing? Will it remain unique if a similar release is made in a few years time? That I can’t say, but the cynic in me feels these aren’t unique at all.

Availability

Let’s think back to the days of the mid 90’s, for that was when a forerunner to Diageo, United Distillers, released the Rare Malts series. This was a step up from the Flora & Fauna, and was a truly limited release, as the bottles were usually numbered, but not always.

Looking on the internet. It doesn’t take long to find some special releases from 5 years ago still on the primary market. There is a cask strength Dalwhinnie 30 y.o from the 2020 releases on the Master of Malt site for £574.86 – the initial RRP was £550. However I have a 25 year old cask strength Dalwhinnie that I bought from the distillery for £180 a few years earlier at nearly a third of the price. While it seems that I am comparing apples and carrots, it gets easy to see why unless you know why they are priced the way they are, the selling prices seem to be that bit more arbitrary.

While the average prices of the special release sets have come down, they are still expensive for what they are, and if you see 2017 releases still on primary retail (Collectivum XXVIII £150) perhaps you’ve misjudged things a bit. Something summed up by another whisky social media user. Link here to see thread for context.

Get the price wrong and it will sit on the shelf. However, its worth remembering that Diageo or any other large whisky producer don’t really worry. They can wait.

Where have the big priced bottles gone?

As I outlined earlier, I anticipated the Special Releases for the ability to obtain older whisky from distilleries that have fallen silent, Convalmore and Pittyvaich in particular. But now with Brora back into production and Port Ellen soon to follow, plus rumours are that there isn’t a lot of Convalmore left, this leaves the collection lacking in the rarer big guns. Some of these are now are sold in a range called Prima and Ultima. It’s an 8 bottle set which costs £36500, but this has put older whisky well outwith the range of many common enthusiasts. You can go to the web page Diageo uses for the premium whiskies and buy separately, but no price is given for single bottlings. I have seen a bottle of Convalmore 36 from 1984 in the Prima and Ultima range being sold for just over £2000, on the Justerini and Brooks website, it is something that is perhaps beyond many of us, unless we have deep pockets and few responsibilities and even less common sense.

While starting to come to a conclusion, a DM conversation that I had with a well known face in the whisky world about casks suggested that there are three types of people in the cask investment world. This caused me to smile as I can see parallels in the bottled whisky market. Whether you are a seasoned pro with the right connections, knowledge and a bit of cash behind you, or the dabbler who has an idea, but perhaps not the cash, full knowledge or the connections, or lastly the idiot – money to spend and has bought into hype. Perhaps this is how brands like Diageo see their consumers – those with the cash to buy the premium and truly rare, those who can make do with the special releases, or those who choose to buy a full set of Game Of Thrones whisky who expect to make their fortunes because of the hype. I see the Diageo special releases becoming more hyped and no obvious uniqueness about them. Regardless if I have misjudged this, for me the shine has fully rubbed off and I don’t really see that these bottlings can be seen as anything special in the face of so much other good and cheaper whisky. It is a marketing exercise and nothing more; there will be more Lagavulin or Cardhu etc, what you are doing is solely buying a brand, pretty much like buying a new car from the same dealer every 5 yrs or so, and if you want something much rarer like a Bentley, then you need to dig deep into the wallet.

With a twist in the tail, I have to admit, my interest was piqued at the 10 year old Oban. I visited the distillery in 2019 and enjoyed the cask strength 9 year old they gave us as a part of the tour, much more than the mundane 14 yr. old. In an effort to see if there really was a specialness in the release, I decided to take a chance to see if I could rekindle memories of that glorious sample.


Taste Review 142 – Oban 10 Special Release 2022.

Elusive Expression Oban. Cosmic Bunny not included.

Region – Highland Age – 10 y.o Strength – 57.1% abv Colour – Amber (0.7) Cask Type – Bourbon / Sherry / Amontillado Colouring – Not stated Chill Filtered – No Nose – Sweet. Blackberry, cherries, dark chocolate, salt air, seaweed, hint of black pepper and smoke. Palate – Instantly salty, if you can’t taste the maritime notes I’ll be surprised. Heavy cream sort of mouthfeel, yet no big spirit kick which is surprising given the strength. I found the salt became sweet with a hint of plums, oranges, and turned again with a peppery note going into the finish. Finish – medium length finish where the heat and spicy notes build. The oak starts to express itself with a slightly dry, tannic note but there is continued sweetness along with a hint of smoke coming out. The heat changes from a peppery heat to one with a hint of chilli as it slips down the throat, but it still doesn’t really have a need for water to calm it. Adding water gave me a burst of mint in the finish.


The Dram.

Conclusions

When all said and done, this is a nice dram. There’s plenty there to engage a whisky drinker with. I would say that if you like coastal drams, then this one should be considered. Was it as good as the 9 y.o I had at the distillery in 2019? I can’t say, as it is too long ago to make accurate comparisons as my memory isn’t that good. However I enjoyed it a lot. But was this dram special?

No It wasn’t.

I’m beginning to see why so many people think the Special Releases are a con. What I have tasted is no different to what an independent bottler would turn out, probably at a much lower price. This would appear only to be special as Diageo haven’t used these barrels for blending fodder, nor have they diluted them for core bottles or Distiller Editions. Should we all sit up like meerkats just because something is ‘special’ due to the way a distillery holds onto its casks? I could quite easily buy two independently bottled whiskies that are just as good for the same money. And two cask strength bottlings wouldn’t cost not much more.

The only people who would see these as being really special are Diageo themselves, as it is they who control the release of casks to the brokers and independent bottlers. Oban isn’t a common independently bottled whisky. But when there is only a description of being ‘limited release’ then there could be multiples of thousands released or more, and for me knowledge that my be the case takes the sheen off of the specialness. Bit like the knowledge Macallan Folio 5 was released not with 2000 bottles, but around 20,000

The last point is the price. Over £100 for a 10 year old whisky is pricey. Are we seeing the insidious creep of premiumisation here too? An unusual release shouldn’t be the excuse for jacking the prices up, as you may find the market you are aiming for will reject it, and those who do buy in will eventually move onto something else when the next fad comes along.

Despite being described by one whisky journalist on their Instagram as “good value”, I’d contend that these special releases are no longer that special. They are only special as we are being told they are but fancy artwork, hiked prices and slick marketing do not necessarily make a special whisky. While the whisky itself may be perfectly acceptable, the only thing making this special in my opinion is the fact we are being told that it is.

I think Diageo need to perhaps rethink the Special Release as for many they have lost their sparkle. I for one will not be buying another Special Release when so much other good value whisky is available. Special means different things to each of us, but for me this falls short of the mark.

Yours In Spirits

Scotty

Index of tastings here

Index of articles here


Photo Credits

All Photos – Authors Own

Back To Basics.

Taste Review #108 – Ardbeg 10

When you look at all the whiskies that are available on-line, there is a stunning array of bottles available. The mind boggles with all the different options when you consider age statements, cask finishes and different strengths. We’ve never had it so good. Often it is just a case of buying something that appeals to you based on flavours in the tasting notes, which incidentally may not be that accurate according to your palate. One such distillery with a large range of different bottlings over the years is Ardbeg. There is an annual release that generates a fuss as people flock to buy it in a feeding frenzy that would put a piraña shoal to shame. However there is a bottle that is cheap, easily available and reliable – the plain and simple 10 year old.

I used to be a fan of Ardbeg 10, though at one point I felt it became a bit inconsistent; far too medicinal and with this it put me off. I still loved peat but I’d become unfaithful to one of my peaty loves by deciding it was time to elope with Laphroig 10 instead. I would even abandon my first peaty crush, Talisker 10. All of a sudden my whisky morals had developed into that of a randy alley cat. These were the days well before I got totally into collecting and drinking whisky and hadn’t developed the inquisitive wunderlust that was to come in later years. Even once I had extensive dalliances with other whiskies, I wasn’t ready to return back to Ardbeg 10. I knew she would have me back, but I just wasn’t ready.


The siren…. I mean bottle!

