Some things ARE Black And White

Taste Review #65 – Black and White Blended Whisky (1950’s Bottling)


How many times have we heard that things were better in days gone by? It’s certainly something that I’ve heard plenty of times and in some cases there may be a bit of justification in that statement. As a child of the early 70’s, I have very happy memories, but then again I also remember strikes, power cuts, uncollected trash and expensive fuel – so not everything was better. As we have propelled ourselves from the 20th century into the 21st, things are much improved. But is whisky?

Getting us into a sense of perspective, I’d suggest that this may not be true. Having a greater selection doesn’t mean that things are better for the whisky world than they were. Pressures of shareholders and demand have accelerated the need for production resulting I would say there a rising blandness in the whisky world and while none of the whiskies are bad as such, I feel there is much of a muchness.

This week’s sample has come from Cheaper By The Dram, managed by Whisky and Antique specialist Mark Littler. You might remember that I have done a series on cask purchases with his help and have also reviewed one of his other releases, the 12 year old Glenturret. This dram has come as a thank you for some help that I had given Mark – I wasn’t sure what to expect and I was overjoyed to be given a sample of whisky from the 1950’s – Black and White Blend. It has always been my ambition to taste a whisky from that era. An abortive attempt to do so occurred a couple of years ago with the purchase of a Glen Spey blended whisky at auction. I had questions over the provenance and authenticity of the bottling once I received it so had decided to keep it as an oddity rather than a drinking bottle.

Regular readers have probably noticed a relative lack of blends in my reviews and I give no apology for the fact that I don’t drink them often. That’s because I strive to find a character in a distillery through its single malt and that’s something that I look for. I’m not a snob and do not think that blends are inferior, but they don’t appeal to me so much. A telephone conversation with Mark led him to put the supposition ‘that a single malt is like a virtuoso violinist, yet a decent blend is like a whole orchestra’ with all the components in its correct place for maximum enjoyment. So I had to smile when I saw the cover note with this latest CBTD delivery. See below.


The orchestra is tuning!

And I have to say there may be a grain of truth in that, but we will see later whether or not this will be true in this case. Speaking of cases, this one arrived in its usual secure packaging with minimal information contained within. This is partly to discourage re-sale of these bottles at auction and to me it helps provide focus to the whisky itself, partly like a blind tasting where few if any details are known about the spirit.


Secure packaging

Black and White is amongst of the oldest whisky blends still being produced . It’s owner, James Buchanan supplied blended whisky that was made by Glasgow blenders W.P Lowrie. It was initially marketed as Buchanan’s, and was packaged in darkened bottles with white labels and was commonly known as Black and White whisky (which was to become the official name of the blend from 1902.) From 1885 this was supplied to the House Of Commons and was renamed Buchanan’s House of Commons Fine Old Highland whisky.

By the early 1900’s the logo of the whisky was to become an Aberdeen Terrier (also known as a Scottie Dog) and a West Highland Terrier. To help provide more whisky for his popular blends, Lowrie and Buchanan founded the Glentauchers Distillery beside Keith and also eventually obtained Convalmore Distillery in Dufftown when Buchanan bought out Lowrie in 1906. The whisky that Buchanan was producing was good enough to obtain Royal Warrants from Queen Victoria, the Prince of Wales and the Duke of York in 1898.

By 1915, Buchanan had joined forces with Dewars, becoming known as Buchanan Dewars in 1919. By 1925 they merged with John Walker & Son and Distillers Company Limited (DCL), now part of Diageo.

As we know, blended whisky was made as an alternative to low quality single malts. Blended whisky was smoother, more consistent and easier to drink. After the invention of the Coffey Continuous Still, grain whisky was easier and more efficient to make. When the law changed in 1860 to allow the sale of blended of malt and grain whiskies, single malt fell out of favour. Even now, blended whisky outstrips consumption of single malt. It may shock you to know that roughly 90% of Scotch whisky goes into blends.

So, is this whisky any good now, and how does it compare to current blends? There is only one way to find out….