My peat journey continued. I eventually discovered the young but mega peated Octomores. Eventually, the time came to pass that I was ready to return to Ardbeg, but I still couldn’t. Unfortunately for me (and this may seem weird) Ardbeg had just become too popular. I had been on the mailing list (aka known as The Committee) but the postings were coming less and less relevant to where I had been heading on my whisky journey. In my mind I’m one of these ‘cool kids’ who rejects mainstream, and the constant promotion of product to my inbox with more and more outlandish claims was getting to be a bit tiresome. But most likely in reality, I’m not so cool, but a cynical, bitter Scottish curmudgeon. When I decided to cull the membership of things that pushed their propaganda into my private online space, Ardbeg and Macallan were the first to go. There’s only so much you can take of seeing the bottles you fail to win in the ballots appear on the secondary markets within a week of release, putting them out of reach of those who really valued them for more than the financial benefits selling them could realise.

If you want to gauge my measure of disgust and disappointment, you only have to look on websites selling the Arrrrrrrdbeg release to commemorate the retirement of Mickey Head. Released at £150, days later appearing on re-sale sites for £250+. And that’s just a recent example. There are scores more if you care to look.

But then, surely the 10 deserves another look at? For years it has been a stoic soldier on the shelves of supermarkets and whisky shops. It is almost invisible in full sight as I look to make my choices. But I have a ten year old Ardbeg unopened at home, though with the number of open full sized bottles I already have, I wasn’t wanting to open another one just to remember that there was a reason why I left my peaty love behind in the first place. It was a visit to the Speyside Whisky Shop on my way through to Aberdeen on work business that saw me buy a miniature to take away while in quarantine before heading offshore. It is in this environment that I decided to take my former peaty mistress away to a Buckinghamshire hotel and see if we could have a little fun together during my 10 days quarantine.

Details

Ardbeg 10

Region – Islay Age – 10 years old Strength – 46% abv Colour – Pale Straw (0.2) Cask Type – Bourbon Colouring – Yes Chill Filtered – No Nose – Sweet, Phenolic, Brine, Lime, Honey, Lavender Palate – Honey, slightly oil mouth feel. TCP, Nutty, Walnuts, cherries, creamy, smoky, brine. Finish – wood smoke, iodine, buttered toast, drying in the end with a hint of cinnamon bun and brine.


The dram

Conclusions

The fact that I brought only a miniature with me didn’t really amount to a rekindling of the romance with Ardbeg. It was pretty much a one night stand (wham bam, thank you mam). But it was one of those dangerous ones where passions that have been suppressed for so long rapidly come back to the surface. Did we have fun? Well, seeing as I’m no Jim Murray and I realise that I have readers of both genders and do not want to incur the biblical wrath of a certain female whisky writer and her personal crusade, all I will say is that I have been foolish in ignoring this whisky for so long. And it brings me to a serious whisky topic – what has changed – me or the whisky?

Not all of my reviews are going to give you a twee tourist guide of the local area around the distillery, and as I have not been to Ardbeg or even Islay, it will be obvious that I’m not the best person to give this information. But I can give you food for thought, and today I hopefully present you with at least a midnight snack of cerebral sustenance. I don’t really think that the whisky has changed that much, as all the notes I remember are still there. I’m surprised that I remember any, as one of the reasons I tend not to attend any virtual tastings is my memory of flavours is pretty shocking. I can taste things, but often can’t place them in a decent time frame. One dram can take a whole evening to discover the flavours for me. The Ardbeg 10 had nowhere to hide in this instance.

However, this whisky leopard can’t change it’s spots. The spirit is highly peated to a specification of around 55 ppm from malted barley obtained from the Port Ellen Maltings. Kilchoman Machir Bay is peated to the same specification and I wasn’t fond of that at all. However there is something magical still about the Ardbeg that is beckoning you in. This supermarket whisky is the ‘Plain Jane’ that turns into the dominatrix in the bedroom once you taste it. I’m liking it, yet still not taking to the iodine tastes, yet the aroma from my glass is wafting across my nostrils and I know that I am going to have to take another sip and it tells me that “I WILL ENJOY IT!”. Pain for pleasure.

If this dram was a song, then it would without be a doubt be ‘Heroin’ by the Velvet Underground. You need to listen to this song lying still in the dark to understand it – trust me. And the louder the better.

The whisky hasn’t changed. I have. Since I’d dumped Ardbeg in favour of other drinks, I have dallied with other much peatier whiskies. I had leapt onto the young Octomore spirit with reckless abandon; the different experiences maybe tuned my palate in new directions. No matter how long you have been in whisky, exposure to different whiskies will educate your palate, and when you return to things that you may have not been so keen on in the past, being a wiser, older dog you’ll know that you can learn new tricks to rekindle affection of your mistress or master. This will only benefit your whisky journey.

But coincidence has the last laugh. Only 3 days after I drafted this review, Matt Mckay published an interesting article which touches on how taste perception changes. Matt, for those of you who don’t know is the head of marketing and communications at Bimber Distillery in London. He’s also the main writer for The Dramble Blog that I often mention. Click here to take a read of his article which includes a great Glen Scotia review. Goes to show that my Peaty Mistress never changed and remained faithful until I returned.

Still prefer Laphroig though….

Yours In Spirits

Scotty

Index of tastings here

Index of articles here


Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

All Photos – Authors Own

Examining the Bere Master

Taste Review #106 – Arran Master Of Distilling 2 / Bere Barley 10

Thankfully this is the end.

Not of my blog, but thankfully it will be the last review in a while where I sample two whiskies at the same time. I find this pretty intensive, as I like to spend at least a couple of hours with each dram to try and understand them as best I can, given that the majority of time I use miniatures or sample sizes.

The two drams I bring to you today were given to me by a friend who told me that both he and his wife loved one of these drams and wanted to know what I thought. As a fellow countryman who hails from the east coast of Scotland, he’ll know that free will always be accepted. Take first, ask questions later.


Master Of Distilling 2

I haven’t drunk a lot of Arran before, mainly because of my normal drinking habits take me to Speyside or Highlands, but not the islands. There are a few Arran miniatures that are sitting in my study waiting for review, but so far the time to taste them hasn’t been found. As I type this I feel that it is a shame, as the last Arran I reviewed, the now discontinued 14 year old was really nice. I was that impressed I made sure a few went into store so I can access that delicious spirit in the future.

The Arran distillery is a relatively young distillery, although it is starting to look much more grown up now we have so many new distilleries that have opened in the recent past, such as Ardnmurchan, Raasay, Daftmill, Dornoch, Eden Mill, Kingsbarns and there are a handful more in the process of not being far away from releasing their own spirit. Production started in 1995, so this means that the range is now able to stretch to 25 years old, bearing testimony that the distillery has most definitely come of age. By next year we may see the first three year old spirit being released at Lagg, the distillery at the south end of Arran that had to be built to enable the Isle Of Arran Distillers Ltd to have more capacity to concentrate on peated spirit. So far the main peated spirit at their main Lochranza facility has been the Machrie Moor release.

This release was bottled in honour of the master distiller at Arran, James MacTaggart, who had chosen the selection of Palo Cortado casks from Jerez, Spain. I have to say that I am more familiar with PX or Oloroso Sherried whiskies. Palo Cortado is a sherry type that starts maturation under a blanket of flor (yeast). When this does not remain intact, air comes into contact with the sherry, which starts to oxidise and form an Amontillado Sherry. This will give a nutty, savoury taste. However in the case of Palo Cortado, this doesn’t always happen and it becomes richer and darker like an Oloroso Sherry.


Bere Barley (right)

In the same shipment from my friend arrived another Arran whisky, the Bere Barley 10. This is a barley that in Britain is probably the oldest grain in continuous production. Bere is reckoned to have been brought to the British Isles by the Vikings, and is mainly cultivated in the North of Scotland, where the barley is able to grow in a short season on low pH soils. This is mostly in Caithness, Sutherland, Shetland and Orkney. This is a 6 row grain compared to the more common 2 row, but possibly due to its rapid growth and short season, it is not the most productive grain for the purposes of alcohol. However, in the 19th century, large amounts of Bere barley was used extensively by the Campbeltown distilleries. As strains of barley improved, it largely fell out of use. Nowadays, the only distillery releases that I can think of that use this Bere Barley are that of Springbank and Bruichladdich.


Arran Bere Barley 10

It is now time to move onto the whisky.

Arran Master of Distilling 2

Region – Highland Age – 12 y.o Strength -51.8% ABV Colour – Amontillado Sherry (0.9) Cask Type – Palo Cortado Sherry Colouring -No Chill Filtered -No Nose – Sweet. Nougat, Caramel, Floral (violets, rose water), Almond, hint of chocolate, porridge oats. A slight sour note of dry white wine. Palate – Medium body, sweet initially then a kick of alcohol. Peanut skin, orange zest, walnuts, almonds, red berries, slightly drying. Finish – Medium long. Cherry, chocolate powder, hint of must, possibly from an old book / old unvarnished wood furniture. A smattering of brine, slightly drying. With water, there was an increase in savoury note which reminded me of sautéed mushrooms.