The sample

Details

RegionBLEND Age – NAS Strength – 40% ColourBurnished. NoseOld linen, vanilla, strawberry, apple, walnut. Palate – Very light. Slight smoke in the back ground. Apple, oak, slightly tannic. Finish Wood spices, light peat, brine, lemon, slightly drying and warming.


The dram

Conclusions

I started this article by wondering if things were truly better in the past. I’m still none-the-wiser as to whether this can be verified. What I can tell you is that this is a dram that is definitely unlike a lot of whisky that I have drunk recently. It definitely has that old fashioned feel to it; light but with a certain amount of meatiness. Fruit is in the fore, and one wonders if this is an influence of stock from Convalmore, a now silent distillery that had long fermentation and slow distillation.

And it is when I think of Convalmore, I had a slight epiphany. This is a blend made in the 50’s. The whisky in it may have been made in the 1930’s or 40’s. As a consumer we do not know exactly what whisky is actually in the blend, but I got a slight Highland peat (as opposed to Islay) and a brine note. It is highly likely we are drinking a blend that contains substance from more than one silent distillery and using a process long consigned to history. At this point nearly every distillery would have been using traditional malting floors, so perhaps it does make a difference. Other whiskies that are known to be in this blend are Dalwhinnie, Port Dundas, Glendullan and Clynelish. Perhaps the latter gave the brine note?

The nose of old linen takes me back to my first review of a CBTD whisky, the 12 year old Glenturret from the 1980’s which had a musky taste about it too. It took a bit of getting used to, but once I realised it was just a more traditional style, I really enjoyed it. The nose in this case was just a linen note that provoked evocative memories of my childhood visiting my great-grandparents in their croft on the outskirts of Aberdeen. This old style whisky conjured up happy memories of a bygone age and that is sometimes what tasting a whisky as an enthusiast is about – letting the aroma and tastes play in your mind as you try to describe them as you recall the occasions you last experienced these sensations.

Putting my thoughts into a neat package, the only recent whisky that I can truly compare this whisky to is the Lost Distilleries Blend. While that was a cask strength blend consisting only of silent distilleries, not all of the whisky in that blend is likely to be relatively old, circa the 1980’s. I didn’t really enjoy that blend for what it cost – a full bottle is £300+. But it’s been blended for modern tastes. Black and White is from a different era – where men were men and didn’t have top knot hairstyles or man bags, children were supposed to be seen and not heard and wives only had to do housework and have their husbands tea ready for when they come home. Yes, not everything in the past was better, but this relatively uncomplex blend gives us modern whisky drinkers a glimpse into whisky past – something that is essential to do for those of us on a whisky journey of discovery. For it is true that it is harder to appreciate the present and the future without a good grasp on what has gone before.

And that is not a bad thing.

Availability of this 3cl dram which costs £14 from Cheaper By The Dram is now limited. Given the full size bottle can be around £300 on the auction sites, this is very little to spend to enhance your whisky experiences. Black And White does not seem to be available for sale in the U.K. at the moment, but the modern equivalent is available cheaply in Europe, in some cases only £12-£15 a bottle. Keep an eye out for this at auction, but if you are quick, you may just get the last samples at Cheaper By The Dram store. Perhaps Mark / CBTD may obtain more in the future and for those of us who want to compare old style whisky to new style, this would make a most excellent comparison. Should more become available I’d certainly be willing to drink it again. As I don’t score my whisky, this would get a “recommended and would buy again” comment instead. And that is definitely high praise.

Thanks go to Mark Littler for supplying this sample. I wasn’t that optimistic about a blend to start with when I saw it arrive, but I’m really glad I did not miss out as it was delicious and a worthwhile journey into the past. Remember, sip don’t flip!

Yours In Spirits

Scotty

Index of tastings here

Index of articles here


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Scotty’s Drams encourages responsible drinking. To find out the facts about drink, and where to find help if you need it visit Drinkaware.co.uk by clicking on the link.

Photo Credits

Photos – Authors Own

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