Master Of Distilling 2

Arran Bere Barley 10

Region – Highland Age – 10 year old Strength – 56.2% Colour – Pale Gold (0.3) Cask Type – Bourbon Colouring – No Chill Filtered – No Nose – Honey, Almonds, Vanilla, Peach, buttery bread / brioche, Floral notes, Lavender to the fore, mixing with the aforementioned honey, Coconut, Mango, Cardamom. Quite a lot going on in the nose! Palate -Cask Strength quite obvious here. Warming but not overheated alcohol arrival. Waxy mouthfeel. Quite floral, Pine, Honey, Sour Apple, Peppercorn. Bitterness, strong black tea. Finish – Short – Medium. Leafy – Spinach? Brine, more white peppercorn. Bay leaves, bitter citrus. Drying and fizzy.


Arran Bere Barley 10

Conclusions

As I said before I really liked the Arran 14, and although I hadn’t tasted much more Arran than that, I always had intended to try more, hence why I still have a selection of minis at home. I am glad that I kept that mindset, as the Master of Distilling 2 was a good dram for me. I always love a whisky with a cherry note to it, and the last time that I had that was the Wild Turkey Longbranch. My wife has since bought me a bottle, which I cannot wait to get cracked into. Whether or not I buy a Master of Distilling 2 remains to be seen, as although I like it, I’m at the point that I cannot really buy much more whisky in the vain hope I’m going to drink it within the next two years. I might still get a bottle to put into store, and see what happens.

The Bere Barley was quite good as well, but the strong leafy finish after the continual sweetness of MoD2 made my palate prefer the sweeter dram. I do have a sweet tooth! I found that both whiskies had a really pleasant nose, but only the 12 year old whisky really followed up with a pleasing palate and finish. Plus, despite being interested in whisky for many years, that is the first Palo Cortado casked whisky that I’ve knowingly had, and I liked it.

Master of Distilling 2 is available for around £75 if you look around the web. Bere Barley is about £36. Both not bad value for the experience given. I enjoyed the Bere barley 10 times more than Aberlour 12, and that cost £40!

Yours in Spirits

Scotty

Index of tastings here

Index of articles here


Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

Barley Photo – Public Domain / Xianmin.Chang@orkney.uhi.ac.uk

All Other Photos – Authors Own

The Sherry King Of Speyside.

Taste Review #103 – Macallan 10 old vs new

We’ve come to the last in my old vs. new reviews and I’ve saved what is one of the best known name in whisky until last. Macallan. This has been one of the hardest comparisons to be organised, as COVID got in the way of me reaching my old 1990’s bottle of 10 year old Macallan which was damaged in a flood. As I had consigned this to a drinking bottle it would have been perfect for this cause. Conveniently I had managed to pick up a 1990’s miniature at auction, as the 70cl Macallan 10 year olds are now reaching £400 at auction, and I am not paying that just to do a review.


MIA bottle (Macallan Is Annihilated)

The newer bottle was also procured at auction, and it is currently easy to purchase, despite being discontinued as an age statement. It is in a much different box, with the white Easter Elchies box being discontinued mid 2000’s. The range was rebranded slightly in 2004 with the introduction of a second 10 year old in the core selection with the addition of the Fine Oak edition, which introduced spirit also matured in American Bourbon casks. As to the Sherry Oak, sometimes when there is a rebrand, this is a chance to do a slight recipe tweak, so we’ll see if this is the case in this instance.

The 10 year old Sherry Oak was discontinued in 2013 and the 10 year old Fine Oak was discontinued in 2018. The youngest Sherry Oak is now the 12 year old.

With old and new bottles procured, it was then a case of finding time to taste them, Given I realised that this would be probably the closest comparison out of all the drams in this series, I wanted to give this time, so I could fully appreciate both drams. You can probably guess what happened next – at each attempt to get some adequate time to do any tasting, I never got my days chores finished in time or my daughter would decide that she didn’t want to settle in the evening. On one occasion I shot myself in the foot by having a strong curry, thus knocking my tastebuds out. This wasn’t boding well for getting the old versus new series completed.


Mini Macallan Malt Moment

But, as I am fond of quoting, John Lennon once said “Life is what happens when you are busy making other plans.” And indeed that is the case. It’s also quite appropriate to quote a member of the Beatles, as my feelings towards them are similar to Macallan – I feel both are overrated. I know that I will have lots of people shooting me down over this statement, either for the musical or whisky assumption or perhaps both, but I just don’t see the quality in Macallan when I can taste similar whisky (or better) for a lot less money. Glenallachie 15 is my preference to the Macallan 18 and it has the bonus of being much, much cheaper.

I’ve reviewed the Macallan old style before and have also visited the distillery. You can see my last review of the old style Macallan by clicking on this link. In this review, I had also the samples given by the distillery, the 12 year old double cask and the 15 year old triple cask which I didn’t review due to the small amounts, but the sherry cask 10 year old blasted both drams way out of the park. Since then it has been my intention to compare the old version of the 10 year old with a like for like modern equivalent, which has also been discontinued since 2013.

As a bit of a laugh, during my research for this review, I came across this on a website speaking about the history of Macallan. I am sure that you will spot the error straight away.


Correct still pattern; wrong location. (cranesltd.co.uk) original article here

The miniature bottle I have was bottled in the 1990s and shows the Easter Elchies farmhouse. The 70cl bottle of the newer spirit was released around the mid 2000’s. This particular bottle was released pre 2010, before Macallan started using Hologram stickers to deter forgeries.

Macallan 10 (1990’s)

Region – Speyside Age -10 yr old Strength – 40% abv Colour – Chestnut Oloroso Sherry (1.2) Cask Type – Sherry Colouring -No Chill Filtered – Yes Nose – Sherry, raisins, dates, tobacco, butterscotch, apricot, slight funk from the bottle. Palate – All components in the nose were in the palate. Mouthfeel had a medium body, slightly oily. Finish – Medium – Toffee, dried fruits, slightly drying, gentle oak notes.


Macallan 10 from the 1990’s.

Macallan 10 (mid to late 2000’s)

Region – Speyside Age -10 yr old Strength – 40% abv Colour – Chestnut Oloroso Sherry (1.2) Cask Type – Sherry Colouring -No Chill Filtered – Yes Nose – Sherry, milk chocolate, marmalade, tobacco, raisins. Hint of acetone. Quite a light nose. Palate – thin mouthfeel, sweet on arrival, the raisins appear along with a bitter oak tannin Finish – medium / short The alcohol disappears quite quickly, leaving chocolate, raisins and a bitter note on departure.


Macallan 10, circa 2010 or slightly earlier making an appearance on my cooker.

Conculsions

Confession time – I seriously expected the old one to totally romp home on this one. So much so, I was worried that this preconception would affect my judgement. However, nothing could have prepared me for how close both these drams were. I have often poured scorn on Macallan in the past, which has to be said now was unfair and unjustified in this instance. The fact is that both drams tasted very similar is testament to their focus on quality. My surprise was compounded when I looked back to the review I wrote last year and found I nearly got exactly the same tasting notes.

So perhaps I should chastise myself a little bit and loosen the belt of cynicism that I have around brand promotion and give into the fact that 1990’s Macallan and 21st century Macallan of this bottling are not too much different. But before we give into back slapping and high fives, there were a few small details that need to be taken into account, as to my palate they were different.

The mouthfeel on the newer bottling was very slightly thinner. The overall experience was more bitter and sharp compared to the older expression. The older expression also had it’s issues, but the only one I could find that stood out was that there was a slight funk to the sample, which was definitely caused by the fact it was in a miniature bottle. Therefore I predict that this was caused by the seal. Had I been able to taste from my damaged 70cl bottle that is currently languishing in a store 70 miles away, the presence of a cork seal would have maybe improved the sample experience for the better.


Older dram on left. Like two peas in a pod.

I can definitely say the newer example has a slightly lighter mouthfeel as well as a shorter finish, but it isn’t a bad whisky in any sense of the word. I found it had more bitter oak in it, something I didn’t get in the miniature sample, nor the sample I had in my last review which had came from a 70cl bottle with a cork seal.

I spent a few minutes discussing this with one of my friends who is a bit of a Macallan fan. He correctly told me that the distillery will try as hard as possible to keep the same flavour profile, so there is unlikely to be a big difference in the recipe. What he did say is that he’d heard that the 10 year old age statement was retired due to it being so expensive to keep producing as there were more and more older barrels being needed to maintain the flavour profile, so it was axed and the 12 year old age statement continued from that point.

I’m going to enjoy the rest of this 10 yr old bottle; the miniature got finished in this review. The 70cl bottle was £120 at auction including fees. The miniature was £40 at auction so this hasn’t been the cheapest of reviews as well as not being the cheapest. But it needed to be done. Perhaps once I get access to my store, it will give me and my friends a chance to compare like for like with both drams having been sealed by a cork.

Was the older dram better? I have to say yes, but I think it is due more to my preference. £120 is expensive for a ten year old whisky yet the 10 year old releases in the white boxes that show the Easter Elchies farmhouse painting now regularly sell at auction for over £400 including fees. There must be a reason for that, and perhaps it is that others also agree with me that the older one is better. However I think that eventually when supply of the older dram tightens due to them being drunk, the price of the more recent bottling will rise in value.

My final opinion is that if you aren’t really studying the drams, it would be hard to tell the difference. You will get a good experience regardless of what expression of the Sherry Oak you try. The Fine Oak reportedly is not as good, and I’m not opening my bottle to find that at out – not just now anyway.

This is my final review in my old versus new whiskies. It’s now time for me to mull over some conclusions and I look forward to publishing them. I hope that you have enjoyed this series, please consider looking at the index of my tastings using the link below to let you see my other reviews of this series.

Yours In Spirits

Scotty

Index of tastings here

Index of articles here


Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

All Photos – Authors Own

except – screen shot of Macallan History Page – included under fair use, copyright cranesltd.co.uk

The Dram That Turned To The Dark Side.

Taste Review #99 – Ledaig old vs new

The dark side. We all probably have one, or perhaps I should stop judging others based on my own experiences. This is the one time that I wished that I did a little bit of research before sampling these drams, as if I had, I would have learnt that one dram in the tasting tonight was in its initial incarnation before it joined the dark side and peat was added to the mix.

I feel it is important not to research too much beforehand as this is likely to influence the review I am about to give. I may look at the distillery history, as I quite often type this bit out as the whisky I want to review settles and has a wee breather in the glass. However it is not so long ago I wrote an article about making sure of what you are bidding on at auction, which included a tale of what happened when you failed to check and yet again I’ve ended up scoring a spectacular own goal. The two whiskies I was to compare to see if either the later or more recent expression was better has failed at the first hurdle – the two whiskies are completely different and cannot be compared, due to one being peated and one not.


What was planned for comparison

For my faux pas to be explained, Ledaig is a whisky that is produced at the Tobermory Distillery on Mull. I’ve already reviewed one of their whiskies and quite liked it. But the distillery hasn’t always been known as Tobermory and it was the failure to see this rock of knowledge that saw my ship grounded.

The distillery which is the only one on the island was founded by John Sinclair in 1798 and named Ledaig. It had a patchy history, often with long periods silent, two of which were around 40 years in length. It wasn’t until 1979 that a Yorkshire based company, Kirkleavington Properties bought the distillery that it was named Tobermory. They didn’t have much success with whisky production, closing 3 years later, but they converted some of the buildings into accommodation and leased other bits for cheese storage. It all looked a bit dismal until 1993 when Burn Stewart took over, continuing with the Tobermory name.

It wasn’t until 2007 that the whisky we know as Ledaig was produced. It is a peated Tobermory, and it was my mistake to assume that whisky with Ledaig on the label would be peated. Before the 1979 rename, in 1972, a company formed of a Liverpudlian shipping company, Pedro Domecq and some business interests from Central America reopened the distillery. They weren’t successful either and the distillery went bust in 1975. Perhaps this is why a change of name which was also more pronounceable was carried out in its next period of production. Thankfully this was not before one of the drams I will be trying in this review was distilled. Still, a massive disappointment was experienced when I found out that it didn’t seem to be peated and was probably quite close to what Tobermory would be now. Oh well, my bad.

It is kind of pointless to debate whether this is a better dram than the 10 year old, as it is a completely different style before we even consider the age of the bottle, the lower abv and the greater age of the spirit. Therefore in this case before we even taste the whisky, I’m going to have to call this match null and void. I can give comparisons I suppose, but it was then I remembered that I have another sample of Ledaig in the house – a quick furrow about, and I find a 2008 bottling from Robert Graham’s Dancing Stag range. Not enough of a difference for an old vs new comparison, but still a worthwhile exercise to examine these drams now I’ve got them out.


What had to be added to the review

Ah well. Worse things happen at sea I suppose. At least I now have three drams in front of me so time to get cracking.

Ledaig 1974 (Bottled 1992)

Region -Highland Age – 18y.o Strength – 43%abv Colour – Amontillado Sherry (0.9) Cask Type – Not known Colouring – Not known Chill Filtered – Possibly Nose – Quite Light, slight malt, fruity, heather, window putty, a whiff of smoke, wood varnish. Palate – Quite light. Honey, peaches, grassy, buttery, vanilla, sweet gingery wood spice, a hint of brine. However, overall insipid. Finish – short / medium, slightly astringent, more wood spice, a hint of lemon citrus and brine.


Ledaig 1974 – not peated

Ledaig 10 y.o (OB)

Region -Highland Age – 10 y.o Strength – 46.3% abv Colour – Old Gold (0.6) Cask Type – Not known, likely Bourbon Colouring – No Chill Filtered – No Nose – Smokey peat, ashes, earthy, vanilla, honey, seaweed. Palate – Smokey, pepper, lemon, ash, brine. Slightly nutty – walnut. A hint of nail polish remover. Finish – medium, not particularly spicy, citrus, oranges, fresh tarmacadam being laid – the sort of sensation you get when your nostrils and throat get saturated with the smell of a road surface being laid.


Ledaig 10 – peated Tobermory

Ledaig 8 y.o 2008

Region -Highland Age – 8 y.o Strength – 46% abv Colour – Pale Gold (0.3) Cask Type – Not known Colouring – No Chill Filtered – No Nose – Peat, smoke, overheated electronics, fudge, lemon, vanilla Palate – quite light smoke, black cracked pepper and sea salt, fudge, earthy, slight citrus. Finish – Long. Spicy, peppery oak spices, smoke, brine, celery sticks.


Ledaig 8 (2008) – still peated

Conclusions

It is not the first time that my failure to prepare has got me into trouble. I should take my own advice more often. Even this week when going for a morning shower, I had forgot to take a bath towel with me and only realised the omission by time my shower was complete and I was soaking wet. Fortunately there was a hand towel handy, but it was like trying to dry an elephant with a facecloth. Making errors though needn’t be a bad thing, especially when tasting whisky as it just drags you onto new avenues, and at least its not as bad as discovering by accident that disinfectant bathroom wipes are not good for wiping your bum with.

However, if the older dram had been peated, I would have had to say that it would not have been the victor. It did have slightly less strength at 43%, but it also had an extra 8 years in a barrel. Not years well spent I think. To be slightly more considerate in my approach, it had been bottled in 1992, had signs of slight evaporation, so while I could pick out one or two notes, it was definitely a dram that had gone flat. I got tired of drinking it and although it was not repulsive to my palate, I had lost interest, so down the sink it went.

The peated Ledaig we are all probably more familiar with was a different kettle of fish. The flavours and aromas were well balanced, quite bright and punchy, yet not a knockout blow. I’d put this dram somewhere between Laphroaig 10 and Talisker 10. I managed to finish the lot without a single drop of water. Delicious.


Hint: – the tasty one is on the left

The independently bottled Ledaig was not too bad but lacked the same depth of flavours and punch as the original bottling, despite being only 2 years younger and only 0.3% less in abv. I cannot help but think that keeping it in the cask any longer would not have done it any favours and I’d argue that this has been over diluted. It might be a cracking dram at cask strength, but in this guise it was a bit of a let down. Pity, as I bought it while in Glasgow while picking my wife up from the airport a couple of years ago, and bought one for my former Dalwhinnie tour guide neighbour as a thank you for looking after my canine equivalent of Jimmy Saville while I was away for the day. He said that he liked it, but that may have been politeness. At least his dog wasn’t under much threat of attack as it is a Newfoundland, and even Maksimus isn’t going to manage to ravish that. But like us with whisky perhaps he may have thought it worth a try.

You can still find the 8 year old Ledaig for sale from Robert Graham, but while it was an ok dram, it wasn’t as good as the original bottling. The price of £87.50 for an 8 year old spirit at 46% is a bit adventurous for the quality on offer here.

While I have already declared this as a null and void review in terms of the old versus the new, I can’t help but feel that the newer dram would have been the better of the two. I don’t wish to cast aspersions though it could be because the older dram was made during one of the two periods where the distillery was only open for 3 years, and they might have needed someone who knew what they were doing. I’ve heard the 1972 or 1973 are better but I’ll pass.

Yours In Spirits

Scotty

Index of tastings here

Index of articles here


Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

All Photos – Authors Own

Classic Capital Malt

Taste Review #98 – Glenkinchie 10 old vs 12 new

As the blogging behmoth of the old versus new project continues (note to self; don’t do anything like this again!), I find my attention turning to the Lowland region for the second time. As hard as I have tried to spread out the samples of whisky to ensure I am trying a variety of styles and regions, it has all depended on the availability of miniatures or older whisky. The Campeltown and Lowland Regions were the hardest, due to the low number of distilleries in these regions. For many years there has only been two distilleries in Campbeltown until the re-emergence of Glengyle (Kilkerran) in 2004, supposedly to stop the SWA discontinuing the Campeltown region. The Lowlands have been similar, with only three malt distilleries, Auchentoshan, Bladnoch and Glenkinchie. In recent years there has been an explosion of Lowland malt distilleries – Ailsa Bay, Annandale, Borders, Clydeside, Daftmill, Eden Mill, Glasgow, Holyrood, Inchdarnie, Kingsbarns and Lindores Abbey, with Rosebank re-opening and several others in development. Of course, the other problem is that older stock to do an old vs new review is impossible to get from these distilleries as of yet – I’m going to leave that project to somebody else in the future.

Glenkinchie was the closest malt distillery to the Scottish capital city of Edinburgh, until the opening of the Holyrood distillery. It was founded in 1837, by borhters John and George Rate. It may have existed as the Milton distillery in 1825, but records are a bit unclear. Unfortunately they weren’t that successful and they were bankrupted in 1853. The distillery was then converted into a saw mill, but this would not be the end of whisky distilling on the site. In 1881 the distillery was reopened due to the success and popularity of blended whisky, with the distillery as it now exists largely in place by 1890.


Glenkinchie 10

In 1914, the distillery joined with Clydesdale, Grange, Rosebank and St Magdalene to form Scottish Malt Distillers which in turn by 1925 merged with Distillers Company Limited (DCL) which has since evolved to become Diageo. The distillery did not shut down due to the restrictions on the use of barley in the Second World War, and eventually closed its on-site malting in 1968. The maltings were converted into a whisky museum which includes a scale model of a working distillery made for the 1925 British Empire Exhibition.

Glenkinchie was launched as a single malt with the arrival of the UDV Classic Malts in 1988. (UDV were formed by the amalgamation of DCL and Arthur Bell & Sons in 1987.) This was a series supposed to showcase different styles of Scotch Malt Whisky, but does not have a Campbeltown example, so has two Highland Malts (Oban and Dalwhinnie) as well as Lagavulin, Talisker, Cragganmore and Glenkinchie. Kind of pointless, as Dalwhinnie is also a Speyside, being closer to the River Spey than some of the traditional Speysiders like Glenlivet. Of course the saying goes that all Speyside whiskies are Highlanders although not all Highlanders are Speysiders. Glenkinchie was selected as a Classic Malt ahead of Rosebank, which became a part of the Flora and Fauna series in 1991 instead, eventually being mothballed by UDV in 1993.

Lowland malts are smooth, and were often triple distilled, but Glenkinchie is only distilled twice. It does however have the largest wash still in Scotland, with a charge of around 21,000 litres. It also has descending lyne arms from the top of the still, leading to an iron worm tub. This limits copper contact during distillation and can give a meatier, sulphurous profile. However the final result is light and fragrant.


Glenkinchie 12

The older sample is a 10 yr old at 43%. I obtained it as part of a miniature bundle at auction when I was wanting something else in the bundle. It has since been discontinued and replaced by a 12 year old. The newer whisky, which is also at 43%. It is a 20cl bottle which I bought at Cardhu in October 2019.

Glenkinchie 10 (old)

Region – Lowland Age – 10 y.o Strength – 43% Colour – Amber (0.7) Cask Type – Not Stated Colouring – Yes Chill Filtered – Yes Nose -Light Malt, honeycomb, gingerbread. Smells greasy like a used chip wrapper paper. Hints of Brasso / Duraglit Palate – More malt, digestive biscuits, honey, vanilla, walnut. Develops into spicy oak, orange peels. Finish – Medium / Long. Peppery, white pepper oak spice, more peel, becomes slightly astringent with a hint of honey. There is also on taking another sip a hint of smoke and peat, star anise. Adding water gave me a burst of peppermint in the finish and an increase of the oak spices.


Glenkinchie 10

Glenkinchie 12 (new)

Region – Lowland Age – 12 y.o Strength – 43% Colour – Amber (0.7) Cask Type – Not Stated Colouring -Yes Chill Filtered – Yes Nose – Honey Nut Cornflakes, malt, fruity – apple pie with sultanas and a hint of cinnamon. Light citrus such as a lemon cheesecake. Palate – Medium body. Quite sweet, vanilla, honey, malt biscuits, sultanas, grassy notes, peppery wood spice. Finish – Medium. Builds to bitterness as the finish continues, wood spice is peppery / gingery and slightly drying. a very faint whiff of smoke.


Glenkinchie 12

Conclusions

I’m going to have to be quite clinical about this as I was shocked as to how close the two drams were, yet both did give slightly different experiences.

Let me start out by saying I enjoyed both drams. Both were very pleasant and I would have no hesitation in not only drinking them again, but I’d also recommend both drams. Not anything that will set the world on fire, but both engaging and are a pleasant drink neat. The good thing is that Diageo have not played about with the abv, keeping the 12 year old, which was a replacement for the 10 year old at 43%. The colours were identical and it is clear that colouring has been used in these drams. There was no sign of Scotch mist when I added some chilled water, so I am assuming some sort of Chill Filtration has taken place.


Two drams side by side. Older one on right.

The problem I have in deciding is that while the 12 year old is more smooth and lacks the bite of the 10 year old, it is easier to drink. On the other side of the equation, there was slightly more flavour that was discernible with the 10 year old. This leads it to be a decision solely based on personal opinion. However I felt there was also a better mouthfeel on the 10 year old. The 12 year old seems to be a little thinner on the palate. I could go into reasons why I think technically that the 10 is the ‘better’ whisky but I’d be talking total mince as it would still only be my opinion.

In football terms this would be a score draw – both drams score equally well and it is not possible to say that the older whisky is better than the newer whisky, despite my doubts. I’m just going to drink and enjoy.

Yours In Spirits

Scotty

Index of tastings here

Index of articles here


Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

All Photos – Authors Own

The Keith Show

Taste Review #97 – Glen Keith old vs new

For those of you not acquainted with the North East of Scotland, summer is a great time for agricultural shows. The three biggest ones are the Black Isle Show, Turriff Show, and the Keith Show. They are pretty much like a Highland Games, although without the traditional competitions but can include country dancing, field sports, various acrobats or stunt driving, with the added ‘thrill’ of livestock and farm machinery thrown in. This is of course if you appreciate a decent ewe waiting to be tupped or decent Massey Ferguson machinery. And then there is the marquee, the staple of all Highland events where people go to get sloshed and it often ends in drunken violence at some point. It is also said you cannot fail to get a date at the Keith show. I suppose that if a lassie rejects you, there’s always the wooly livestock. Ooops! Perhaps I’ve said too much about my Aberdeenshire upbringing!

It’s been a quite a while since I attended such an event, and it’s likely different now. But apparently leopards aren’t likely to change their spots, so it is with a little bit of trepidation that I approach this old vs new review of some Keith whisky produce. The newer of the two drams, the Glen Keith Distillers Edition, I have reviewed before and to be honest I didn’t really care for it. I’m lucky that my wife did not see that review as the bottle was a present from her. Having said that she knows little about whisky, but I’m secretly proud of her thriftiness as she’s a non-Aberdonian. There’s little point of expecting a more expensive whisky gift from her due to her lack of knowledge and a total refusal to pick up on hints. I keep dropping subtle verbal nudges about another Brora may be nice but nothing so far…

However, with this whisky I have persevered and am now halfway down the bottle, though I have been giving some of my friends samples as an example of what a budget whisky tastes like. Since my initial review, I’ve been using it in hot toddies, along with other less than premium drams (Jura Journey, Naked Grouse and Haig Club) and they performed adequately, so perhaps it is time to give this dram another chance. You can read what I wrote before by clicking on this link Taste Review #42 – Glen Keith Distillers Edition.


Glen Keith Distillers Edition

Since that review, I haven’t actually tasted that whisky again since without adulterating it in some way, so perhaps now is time for a bit of redemption. This was a dram that I didn’t bother gassing, so it has had a bit of oxidation and hopefully this has kicked it into touch a bit. Its already had one kicking from me in the past. In my auction adventures, it’s earlier equivalent – a miniature of Glen Keith turned up, with a strange way of denoting its age on it – it says that it was distilled before 1983. Now usually there would be a vintage that states what year it was distilled, but this definition is open to interpretation.


Slight evaporation but still in good order.

Glen Keith isn’t an old distillery, becoming operational in 1960, just after Tormore. It is built on the site of a former meal mill. It was used as an experimental distillery and ran both double and triple distillations. It made the short lived Glen Isla single malt, which is a Glen in Angus, far away from Keith but is likely to have taken it’s name from the River Isla that flows past the distillery. This was a slightly peated malt. It is rumoured that the Craigduff peated single malt was also made here, although Strathisla has also been in the frame for this. Both Glen Isla and Craigduff are rare whiskies, and were included in the Lost Distilleries Blend I tasted (See Lost Distilleries Blend Review #55). The first single malt released from Glen Keith was in 1994, and it is the older sample that we taste today.

Glen Keith was mothballed in 1999, but refurbished and opened again by 2013. The Distillers edition was the first single malt released in October 2017 after reopening, so could have some pretty young whisky in it. I remember looking back at my other review that the dram was quite sharp, so lets see if a little bit of fresh air has calmed it down a bit and whether or not it meets the standard set by the first official release from the distillery.

Glen Keith 1983 (10 y.o)

Region – Speyside Age -10 y.o (1983) Strength – 43% Colour -Old Gold (0.6) Cask Type – not stated Colouring – Not stated – presume yes. Chill Filtered – Yes Nose – Initially a slight old bottle funk, but dissipated after allowing dram to breathe. Grassy / slightly floral, orchard fruit – apple, canned pears, apricot. Barley sugars, creamy vanilla. Palate – The arrival is unexpectedly sweet. Vanilla, apple, then developing a bitter taste from the wood spice, lemon, ginger, peppery. Finish – Medium. Peppery wood tannins, light malt, Calvados as the spirit fades away. Adding 2ml of water gives everything a bit of a smooth out, slightly increased the wood spice and gave a waxy, candle-like note to the aroma.


Glen Keith – released 1994.

Glen Keith Distillers Edition

Region – Speyside Age -NAS Strength – 40% Colour – Yellow Gold (0.5) Cask Type – not stated. Colouring – Yes Chill Filtered – Yes Nose – Caramel, Apple, Vanilla, Condensed Milk, honey Palate – Light, with a slight oily feel, a light spirit / wood buzz, lemonade, apples, cinnamon / peppery wood spice Finish -Short, honey, creamy vanilla, peppery wood spice, slight spirit burn. Adding 2ml of water kills pretty much everything, bar the burst of spice on departure.


Going down slowly- Glen Keith Distillers Edition

Conclusions

It seems that time in the bottle has mellowed the Glen Keith Distillers Edition. The sharpness and harsh burns that I got on my last review are no longer present and the fruit flavours are more prominent. But while it is more drinkable, than before, I have to say that it is fairly boring and disappointing. But then we have to remember that this is probably made up of whisky no more than 4 years old, possibly with some of the older stock mixed in. It’s price point was £30, but had I paid £30 for it, I would have still felt cheated. Not knowing my wife was going to gift me a bottle, I thankfully picked this one up for only £20 at my local Co-op, but put into store for a later date. As fair as I can be, I think now the spirit has had time to breathe, it has improved what I am tasting and £20 would be probably as much as it’s worth.

That means to me that this isn’t anything special at all and it will not be replaced when the bottle dies. I don’t mean to be unfair when I say that I wouldn’t give this to guests, but would rather use this as cooking whisky. I’ll be happy to sip away at it until the bottle is finished, therefore there is an improvement on what has gone before in my last review. I can say this dram does fit its position in Passport Blended whisky, another less than favoured review in the past.


The Two Drams – newer on left. There was a colour difference when viewed from above

But was it any better than the 10 year old? Well, the ten year old had a notable advantage, all 3% of them as extra points on the abv scale. And boy, did it show. The spirit was more engaging, there was more taste and furthermore, the dram actually had a proper finish. I felt that this dram showed off its palate and finish much more effectively. I’ll restrain from saying the nose as well due to the older bottle effect. But the mouthfeel was heavier, the flavours more distinct and water did not eradicate any of them. Of course, it could be argued that there has been evaporation taking effect of my distillers edition bottle plus it is only 40%, but then again, the 10 year old bottle is potentially 27 years old and didn’t have the perfect fill level either.

And just to put the unfair comparison accusation to bed, that in this series of reviews, I am trying to review comparable age statements or the entry level release from the distillery, which both of these drams are. It is sad to note that in this case, the alcohol level in this dram has been reduced from 43% to 40%, no longer has an age statement and has age that is most likely half that of the other sample, so on this note coupled with the bolder flavours I have to say that I think the older dram is the better one, as had I been given this dram as a gift, I’d maybe consider replacing it.

How both of these whiskies compare to an older, independent bottling remains to be seen – I’ve a 1968 G&M bottling sample to look at sometime in the future that was gifted by a work colleague, so will be reviewing that separately in the future.

Yours In Spirits,

Scotty

Index of tastings here

Index of articles here


Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

All Photos – Authors Own

The Tranquility of Glenmorangie

Taste Review #94 – Glenmorangie 10 old vs new

Once more I take a delve into whisky history, and for your delectation today it’s a trip away from Speyside. In this review, we head up the A9 to the north of Inverness and arrive at the the small town of Tain, situated on the Easter Ross coastline over looking the Dornoch Firth. Of course, it can only be one distillery, and that’s Glenmorangie. The name itself is supposed to translate to the Glen of Tranquility, but I’m no Scots Gaelic expert. As a Doric speaker, English is often a struggle as I tend to mumble. Anyway, it is one of the most mispronounced names in the Whisky World after Bunnahabhain or Allt-a-Bhainne. The hint is to place the emphasis on the ‘MOR’ and the angie should rhyme with orangey. Try it.

Glenmorangie for me is a bit of an emotional distillery. It was where my whisky journey germinated – the absolute Genesis, the big bang event. At that point I had been a casual whisky drinker, but by the middle of 2006 I was a whisky collector by picking up two Glenmorangie Truffle Oak Reserve for £150 a piece. Not that I really knew much about whisky at that time to be fair, it was because as an eating enthusiast (that’s code for fat b*****d) I’m quite partial to a bakers truffle. I hadn’t really discovered the truffles you use pigs to find yet, but I’m available if you want to have a look for some. I had previously visited Glenmorangie in 2001, when on a short break in the Sutherland area with a previous girlfriend. The next time I was regularly in Tain during 2005 / 2006, I was dating a lassie from there, and eventually took a visit to the distillery again with a friend and ended up buying some bottles. The bottles were originally meant for wetting a baby’s head which sadly never came, and were put into a safe place and added to slowly.

The distillery was formed from a brewery in 1843 by William Matheson, who’s family owned the distillery until 1887, when it was bought by the Glenmorangie Distillery Co. who then owned it until 1918. It then passed to Macdonald & Muir who owned it until 2004 when it passed to the French owned Louis Vitton Moet Hennessy (LVMH). The distillery has the tallest stills in Scotland, at around 26 ft 3in tall, or 8m for those of a metric disposition. These are said to make a smoother spirit, as only the purest vapours reach the top, but also this will increase the amount of copper contact with the spirit. Much was made in their promotional material about the 16 men of Tain, the amount of men that used to work in the distillery. However, this has crept up slightly, so they are now known as the Men of Tain.


Little and large line up.

The distillery takes its water from the Tarlogie Springs to the west of the distillery. When the land near the springs was possibly going to be approved for development, the distillery stepped in and bought 600 acres of land that surrounded them. The barley used at the site is grown by a local co-operative of farmers, and once a year, Chocolate malt is used to create the Signet bottling.

The two drams that are in this review are of the same age, abv and cask type, so should be a good contender for a head to head competition. In the older expression, we can see that the volume is not stated on the label and is given in proof, which means it is bottled prior to 1980. I suspect this is a bottle from the 70’s. Unlike the older Glenrothes I reviewed a couple of weeks ago, there isn’t any tell-tale markings on the bottle saying 50ml which would date it post 1971. The newer dram was ordered via Drinksupermarket, whereas the older one came in an auction bundle.

Fortunately before I opened the older sample I noticed signs of sediment, so with the seal in doubt, the coffee filter procedure was employed. I am happy to say that once opened, I could see the seal appeared to be in good condition.

Details

Glenmorangie 10 (1970’s)

Region – Highland Age -10 y.o Strength – 70 Proof (40%) Colour – Pale Straw (0.2) Cask Type – Bourbon Colouring – Yes Chill Filtered – Yes Nose – sweet and sour – honey, caramel, bit of hay, slight hint of smoke and brine. Citrus. Slight funk from bottle. Palate – Quite oily, the legs are quite impressive for its age, subtle arrival of wood spices. Barley, citrus (orange peel) honey, cinnamon. Honey, slight smoke continues from the nose. Finish – medium long. Bitter orange, caramel, smoke, hessian sack, coconut, hint of brine and sulphur. Warming and slightly astringent on the finish. Hessian probably the bottle funk. adding water (2ml) increased the hessian and brine notes and added pineapple to the palate and finish.


Old style Glenmorangie 10.

Glenmorangie 10 (The Original

Region -Highland Age -10 y.o Strength – 40% abv Colour – Pale Gold (0.3) Cask Type – Bourbon Colouring -Yes Chill Filtered -Yes Nose – Sweet, quite light, natural honeycomb, peach melba, slight citrus, little brine, almond, nougat. Palate – Sweet arrival. More malty, barley once again, oak, coconut, reminds me of the pink / white bars of iced coconut.vanilla. Finish – medium. A burst of a savoury note after swallowing. Then sweet / sour. Oak, chocolate, brine, peppery. a touch of candy floss and almond. Adding 2ml of water smoothes things out a bit and reduces the savoury note at the start of the finish.

Glenmorangie 10 Original. Bottle emulating the tall stills

Conclusions

The trouble of doing these reviews of newer versus older whisky is that it is after all, pretty subjective. On the eye, although my iPhone photography may not show it, the newer dram is certainly clearer and more fresh looking in the glass. By colour there is not much to tell them apart, and even on initial nosing before I rested the drams, the noses on them were remarkably similar. So much so I had to mark one of the glasses so I would know what one is what.


Colour-wise not a lot in it. Older on left.

But as I am writing this, I am writing with a sinking heart as the dram I didn’t like, I’m wondering if it is just to my taste or if it is genuinely the worst of the two. It had the shorter finish of the two, and if I am going to be honest, tastewise it wasn’t the best. Then again I look at it from another perspective. The strong taste just after swallowing while not to my pleasure, highlighted something in the whisky that was probably more relevant – a lack of balance. Both drams were soft initially, but the older example had this continuously, and while it did produce that lovely oaky woody spices in the same proportions as the newer example, nothing really overpowered anything else.

For me, what I look for in the whisky normally is the nose, palate and finish. I’m looking for notes, aromas, full on flavours and spices, yet having such a large burst of a savoury flavour at the end, the newer expression of the 10 year old just does not hold the same balance. And for that reason I am going to say I preferred the older expression.

Yours In Spirits

Scotty

Index of tastings here

Index of articles here


Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

All Photos – Authors Own

A Learner From The ‘Lour (Part One)

Taste Review #92 – Aberlour 10 old vs new.

Aberlour. It’s one of those places I just can’t avoid. Due to its location, when I’m travelling home from Aberdeen, the choices are limited. I’ve got the heady decision to go from Huntly to Dufftown, then head to Craigellachie. Before reaching Craigellachie village, turn onto the Bluehills Quarry road that leads past the Speyside Cooperage. I’ve often thought of stopping the truck and helping myself to a barrel, but knowing my luck I’d pick the barrel that collapses the stow. Resisting the temptation of petty larceny and a horrible death under a collapsing pile of casks, you end up on the A95 just to the north of the village of Aberlour.

Alternatively, you can continue from Huntly to Keith, then past Glentauchers (see what speed you can get round the bend outside the distillery at while keeping a clean pair of underwear), then up to Craigellachie, passing by two legendary bars – the Fiddichside Inn, closed since the death of the publican Joe Brandie in 2017 though reputedly has been bought and reopened in 2020. Coronavirus has stopped me dropping in. And of course the world famous Highlander Inn, owned by Tatsuya Minigawa. It’s a great wee pub, and has a full Flora And Fauna set on display. I’ve often wondered if he would open the Speyburn for me…. Regardless, you still end up on the A95 just to the north of the other route, having travelled an extra 5 miles.

Don’t underestimate the heady excitement of the decision I face when I approach Huntly and have to make that split second decision whether I want to go through Dufftown or Keith. It’s how I roll. The only other way home is via Tomintoul with the risk at this time of year being stuck behind a snow gate. That’s not exciting. It’s a much longer journey and unpleasant to do in the dark.

If you are a frequent flyer (or were a ‘frequent flyer’ before the days of Coronavirus) you too probably couldn’t escape Aberlour. You may not realise this, but the tiny Speyside village has two main exports – whisky, of which we will soon come to, and Shortbread. I am a frequent traveller, and I have to say in many airports around the world, and even in many foreign supermarkets, you often can’t avoid seeing the familiar red boxes with the buttery, biscuity snack. I’ve seen it in America, Canada, Poland, Indonesia, India, Singapore, France, Cyprus, Germany and the Netherlands to name a few. They’ve missed a trick, as being an eating enthusiast, I can tell you Deans of Huntly is a far superior shortbread.

As you drive through Aberlour from the north, the first thing you come to is the Shortbread factory, and the depots of Carntyne and McPherson haulage companies. If you are a regular visitor to Speyside, you will know these lorries well, especially if you are on the A95 as you are normally stuck behind them as they take ingredients, waste and produce in and out of the distilleries. Continuing on, there is the Speyside Whisky Shop, the Mash Tun pub that has a great Glenfarclas family cask collection, and lastly, there is Aberlour distillery.


Aberlour 10 old and new

I’ve visited this distillery before, lastly in 2019, but I won’t go onto say much about the distillery right now, as I’ve already rambled enough. Founded by James Fleming in 1879, the distillery has been owned by Chivas (Pernod Ricard) since 1974. I’ve got a couple more old/new drams from this distillery and I thought I would make two posts, and would enable me to kill 4 samples in quick succession. And we could also see in this case if the extra two years maturation made any difference in the next review.

Aberlour 10 has been known as a decent whisky at a very good price. Indeed if you search on Amazon (boo, hiss!) you can get it for £32, and if you are a prime member you’ll get it delivered for free. I bought a full bottle at the Speyside Whisky Shop in September for £33, and it’s now in my store. The 12 year old has recently been on sale at my local Co-op supermarket for £30, and at that price you’d be foolish not to, but both whiskies can often be seen on offer from time to time.

The value of Aberlour 10 is important. It is seen as an easy going whisky that is not particularly strong, well balanced and therefore suitable for beginners to start their adventure into Scotch Whisky. I’ve had it in the past and have to agree with this assessment, and if it is only £30-ish a bottle, what does a learner really have to lose? Aberlour also has a good reputation, so you know you aren’t drinking some random blend that could be used as a substitute for drain cleaner that is on offer at the local Costcutter. Passport Blend springs to mind.

The old 10 y.o sample I have here to taste is from an auction win during January 2021 that also included a 1990’s 12 year old. I already had a 12 year old sample from the 1980’s, but felt the generation gap wasn’t sufficient, and wasn’t wanting to open a full sized bottle to get a more adequate gap. I did however have a modern 10 year old mini which was bought in September 2020 from the Speyside Whisky Shop. I am not sure about the bottling date, as the Aberlour 10 is a dram that was always supposed to be getting discontinued since 2017, yet there is absolutely no problem in obtaining a bottle. Perhaps that shows how much production there has been, as this has been replaced in the core range by the 12 year old double cask.

Aberlour 10 (Late 80’s / Early 90’s)

Region – Speyside Age – 10y.o Strength – 40% Colour – Burnished (1.1) Cask Type – Bourbon / Oloroso Colouring – Yes Chill Filtered – Yes Nose – Quite rich, Malt, Honey, Raisins, Vanilla, McIntosh Red Apples, Caramel Palate – Well balanced. Sweet on arrival. The wood spices are restrained into the development. Nutmeg, Pepper, Malt, Butterscotch, Apricot, Sultanas Finish – medium long, with fruit, caramel and the oak spice fading off gradually. Adding 2ml of water increases the caramel and honey for me, also intensified the spices in the finish.


Late 1980’s Aberlour 10 miniature

Aberlour 10 (2017ish)

Region – Speyside Age – 10y.o Strength – 40% Colour – Deep Copper (1.0) Cask Type – Bourbon / Oloroso Colouring – Yes Chill Filtered – Yes Nose – Malty, Tablet (Scottish Toffee) Sultanas, Currants, Sugar Mice, Strawberry Jam Palate – a tad thin on the mouthfeel, slightly oily, creamy malt with a light toffee note and light oak spices (cinnamon) Finish – short, kind of missing in action. Toffee after a while, but mostly cinnamon. Adding 2ml of water drew out a lemon citrus for me, intensified the spice burst on the finish, but did pretty much nothing else.


Modern 10 y.o Aberlour

Conclusions

I’ve often been wary of how I compare these drams. Often it is impossible to compare them blind, as I don’t have coloured glasses and often the colour of the drams lets me know whether I am currently drinking the older or newer sample. I’ve already confessed in previous blogs that I am often swayed by the colour of the whisky, which can be a big mistake. There was only a slight difference in the colour of these whiskies, but I got a pleasant confirmation to my opinion.


Not a lot of difference.

As most of you long term followers of my blog may realise (and if you aren’t a long term follower, then why not???) this blog is fairly basic as I write this on my mobile phone. This is an necessity when working offshore where having a laptop out during shift may be a bit awkward. Anyway, typing it out on a phone is also pretty awkward. I had just added some water to the newer sample and decided I was giving up on the phone and would swap over to the laptop. Unfortunately, I didn’t watch where I put the glass, and when I came back, to look at both drams, I couldn’t tell which one was what. My nose told me the most likely situation, but a taste gave me instant confirmation which one was what

This may not seem like a big deal, as many of you people reading this are very used to doing this, however as much as I am as well, it is also nice to have that confirmation that your assessment of the whisky was correct.

Both these whiskies are matured in the same way – Bourbon then finished in Oloroso butts I believe. However there was a pronounced difference in the two. The older dram had a much more defined sherry nose. The richness of dried fruit was there, unmistakeable signature of a sherry cask. It wasn’t as rich on the newer dram, and I have to say there was a lot more sourness in the newer dram when water was added,

The biggest downfall for the newer dram was the lack of a finish. I’m sorry, it was just not there. In my research for this dram, I’ve seen opinions that say that this particular bottling from Aberlour has been prone to batch variation, so I am not sure if my miniature has suffered from the same issues. However, I can only judge on what I have, and to be honest the combination of a richer nose, deeper palate and longer finish means that I have to award the older dram the winner of this tasting.

We’ll see if the 12 year old is any better in the next review, with a 1980’s sample against a 1990’s miniature.

Scotty

Index of tastings here

Index of articles here


Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

All Photos – Authors Own

Finding The Ugly Duckling

Taste Review #90 – Glengoyne 10 Old vs New

Once upon a time….. yeah, that’s not how this story is going to turn out I’m afraid. No Hans Christian Andersen here, this is strictly adult story territory here. The emblem of Glengoyne is a Swan, so whether or not one of these whiskies graduates from an ugly duckling to a graceful swan remains to be seen. I tend to like happy endings here at Scotty’s Drams.


Two ten year olds. At least 30 years between bottling.

I’ve reviewed Glengoyne 10 before and to be honest I wasn’t that impressed. However it didn’t stop me buying an 18 year old 70cl bottle when the range had a facelift and it was going cheap on Amazon. Of course I know what I’ve said about shopping on Amazon for whisky, but this was a rare occurrence. I still buy the majority of my spirits from independents. But would this time be any different? Would I notice a difference in taste?

Glengoyne is a Highland distillery (only just) as the dividing boundary is on the road outside. The stills are in the Highland Region and the warehouses are in the Lowland region. It is currently owned by Ian Macleod Distillers, who also own Tamdhu. They have owned the distillery since 2003, when they bought it from Edrington. The spirit made here is completely unpeated.

As this is a comparison review, I’m not going to say too much about the distillery history, but concentrate on the whisky. The two bottles I have are both 10 years old and both at 40% abv. The older one has suffered a little evaporation it seems despite having quite a tight seal. This was bottled in the 1980’s so we can forgive a little bit. The modern version was bought in 2020, just before the rebrand. Let’s see what one gives the best dram experience.

Glengoyne 10 (old)

Region -Highland Age – 10 y.o Strength – 40% Colour – Deep Gold (0.8) Cask Type – Sherry, possibly Bourbon in the marriage Colouring – Not known but suspect Yes Chill FilteredNose – Toffee, Raisins, Vanilla, quite fruity, slight cereal note. Green apple. Palate – Toffee and vanilla continue, with the raisin note decreased slightly. Leather, slight liquorice notes, and a hint of nut. Soft oak with a waxy mouthfeel. Nut and oak increase with water. Finish – medium. Sweet with soft oak spiciness, chocolate, mocha and butterscotch. Adding water increases spices at the end. There is also a slight interaction from the bottle.


Old style from 1980’s. When music was great.

Glengoyne 10 y.o (new)

Region – Highland Age – 10 y.o Strength – 40% Colour – Yellow Gold (0.5) Cask Type – 30% Sherry, 70% Bourbon Colouring – No Chill Filtered – Yes Nose – Toffee, Green Apple, Honey, Lemon, a hint of cereal. Quite crisp Palate – Apples, grass, waxy mouthfeel but not a heavy wax. Almost indistinguishable oak note, faint white pepper. Finish – short. Ginger. Lemon, Apple. Adding water to this dram made little difference to N,P & F.


The new kid on the block. Since replaced by a newer kid.

Conclusions

Some fairly damning opinions here. I will hold back from saying that they are ‘facts’ as this is just my experience.

The manufacturer has been quite open about how the new bottling is put together. This should be applauded when many distilleries say nothing about the make up of their whiskies. This one was Sherry cask (15% European Oak and 15% American Oak) and 70% refill bourbon casks. To be frank, I struggled to taste much of the sherry effect in this dram.


Side By Side

Let’s contrast this to the 1980’s version. Despite the obvious effects of age, this dram in the nose alone screamed “I’ve been in a Sherry Cask”. I do believe there has been a touch of bourbon cask involvement, I can’t tell you if the spirit has been re-racked or married with bourbon cask. Whatever it is, the oak notes are a lot more pronounced, where in comparison the new version the oak notes were almost missing in action.

My main thought is whether or not this whisky has fallen foul of poorer quality casks or more reliance on bourbon maturation. The modern 10 isn’t a bad whisky and although I haven’t enjoyed it particularly over the past two reviews, that is just my personal taste. Too many people enjoy Glengoyne for me not to accept it is a decent brand, and perhaps that I’ll enjoy something a wee bit older. I’ve an 18 y.o miniature for that purpose.

You can buy the old style Glengoyne at auction for around £80. Bit pricey for a drinking 10 year old but I’ve tasted a lot worse and paid a lot more for it. Be aware it’s a screw top, so the seal may not be perfect and the waxed cardboard will have an effect if it has been incorrectly stored. The modern Glengoyne retails around the £30 mark.

Despite being from an old bottle and slightly evaporated, the old style Glengoyne wins hands down, mostly due to having a superior nose and palate.

Yours In Spirits

Scotty

Index of tastings here

Index of articles here


Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

All Photos – Authors Own